Sometimes Julie

Bright Side of the Line, Sometimes Julie’s new six-pack EP track, scores big. Blending Indie-rock, Louisiana-style blues, and Americana country with rich melodies and powerful vocals, the singing-songwriting duo of Monica Sorensen and Rick Walker knock the band’s second CD out of the ball park. Sorensen, a self-described poet “looking for a new outlet for her words,” commands an ethereal venue for prose that cuts deep. Walker accompanies Sorensen’s stories of loss, faith, heartache, conviction, resolve, and grace under pressure with strong riffs, driving rhythms, and pulsating harmonies. Bright Side of the Line is to be listened to on repeat. Once heard, it does nothing but tantalize the imagination. Poets in search of meaning must investigate the genesis of Sorensen’s lyrics. Sorrow and triumph are themes for a reason.

The album’s title track, “Bright Side of the Line,” ranks as my favorite. The catchy, sing-along rock ballad bellows anguish while sporting a scar slashed so deep, there is no other side. Agony is never in doubt for those who have loved and lost so tragically. Time is devoted to “bleeding, pleading, drowning, and screaming,” to “find my way back/back to the bright side of the line.”

While “Standing My Own Ground” promises to let go, Emily, noted to be written in light of the American poet, Emily Dickinson, taps into the often misunderstood genius of the poetic masters. Introverted and eccentric, Dickinson never married, rarely entertained guests, had a penchant for white clothing, and used death and immortality as poetic themes. Sorensen’s haunts with her words. “Even as she says she’s never seen the face of God/she says she’s always known his seasons/claims she’s got a ticket for a front row seat in heaven.” Brilliant. Pure poetic brilliance. Emily Dickinson would be proud.

“Sanctuary,” the CD’s ballad invites the wounded to “Let me be your quiet/I will be your sanctuary.” “Another World” rocks the ideal of escape to “Another world where no one can find me/turn me on be my guide/I’ll leave it all behind me.” Both toe-tapping songs are meaty and gritty.

“When the Sun Ain’t Shining,” the CD’s final country-laden, catchy track oozes of true unrequited love. Touting passion, purpose, safety and warmth, lovers embrace “Everywhere they are/it’s the right place to be/when the sun ain’t shining.” Sometimes Julie fans—love conquers all.

Bright Side of the Line features Monica Sorenson on vocals; Rick Walker on guitar, keyboards, percussion and backup vocals; Bruce Paul Allen on bass; Fred Barden on guitars; Andy Graham on drums; Rick Lorenzini on the organ; Andy Machin on guitars, keyboard, backup vocals; Margaret McClure on backup vocals; and Anthony Sarain on the saxophone and flute. All songs are written by Monica Sorensen, Rick Walker, and Andy Machin. Bright Side of the Line was recorded at Bigrock Studios in Escondido.

Head First, the band’s debut CD garnered an Akademia Music Award for best Americana music video. - San Diego Troubadour

San Diego, California-based indie and Americana rock band Sometimes Julie is centered around singer-songwriter duo Monica Sorenson and Rick Walker. They are accompanied by Alberto Moreno (guitar), Bruce Paul Allen (bass), and George Nelms (drums), with whom they created quite an EP.

Bright Side of the Line feels, in a way, like a gift from the other band members to Sorenson; her bandmates let her use their band as a way to channel the difficult experience of losing her son, who was, at the time, only 20 years old. While one might think that all six songs on this EP would be melancholic and depressing, potentially with one or two angry ones thrown into the mix, what listeners are treated to is quite different. After all, there are a lot of both positive and negative emotions that come with grief—even joy.

Emotional rock is something fans of 1990s female-driven pop rock will find loads of here. The genre fits well with the topics at hand, as listeners familiar with the five stages of grief will identify them throughout the EP. The fact that each track cannot fit tidily into one of the five boxes speaks for the complexity of the emotions each of them contain. But overall, one could say that “Standing My Own Ground” channels a lot of anger and defiance; the bluesy rock number seems to make a stand against the difficult times Sorenson is going through.

“Sanctuary” offers hope—hope that is nurtured and sustained by reaching out to others to help them with their own pain. The way Sorenson’s vocals seem to flit and flutter against and with both the guitar and the bass evokes the way the feeling of hope does the same with hearts tenderised by a very difficult experience.

Bargaining comes in two forms in the EP. In “Emily”, it feels like an almost innocent type of it; this is an upbeat track with horns peppering it throughout. While polished, its genre is difficult to put a finger on, but listeners will probably not care, taken away by the duality of a track at times dynamic and enthusiastic, and at other moments, sensual and thick. “Bright Side of the Line” also seems to be dealing with bargaining but as a sub-theme to despair and even denial. This acoustic guitar-led tune is sprinkled with electric guitar contributions and is the one that fits the most with the above-mentioned 1990s female pop rock sounds.


While “Another World” is an escape of sorts, something anyone grieving needs once in awhile, the country rock, bluesy ballad “When The Sun Ain’t Shining” seems to be a release from the grief. The experience of listening to this EP is heightened when one knows its roots, but even those who don’t know about them will enjoy the meticulously built melodies, the thoughtful lyrics, and Sorenson’s vocals. - Blogcritics

No if’s and’s or but’s, Sometimes Julie has an arsenal of songs worth listening to and praise worthy in their six-track collection, Bright Side of the Line.

Vocalist Monica Sorenson has a voice that has been kept secret for too long. She’s ready to be unleashed and these bluesy, sassy tracks seem to do the trick. I closed my eyes at one point and imagined the fight to get these songs perfected in the recording studio. When you listen to Sometimes Julie, the urge is to think, “oh, another bar band made a record.”

Not the case.

There’s a passion here than not only connects with the inspirational lyrics, but the chemistry and alignment between alluring vocals and sneaky, sultry saxophone trails sits so well. The organ channels this soul that compliments like a martini on a Friday night.

Really, all six of the tracks are standouts, but fans of Tom Petty & The Heartbreakers, Melissa Etheridge, Alanna Myles and other blues-rock beds, will dig the title track especially. I thoroughly enjoyed “Emily” and the triumphant “Standing My Own Ground.”

I guess that’s the best transition here – this San Diego band really knows their ground. They know their strengths and boy they sure know how to play it! - Hot Indie News

Hi guys, welcome back to VENTS! How have you been?

Hello, Rafa! We hope you’ve been well. Monica and I have been really busy writing and recording songs and playing shows in our beautiful hometown of San Diego. We’re having lots of fun!

Can you talk to us more about your latest single “Bright Side Of The Line”?

We spent Christmas 2013 in the ski town of Mammoth, California. The trip was intended to be a change of scenery for us, to get through the first Christmas after the loss of Monica’s son, Andrew. Of course we found ourselves writing songs, several of which, including “Bright Side of the Line”, were either directly or indirectly about what Monica was going through at the time. “Bright Side of the Line” is about perseverance in the face of a profound loss.

Did any event in particular inspire you to write this song?

Essentially, the song “Bright Side of the Line” is an open letter to Monica’s son, Andrew, who died in 2013.

Any plans to release a video for the single?

We were just talking about that! Alberto Moreno, our new lead guitarist, is a videographer by day and is going to direct the video. It should be out this summer.

Why naming the album after this track in particular?

Like “Bright Side of the Line”, all of the songs on the album are, in one way or another, about making your way through difficult times, either by mining inner strength or seeking comfort in another. The songs are about looking for relief and finding light and hope when times are dark.

How was the recording and writing process?

Monica typically spearheads our writing process. She comes up with melody and lyrics, and then we sit down together to put music to her words and discuss potential arrangements – that was our initial writing process for “Bright Side of the Line”. Something new to the writing process for this album, though, was that we involved our producer Andy Machin of Bigrock Studios as a cowriter. His contribution added clarity while still allowing the songs to be authentically Sometimes Julie

When we first started recording songs for “Bright Side of the Line”, we laid down the basic tracks for 15 songs with the intent of completing a full-length album. In the middle of the process, though, we decided to focus on just six of the songs and release them as an EP, because we wanted to get them out there as quickly as possible. The other nine songs will likely end up on later releases, so stay tuned.

By the title I take it this is a somehow positive album… or isn’t it – where did you find the inspiration for the songs and lyrics?

Being positive is a choice – that is what this work really speaks to. Focusing on perseverance and hope, even the face of tremendous adversity, is how we all push through the worst of things. There is a wide range of emotions driving the songs on “Bright Side of the Line”, including sadness, desperation, fury, and love. I think writing and recording this album provided catharsis for Monica and was her way to connect with and express those feelings.

How has those life struggles have not only affected you as humans but as musicians?

Losing Andrew obviously had a profound impact on Monica, her family and everyone close to her. It continues to inform her entire life, let alone her songwriting. Again, there is a very wide range of deep emotions that result from the death of a child, and I think a lot of those emotions come across not only in the lyrics but also in the music of “Bright Side of the Line”. I think our life struggles have resulted in our being more honest as songwriters and musicians, inviting the listener in to feel and understand what we are feeling.

I remember back when we talked you used to be a duo if not mistaken, how has this new set of musicians have influence your sound?

You are correct! We did start out as a duo, with me playing almost all of the guitars and keyboards on our first CD, “Head First” and employing studio musicians for the rest. After we completed “Head First”, though, we decided to form a full band to play our songs live and to record the next album. Working with a rock band drove us toward a harder-edged sound, which I think that is reflected in “Bright Side of the Line”. There still are traces of our singer-songwriter/Americana roots, though.

Any plans to hit the road?

Nothing is written in stone yet, but we hope to hit nearby cities like Los Angeles and Las Vegas this summer and also play some festivals. I guess we’ll see!

What else is happening next in Sometimes Julie’s world?

Right now, playing gigs in San Diego and planning our new music video occupies most of our time. But we can’t wait to get back to the studio to finish the songs we have in progress as well as some new ones we have been writing. We hope to release another EP before the end of the year! - Vents Magazine

Bright Side of the Line is the latest release from San Diego’s Sometimes Julie; the album starts out with the polished and catchy introduction, Emily. The track does a tremendous job at inviting listeners in, while the disc’s second effort, the titular Bright Side of the Line, is an impressive effort. The impassioned vocals link up with sizzling guitar work and on-point drumming to make for something that will stick in listeners’ minds long after the album has ceased to play. The track does a great job in including pieces that fans of rock, pop, and even country genres can appreciate.

Sanctuary slows things up, allowing listeners to hear the greater finesse of Sometimes Julie. The dynamic between the guitars and bass is something special, creating a secondary voice to the track that Monica’s vocals can play off of. While the track picks up, I feel that this more contemplative effort is something that colors the rest of the EP. Standing My Own Ground is based in a more blues-rock tradition, with hints of Sheryl Crow and Carrie Underwood able to be picked up at points.

When the Sun Ain’t Shining is the final track on Bright Side of the Line. The instrumental-heavy introduction is something refreshing for the final strains of the EP, and are given further energy when Monica’s vocals begin. When each element of Sometimes Julie enters into the fray, listeners are given another strong effort to conclude the disc. With a polished production and oodles of confidence, Bright Side of the Line is one of the best EPs we have reviewed this year.

Top Tracks: Standing My Own Ground, Bright Side of the Line

Rating: 8.7/10 - NeuFutur Magazine

Sometimes Julie’s “Bright Side of the Line” is sung with fire and passion. Arrangements are impeccable as Sometimes Julie incorporates elements of jazz, rock, country, and a little bit of blues. Through this careful balance Sometimes Julie creates an album that is constantly twisting and turning to create new perspectives. By far the highlight of the album are her fantastic vocals which soar. Lyrically the songs focus on the ups and downs of relationships. Her lyrics explore the complications that so often define a relationship the weird missed connections, the desire, and the love that ties all of it together.

Things begin on a high note with the kaleidoscopic swirl of “Emily”. From the horns to infectious groove, everything simply works. As the piece progresses Sometimes Julie shows off her impressive knack for incorporating a great variety of flourishes from flute to the languid dreamy passages. Deserving to be played as loud as possible is the celebratory “Bright Side of the Line”. Tender in nature is the inviting sound of “Sanctuary”. Breezy and sweet is the classic rock vibe of “Standing My Own Ground” right down to the sound of the organ vamps. Doubling down on the energy is the driving rhythms of “Another World”. Serving as the highlight of the collection is the introspective sound of “When the Sun Ain’t Shining”

Catchy, concise, and delivered with the utmost of care, Sometimes Julie’s “Bright Side of the Line” is a fantastic free-spirited thing. - Skope Magazine

Southern California is more than just a hotbed for beaches and sunshine, it’s also a very creative environment for musicians like San Diego based, Sometimes Julie. The brainchild of Monica Sorenson and Rick Walker, Sometimes Julie began in 2012 at a San Diego bar karaoke night when Rick learned that Monica was a poet looking for an outlet for her words. After scoring an award-winning debut, Sometimes Julie is back with a new six track EP titled, Bright Side of the Line, which offers a nice mix of Americana and indie rock songs.

Of all the songs on the project my favorite track is “Another World” because, the music and vocals are tightly woven together and presented without a spot, wrinkle, or blemish. Monica’s vocal is very strong and reminds me of the powerful performance Blondie gave on her song ‘One Way Or Another’. In the same way it did for Blondie, I believe this classic female rock vocal performance is what will win Monica Sorenson a much deserved audience of loyal fans. Thanks to the musical excellence of Rick Walker (guitar), George Nelms (drums), Bruce Paul Allen (bass), Dave Bailey (keyboards), and Alberto Moreno (lead guitar), Monica is able to shine and prove that this band is definitely on their way to building a long string of hit songs.

Other great songs from the Bright Side of the Line include: “Emily”, “Bright Side of the Line”, and “When The Sun Ain’t Shining”. Each of these songs has hit potential, especially “When The Sun Ain’t Shining”. There’s a lot going on here that I’d absolutely recommend to fans of female fronted bands like Blondie and/or The Cranberries. Check out the EP and if you like it make sure you actually buy it. We have to support great bands like Sometimes Julie monetarily so they can keep making awesome songs for us all to enjoy. - The Miews

ROCKWiRED RADiO PROFiLES FEATURES AN EXCLUSiVE iNTERViEW WITH RiCK WALKER AND MONiCA SORENSON OF SOMETiMES JULiE AND CUTS FROM THEiR NEW EP BRiGHT SiDE OF THE LiNE!!!

You never think that anything good can come of doing karaoke but in the case of MONICA SORENSON the great American past time ended up changing her life. While singing what was more than likely an ALANIS MORISSETTE tune according to the press release, MONICA's voice and soulful phrasing caught the ear of guitarist RICK WALKER - a man whose musical past goes back to the halcyon days of the Chicago scene of the early nineties which was filled to the brim with artists such as LIZ PHAIR, SMASHING PUMPKINS, MATERIAL ISSUE and URGE OVERKILL.

At this point in the story WALKER was looking for words to put to his musical arrangements and it just turned out that the woman singing karaoke not only had a voice but dabbled in a little bit of verse as well. Before long the two began swapping ideas and eventually songs were born as was the act they curiously dubbed SOMETIMES JULIE. By 2014 they made their presence known with their award-wining debut HEAD FIRST and now they're back with a brand new EP BRIGHT SIDE OF THE LINE.

To call a six song EP an emotional roller coaster sounds like a bunch hyperbole but in this case it ain't hyperbole. SOMETIMES JULIE's songsmithing marries stomping grooves and funky, bluesy flourishes with dark and edgy subject matter that is given extra heft thanks to SORENSON's buoyant vocals and emotional delivery. - Rockwired Magazine

'Gorgeous vocals, poetic lyrics and tight acoustic production make this beautiful collection of Americana songs shine.' - The Akademia Music Awards

Americana is being redefined by Sometimes Julie’s debut album, ‘Head First’. Beatific vocals and lyrics backed by superb production are quickly elevating their work to the top of the international radio charts.

Sometimes Julie is the intersecting ambition of singer-songwriter duo Monica Sorenson and Rick Walker, Andy Graham (drums), Andrew Yurman (bass), and Fred Barden (lead guitar). While their new album 'Head First' extensively investigates the varied challenges of a burgeoning romance, their sound distinctly hails from the Americana domain. This is a complex genre in that it attains to express the situation of an entire country - one with a notoriously complicated assembly of viewpoints, ambitions and creeds. It is essential to appreciate this in interpreting Sometimes Julie as their work ranges considerably in sensibility and affect. Songs like 'Come Find Me' render the journey toward togetherness with an almost immigrant intensity while other tracks put Sorenson's superb vocal talent (strong as Joplin but sensitive in a way the other woman never quite reached) in service to long-cherished American preoccupations with love and loyalty. Reporter Blake Wright recently caught up with this extraordinary band to learn more about their story and plans for the future.

BLAKE: When did you first discover your love of music?
SOMETIMES JULIE: We both come from very musical households. Music has been a part of our lives for as long as we can remember.

BLAKE: Your song ‘Head First’ is receiving a strong listener response on radio. What was your initial reaction when you first heard it played?
SOMETIMES JULIE: We were ecstatic of course! When we first started recording the songs for our album we were doing it just for us, with no illusions that anyone other than our friends and family would ever hear our music. The fact that ‘Head First’ has been so well received has been an awesome surprise.

BLAKE: What was the inspiration behind your debut radio single?
SOMETIMES JULIE: ‘Head First’ is about the transition from new relationship to established relationship--when you are questioning whether or not the person you are with will be willing and able to stand by you if things get tough--and imploring them to throw caution to the wind, 'go all in' and become invested in the relationship.

BLAKE: Would you say that the mood of your other songs is in the same vein as ‘Head First’?
SOMETIMES JULIE: Almost all of the songs on our CD,’ Head First’, are about love and relationships. Those themes are universal--everyone’s been there--and really nothing is more important. Musically, there is a little variety, with songs ranging from moody ballads to bluesy rockers like ‘Head First’.

BLAKE: How would you characterize yourself as artists?
SOMETIMES JULIE: Our music probably comes across as more serious than we actually are. We have a lot of fun writing and performing and we make each other laugh a lot. The songs themselves though, are about things that are important to us--which probably translates as serious.


BLAKE: Did you come from musical backgrounds? Are there other musicians in your family?
SOMETIMES JULIE: We both come from musical families, each with a few serious concert musicians going back a couple of generations. Currently Monica’s brother--who is also musical--is the lead singer of a band called Idlebind in Phoenix, Arizona.

BLAKE: What do you find most rewarding about being an artist? What do you find most challenging?
SOMETIMES JULIE: We love writing and recording, and we love performing live. We enjoy the creativity of the writing/recording process, when you put the words and music together and create something new and exciting. We love performing for the instant gratification of seeing the audience react as we sing and play. And when you see that someone in the crowd knows the words to your song and is singing along... there is no feeling like it. As for what is most challenging, it is probably booking gigs. There are a lot of talented bands out there producing a lot of great music and there are only a limited number of places to play. We are just gonna keep chugging along, building our following and play just about any place that will have us. It’s been working so far, and our gigs just keep getting bigger and better. We love it!

BLAKE: Who are your role models in music?
SOMETIMES JULIE: Our producer, Andy Machin of Big Rock Studios, has been a great role model and mentor for us. It was he who first put forth the idea that there might be an interest in our music outside of family and friends. He really helped us find opportunities and navigate the music business. He is also one hell of a producer and engineer who records beautifully and coaxes forth our best performances.

BLAKE: Describe your best or most memorable performance.
SOMETIMES JULIE: We recently played at a sold out show at the House of Blues in San Diego. It was crazy, chaotic, and amazing – totally unforgettable.

BLAKE: Do you have a music video for your hit single? If so, what can you tell us about it?
SOMETIMES JULIE: Joe Pine of JNP Productions produced the video for ‘Head First’. It is primarily a band performance video, but it also has a 'boy meets girl' storyline. The boy (played by Ricky Wood of the movie ‘Gone Girl’) has to prove he has enough heart, courage and intelligence to be worthy of the girl. We think the video is really fun and are very proud of it. Be sure to watch the whole video--there is a little surprise at 3:20 that is worth waiting for!

BLAKE: What advice would you give to young, aspiring artists out there who are unsure and need guidance?
SOMETIMES JULIE: There is so much information out there - it is just a matter of looking for it. Get involved in your local music scene. Go out and see shows and meet the musicians. Find local songwriting meet up groups; there are a lot of good mentors out there. Most importantly, don’t think you can’t do something simply because you don’t know how. The answers exist. Just start by taking a first step, and then another, and onward. Eventually, those steps will lead you somewhere.

BLAKE: What's next for you as an artist? Is there a new single in the works? If so, what can you tell us about it?
SOMETIMES JULIE: We are currently in the studio working on our follow-up album, tentatively titled ‘Still Standing’. The songs on this one will have the same roots and soulful feel as those on ‘Head First’, but will be a little harder-rocking and edgier. We truly believe this is our best work yet, and the tracks have been very well-received during live performances. We can’t wait for everyone to hear it when it's finished!

BLAKE: I look forward to hearing it. Thank you for your time. Wishing the band continued good luck and success! - Marquix Global Network

There is no Julie in Sometimes Julie. It is actually a duo of San Diego-based musicians: singer Monica Sorenson and multi instrumentalist Rick Walker. He had experience playing blues and classic rock in clubs in the Midwest and elsewhere; she loved karaoke and writing poetry. They met, and now he writes the music, she writes the words, and they have new full-length debut CD titled Head First.

The new album is a very generous 14 original tracks, beautifully recorded by Andy Machin, with Walker playing most of the instruments. The title track gets right down to some blues-rock business with Walker carving out some wicked electric slide guitar on a pleasing rocker, while Sorenson sings with an attitude, “If you want to fly with me, Close your eyes, take a breath, go all in.” Her lyrics (included, a plus) throughout concern interpersonal and romantic wants, needs, and adventures, told from a first person perspective; they might edge on fluff or sappiness in spots, except for the aggression and catchiness of Walker’s musical packaging. For example, “The Dream I’m Dreaming” is a wordy ballad of dedication to a lover, which clicks because of a memorable hook and an arrangement featuring Walker’s Leslie-speaker guitar licks topped by layers of lovely harmonies by Sorenson. These two don’t seem to shoot for a country crossover, but may have one anyway with “Wishin’ You Were Here,” again with her crisp harmonies snapping the choruses on a clear disc highlight.

On most 14-track discs, there are tracks that are obviously filler. This one has a few that aren’t arresting (“Time Flies,” “Broad Brushed Skies”), but none that seem too weak to include, despite its 58-minute length. The best songs have the kind of classic, AOR feel of good ’70s and ’80s female-harmony soft rock (without the synthesized drums or over-production), like Sheryl Crow or Fleetwood Mac.

Sorenson gets down and rocks out on “Charity,” which powers through on Walker’s chunky, brisk guitar strumming while she sings lyrics about wanting to get physical with her lover. “What a Rush” follows, with an interesting keyboard lick and cello touches that repeat, while she sings about being “enraptured” by her love’s “beautiful soul.” This ballad is one of the best on the disc, though it starts to lose steam by being stretched to six minutes. Piano (by Charlie Recksieck) helps push “Follow Me,” another song that is elevated by its arrangement. This one has a latter-day Mac vibe and smooth-as-silk layered sound that blends harmonies, keys, cello, and acoustic guitars into a standout track. The same goes for “Everything,” which starts small with Sorenson singing “You might be the universe/ Unfolding before my eyes/ But if I’m afraid/ To give it all up to you?” The song adds backing vocals and keys for crescendos that resonate and fulfill the promise of the lyrics.

With Head First, Sometimes Julie have taken an impressive step forward to show their abilities as songwriters and performers. It is a great listen. - San Diego Troubadour

14 songs from singer-songwriter duo Monica Sorenson and Rick Walker, aka Sometimes Julie, with backing from the likes of percussionist Enrique Platas (Skelpin). The album sounds great, with a real mix of textures and moods to the material, from ballads to bluesy rockers. Not sure what order these tunes were recorded in, but the best tracks are in the second half. A couple of the songs are standouts: “What A Rush” in particular is a nice groove and piano backed mid tempo ballad, with a dreamy soulful quality to it and a nice change into Carole King territory at 1:30 and a nice song hook that includes a return to a piano riff at 2:00 that brings the whole thing together. Meanwhile, moody rocker “Carefully” is also pretty good with a loping rhythm, great counter melody backing vocals (the slight lift of the note at :59 for example) topped by a nifty piano solo from Charlie Recksieck (The Bigfellas). My favorite song here is probably the closing “Broad Brushed Skies,” it’s Latin rhythms and reverbed guitar not far from latter day 10,000 Maniacs tracks. Not everything here is as strong, but based on these songs and a couple of others, I’m looking forward to hearing more from this duo (and friends).

Produced, engineered, mixed and mastered by Andy Machin at Bigrock Studios. - San Diego Troubadour

Sometimes Julie, hailing from the state of California, are an impressive duo. With their release of "Head First", the full length gives us many tastes of fantastic music. Take for example the lead cut, "We Are Golden". It sets a melodic mood, with lyrics that would sooth any drive home these days. The best track off the album is the title cut, "Head First" It has a more uptempo beat, with lacing guitars, and desolate lyrics and an excellent arrangement indeed. Another stand out song is "Time Flies". "Time Flies" shows of perhaps the bands range of style, and the pulsating vocals of the lady herself, "Monica Sorenson. The guitars are quite better than I honestly expected. Rick Walker, who is the prime guitar player on "Head First", goes above and beyond really. With good range, and such a passion for music, it really shows off well in the arrangements and the beats of the record. You can catch great examples of that in tracks such as "Reckless", "What A Rush", "Wishin' You Were Here', and the crafty one called "Come Find Me". Overall, I was quite impressed with the album as a whole. If there was a "weak spot", I would say it would be "Carefully". However, the fourteen track release is just about perfect overall. It is excellently packaged, and the artwork, which are depictions of basic ocean scenery and the beauty of the California coast lines, is beautiful. I recommend this effort, give it a shot, it will surely impress upon you a quality you weren't expecting!

Rating: 4.90/5.0 - The Vacant

Sometimes Julie is singer-songwriter duo Monica Sorenson and Rick Walker, joined by Andy Graham (drums), Andrew Yurman (bass), and Fred Barden (lead guitar). Monica & Rick met in a dive karaoke bar in San Diego, where ordinarily nothing good happens. While chatting in between songs the two learned that Rick’s head was full of music needing lyrics, and Monica had words longing for a song. The duo's collaboration gave birth to their debut CD, HEAD FIRST, the title track of which has been generating substantial buzz, getting spins on both terrestrial and internet radio, including Women of Substance Radio. Rick’s musical career began in the mid 90’s playing in clubs on the north side of Chicago. Blues, classic rock and alternative rock influences inspire both his songwriting and performance. A self-taught musician on guitar, bass, and keys, Rick’s music creates the foundation for Sometimes Julie's sound. He's the backbone of the band.

Monica, a recovering karaoke addict, found herself looking for that next fix, craving gutsy rock songs and powerful ballads. She grew up in a Denver household full of talented musicians and has always loved music. However, Monica chose to study and write poetry as her art form. Upon meeting Rick she became inspired to blend her two loves, words and music. She is now Sometimes Julie's lead singer and lyricist. Sometimes Julie performs Americana/alternative rock originals. Their sexy, raw sound and driving beat stir up everyone’s passionate side. You'll want to move your feet!

"It absolutely amazes me that a year ago I didn’t have a band at all and now I am in an awesome band that is playing to sold-out audiences at the House of Blues."

GG: You've been making moves in San Diego, how'd you get into music? Sometimes Julie
(Monica): I grew up in a musical family and always loved to sing, but writing poetry was actually my first love. I didn’t consider merging those two interests until I met Rick a couple of years ago in a dive karaoke bar. Rick is a long-time musician and songwriter who was looking for someone to collaborate with who could sing and write lyrics. The fruit of our first collaborative songwriting effort, “What a Rush”, can be found on our debut CD, Head First.

GG: Congrats on your growth, who are some of your influences? SJ (Rick): Thanks. I think part of what makes our music interesting is that our influences are so numerous and varied. Not only that, but although we do share several musical influences, Monica’s and mine are somewhat different. She is influenced by classics like Janis Joplin, Fleetwood Mac and Sheryl Crow, as well as contemporary artists like Lana Del Rey and The Lumineers. I am also influenced by classic rock, including The Kinks, Tom Petty, Dire Straits and Bruce Springsteen, but my musical coming of age was really in the 80’s and 90’s, so alternative acts like Nirvana, R.E.M. and Pixies are strongly reflected in what I do. The influences we share include The Beatles, Lucinda Williams and Bonnie Raitt. All that being said, while on some level we are of course a product of our influences, Monica and I really don’t set out to sound like anything or anybody in particular when we write our songs. The music we create is honest and authentic. It is just what comes out of us.

GG: What are some of your proudest moments in music? SJ (Monica): It absolutely amazes me that a year ago I didn’t have a band at all and now I am in an awesome band that is playing to sold-out audiences at the House of Blues. Also, I am extremely proud of our growth as songwriters and musicians in a relatively short time. I feel like we really have something special and love seeing the reactions in the audience every time we play. I feel super fortunate and am having the time of my life. Our CD, "Head First", was selected for an Akademia Music Award for Best Americana Album.

GG: What cool stuff is on the horizon for Sometimes Julie? SJ (Rick): A couple of songs from Head First, “Carefully” and the title track, “Head First”, are currently being considered for placement in several hit TV shows. We are hoping one or more of these come to fruition as it would be great exposure for our music. Also, we continue to play live with our band (Fred Barden - guitar, Andrew Yurman – bass, and Andy Graham - drums) in and around San Diego and are exploring potential touring opportunities. In the meantime, we continue to work on our follow-up CD, tentatively titled “Still Standing”, which should be ready for release sometime in the summer of 2015. We are really excited about our new material - we think these are our best songs yet and can’t wait for everyone to hear them! - Gentleman Genius

Up-and-coming San Diego act Sometimes Julie was founded not too long ago by singer Monica Sorenson and multi-instrumentalist Rick Walker. Their album Head First is out now. They answered, collectively, some questions over email.

Seattle Star: Please describe your early experiences in San Diego. How did SD compare and contrast to your own hometowns? How did the music scenes compare and contrast?

Sometimes Julie: We started out playing as an acoustic duo, playing pretty much anyplace that would have us. Dives, family places, restaurants — you name it. After we created our CD, we decided to put a full band together in order to do justice to our recorded material.

This band is Monica’s first experience playing live, so she can’t really speak to the music scene in her hometown of Denver. Rick played in bands in Chicago in the early 90’s, though. Chicago is a huge blues town, but it also had a very vibrant rock scene at the time with bands such as Material Issue and Smashing Pumpkins leading the way.

Although there are all kinds of rock bands in San Diego ranging from folk-rock to hardcore, the scene seems to be dominated by singer/songwriter-types, having spawned acts like Jewel and Jason Mraz. That contingent is quite strong here and fairly close-knit.

Seattle Star: Which dive karaoke bar did you meet at, and which songs were you each performing that night? What are your favorite and least-favorite karaoke bars and songs, and why?

Sometimes Julie: We met at Carriage House where Monica was getting all sultry singing “Criminal” by Fiona Apple and Rick was exploring his musical roots singing “Have You Ever Seen the Rain” by CCR. We have a couple of favorite places in San Diego to sing karaoke – although we do so a lot less often these days. We still frequent Carriage House from time to time, and we also like to go to Kaminski’s. We like Carriage House for its laid-back vibe and diverse crowd. Kaminski’s has great food and a dance floor. We love the KJ’s and the owners in both places.

Our least favorite karaoke bars are places where karaoke is not done on a regular basis – like a hotel or resort bar. Nobody sings (except for us, of course) and it can be somewhat depressing.

Seattle Star: What were your initial impressions of each other?

Sometimes Julie: My first impression of Rick as a musician was that he finds absolute joy in writing, arranging and performing. He is so laid back and pretty humble but truly talented. When she first heard him play his guitar and sing she was thrilled, because his style really speaks to her.

What first struck me about Monica was how charismatic a performer she is. She is a ‘star’ that you can’t take your eyes off of when she is up on stage. He was also impressed with the power of her voice and the passion that she pours into her music.

Seattle Star: How do you go about writing songs together? Has the process changed at all over time?

Sometimes Julie: When we first started writing together, Rick would provide Monica with a completed musical piece, and Monica would add the lyrics and melody. Most recently, though, Monica has been writing lyrics and developing a rough idea of the melody, then Rick and Monica have worked together to develop the accompanying music. However we do it, writing is definitely the most rewarding part of our partnership.

Generally speaking, we just bring ideas to each other and mess around until we have a song. We have amassed enough new material now to record a second CD. We’re excited because while the instruments on Head First were played by Rick and some awesome studio musicians, our second CD will be recorded with our new band members Fred (lead guitar), Andrew (bass) and Andy (drums). We can’t wait!

Seattle Star: What are the most crucial musical influences for each of you, and why?

Sometimes Julie: Part of what makes our music interesting is that our influences are so numerous and varied. Not only that, but while we do share a few, Monica’s and Rick’s influences are quite different. She is influenced by Janis Joplin, Bob Dylan, Natalie Merchant, Lana Del Ray, Sheryl Crow, Coldplay and Dave Matthews. Rick is influenced by The Kinks, Tom Petty, The Beach Boys, Dire Straits, Bruce Springsteen, and The Pixies. There are several musical influences that we do share, though, including The Beatles, CSNY, Bonnie Raitt, Lucinda Williams, and The New Pornographers.

While on some level we are of course a product of our influences, we really don’t set out to sound like anything or anybody when we write our songs. The music that comes out of us is honest and authentic. It is just us.

Seattle Star: How did Monica’s background as a poet raised among musicians influence her lyrics?

Sometimes Julie: In writing poetry you have a sense of meter and rhyme and give attention to the sound of every syllable. It really is very similar to writing lyrics, except without the accompanying melody. Growing up in a musical household exposed Monica to every kind of music from classical to country, jazz to rock and roll. Music dominated the landscape in her family and is very much a part of who she is, so when she got the opportunity to put her words to music, it felt very natural.

Seattle Star: What are the band’s favorite places to gig, and why?

Sometimes Julie: We love playing anywhere, but we will always have a fondness for 98 Bottles in San Diego, as that was the venue where we had our CD Release Party, which was also the first gig we played with our full band. We have recently been playing gigs at House of Blues San Diego, which is an exciting, well-known venue and a tremendous
opportunity.

Seattle Star: Where was the album recorded? What were the most challenging aspects of the recording, and how did you work through the challenges?

Sometimes Julie: Head First was recorded at Bigrock Studios in Escondido, California, produced and engineered by Andy Machin. The recording process was quite an experience – it took so much time and energy!

Although we had been recording demos on our home recording setup for some time, we had a large learning curve to overcome when it came to recording in a professional studio. Rick had spent some time in studios back in the 90’s but things have changed quite a bit since the
‘digital revolution’, so he felt like a rookie again. As for Monica, this was her first experience recording in a studio, so it was all new to her.

Fortunately, in addition to being a talented producer and arranger, Andy Machin is also a great coach and mentor. He always made us feel at ease and expertly coaxed our best performances out of us. He is very collaborative and was great to work with.

Seattle Star: What are the band’s plans for the future?

Sometimes Julie: Our future plans and aspirations are pretty humble, really. We love to perform live and will continue to do so to support Head First and to try out new songs we are working on. We hope to build up our fan base and play some larger venues, such as Belly Up in Solana Beach.

Our first love, though, is writing and recording. As recording is not an inexpensive endeavor, we are focused on generating enough income through live performances, sales/downloads of Head First, and licensing to film and television to fund our next CD.

We have been feverishly writing new songs and have just about enough strong material now to fill a CD. We feel that what we have written recently is our best work yet and are super excited to start recording again! - Seattle Star

What do you love most about playing music?

I love the creativity of writing original songs and the excitement of collaborating and playing with other musicians. When things really come together and we are all rocking the same groove, there is no feeling quite like it. It is energizing and super fun.


What two things did you most want to be when you grew up?

I wanted to be an astronaut or a ballerina….or maybe both at the same time.


Who inspired you to pursue music?

My songwriting partner Rick, my husband Karl, my best friend Amy, my kids, and my mom. But if I hadn’t met Rick a couple of years ago, I’d probably still be singing Karaoke and writing poetry, never thinking of merging the two. So I guess it was Rick who inspired me most to pursue music.


Which of your songs is most important to you?

That is a tough one - probably ‘What a Rush’ because it's is the first song Rick and I wrote together. But also ‘The Dream I'm Dreaming’ because I think it is the best song we've written so far, and ‘Head First’ because it best describes my philosophy about love.


What was the first album you bought with your own money?

The first real album I bought was Eagles Greatest Hits. There was a lot of K-Tel purchased before that, though.


What comes first – music or lyrics? Then what happens?

When Rick and I first started writing together, he would provide me with a completed musical piece, and I would add the lyrics and melody. Recently, though, I have been writing lyrics and developing a rough idea of the melody, then Rick and I have been working together to develop the accompanying music. Generally speaking, we just bring things to each other and mess around until we have a song. We have amassed enough new material now to record a second CD. We're excited about that because we will record it with our new band members Fred, Andrew and Andy. Our first CD was recorded using studio musicians.


What’s the one thing that listeners would never guess about you?

I aspire to run a diner where we can serve homemade pie and sing/play live music for the patrons. PieTunes?


If your fans had to write a sentence or two to describe your music, what would they write?
Sometimes Julie plays Americana music, blending rock, country, blues, and singer/songwriter elements -- all with a sexy delivery. - Listen Local San Diego

Sometimes Julie is a San Diego, California-based indie/Americana rock band, featuring singer-songwriter duo Monica Sorenson and Rick Walker. I recently chatted with Rick about their debut CD, Head First, which is scheduled for release on April 8th.



Can you please introduce and tell us more about Sometimes Julie?

We are Sometimes Julie, an indie/Americana rock band from San Diego. Our music has a roots-y, heartland-y feel to it, but it is also sexy and passionate with a little bit of an edge to it.

Monica and I formed our partnership about two years ago. Monica is the lyricist and I write the music. We began writing songs together September 2012, had our first performance as an acoustic duo in May 2013, and recorded our CD from September 2013 to February 2014.

While on the CD I provided the guitar, bass and keyboards and engaged studio musicians to fill in the rest, Monica and I recently put together a full band to perform our music live. The band is so new that it still has that “new band smell”. We have Fred Barden on lead guitar, Andrew Yurman on bass and Andy Graham on drums. Our first performance together is on April 10th, the CD Release Party for Head First. Wish us luck.



Why not always Julie?

Everything in moderation, as they say…

But I guess this is where we explain the origin of our name.

When I first met Monica, at a dive karaoke bar in San Diego, she told me her name was Julie. I later learned her real name when she explained that she used a pseudonym when singing karaoke. The purpose of the pseudonym was to prevent unwanted videos and photos of her singing from showing up on the various social media site. So, she was sometimes Julie – hence, the name. She has since become much less protective of her privacy and is sticking with Monica.



What are your music influences?

I think part of what makes our music interesting is that our influences are so numerous and varied. Not only that, but while we do share several musical influences, Monica’s and mine are pretty different. She is influenced by Janis Joplin, Bob Dylan, Natalie Merchant, Lana Del Ray, Sheryl Crow, Coldplay and Dave Matthews. I am influenced by The Kinks, Tom Petty, The Beach Boys, Dire Straits, Bruce Springsteen, and The Pixies. There are several musical influences that we do share, though, including The Beatles, CSNY, Bonnie Raitt, Lucinda Williams, Jack Johnson and The New Pornographers.

While on some level we are of course a product of our influences, Monica and I really don’t set out to sound like anything or anybody when we write our songs. The music that comes out of us is honest and authentic. It is us.



So how was the recording and writing process behind Head First?

The fourteen songs on Head First were written over the course of about 12-months. Early in our partnership we wrote our songs separately. Either I would provide Monica with music and she would fill in the lyrics and melody, or Monica would provide me with lyrics with a rough melody, and I would write music around them. Our more recent compositions, though, have been written with us together in the same room. We like it a lot better that way. It is more efficient and productive, and arguably it generates our best stuff.

Recording Head First was quite an experience. It took so much time and energy. We had a huge learning curve, but we were guided masterfully along the way by our amazing producer/engineer, Andy Machin of Bigrock Studios. He is such a talented arranger and really knew how to coax out Monica’s and my best performances. He is very collaborative and was great to work with.



How did you come up with the title?

So many of the songs on the CD are about taking risks in relationships – diving in even though you might get hurt. We wanted to capture that idea in the title of the CD. And of course the innuendo is kinda fun…



Where did you find the inspiration for the songs and lyrics for this record?

Love, sex and relationships, past, present and future. Oh and also unicorns – a definite inspiration.



Will you be hitting the road this year?

We plan to hit several cities this summer, primarily in the western U.S. We have several things in the works.



What’s happening next in Sometimes Julie´s world?

For now, we are focused on supporting Head First, rehearsing with our band and preparing to hit the road. We continue to write songs, of course, and hope to be back in the studio before the end of 2014 to start work on our next release.



Where can we find more about your music?

You can find our music on Facebook at facebook.com/sometimesjulie or on Reverbnation at reverbnation.com/sometimesjulie. You can also go on to our website, sometimesjulie.com where you can either download our music or order a physical CD. Head First‘s official release date is April 8th, so look for it on iTunes then!

Sometimes Julie is a San Diego, California-based indie/Americana rock band, featuring singer-songwriter duo Monica Sorenson and Rick Walker. I recently chatted with Rick about their debut CD, Head First, which is scheduled for release on April 8th. - Vents Magazine

San Diego's Sometimes Julie are based around a core of Monica Sorensen and Rick Walker. They follow up their 2014 release Head First with a new six track EP, Bright Side of the Line. At first seeming a relaxed almost laid back sound, closer listening will identify a grittier edge to the music than is first apparent. Through judicious use of wind instuments when needed, including a flute on the opener, "Emily", this is perhaps what contributes ot the initial misapprehension. It is a suitable accompaniment to a track which plays tribute to nineteenth century poetess Emily Dickinson.

Sorenson, who undertakes most of the vocal duties, has a rich voice which is as expressive as it warm. This fits in well with the underlying musical paradigm, a kind of west coast rock tinged with elements of the blues and funk. And just in case there is any doubt, Sorensen can belt it out when she has to, as on the title track. Thankfully, and this is not always the case, the lyrics are substantive enough to carry the voice. There is an avoidance of the cliché and the strained rhymes which often bedevil lesser talents. Many of the tracks have a deeply personal theme which it takes a couple of listens before you can really begin to appreciate the content.

"Standing My Own Ground" changes the tone a little with its overtly funky riff emanating from a jangly guitar sound. This track has a slight seventies feel to it, driven by the Hammond organ and its fine solo, which despite this, is neither retro nor overtly nostalgic. This is perhaps the key to Sometimes Julie's art. There is a confidence based around a comfortable association with west coast rock but taken beyond its original parameters to bring in wider influences and the personal tastes of the band members.

"Sanctuary", for example, is a smoother number with a more acoustic feel to it and atmosphere provided by a slide guitar and, later, heavy reverb on the lead guitar. It exemplifies the band's ability to step beyond a simple rehashing of well-established musical; formats. "Another World", by way of contrast, opens with a strong rock riff, sustain and a driving rhythm. Put this on when you are driving down a straight, car free road and just hope there are no traffic cops around. The EP closes with "When the Sun Ain't Shining", which possesses the best melody on the album and again features a strong performance on the Hammond organ. As a ballad it has perhaps the sunniest disposition of all the tracks on the EP and is a suitable closer.

Bright Side of the Line is a strong offering which will cement the band's existing fanbase. There is a suspicion that music of this kind has possibly passed its sell- date, but there will always be a place for solid, well crafted songs which deal with themes as timeless as the music in which they are set. Sometimes Julie put in a fine performance on this EP and ought to be in a position to develop their sound further with later releases. - Music Emissions

First from San Diego, CA comes the latest release from Sometimes Julie. Their new six-song EP titled "Bright Side Of The Line" features the powerful vocals of Monica Sorenson along with the experienced songwriting of Rick Walker. The two have grown from an acoustic bar band in 2012 into a new indie-rock force that sounds polished beyond their years together. Beginning with "Emily" and "Bright Side Of The Line," Sometimes Julie deliver a powerful set of rockers that incorporate elements of funks, blues and country. Their new short release finishes with the intense, guitar driven "Another World" and Americana/pop of "When The Sun Ain't Shining." To find out more about Sometimes Julie and their latest release "Bright Side Of The Line," please visit sometimesjulie.com. - JP's Music Blog

From San Diego comes Sometimes Julie, a solid blues rock act, who sound promising at every turn.

Kicking off ths EP with “Emily,” the song is punched up with horns, and interesting quiet breaks. This isn’t another, SOMETIMES JULIE CVRrote, by the numbers band. Title track, “Bright Side of the Line” simmers and pops suddenly. Driven and contentious, the band pushes against the second gear pacing, but it’s this restraint that turns this song into the tense drama it is.“Sanctuary” Impassioned soul fills this ballad with some nice guitar coloring opposite Sorenson’s empassioned delivery. “Standing My Own Ground” is a determined declaration of independce, come what may. The organ work on it is sultry and slinks and pulse through the rhythm sections aggressively.

“Another World” is a revved up rocker, demanding an escape from the trite and mundane. “When the Sun Ain’t Shining” is a restrained blues number. Hopeful and resolute, this romantic endeavor “is the right place to be.

This is a strong collection of numbers designed to showcase Monica Sorenson’s sensual and robust vocals. But Sometimes julie is a band. So don’t be distracted by first thing you hear in the mix. The group plays strong in the pocket, taking leads as necessary, foucsed on the songs, first and foremost.

Right now is the right time for Sometimes Julie. - Indie Music

San Diego's Sometimes Julie are based around a core of Monica Sorensen and Rick Walker. They follow up their 2014 release Head First with a new six track EP, Bright Side of the Line. At first seeming a relaxed almost laid back sound, closer listening will identify a grittier edge to the music than is first apparent. Through judicious use of wind instuments when needed, including a flute on the opener, "Emily", this is perhaps what contributes ot the initial misapprehension. It is a suitable accompaniment to a track which plays tribute to nineteenth century poetess Emily Dickinson.

Sorenson, who undertakes most of the vocal duties, has a rich voice which is as expressive as it warm. This fits in well with the underlying musical paradigm, a kind of west coast rock tinged with elements of the blues and funk. And just in case there is any doubt, Sorensen can belt it out when she has to, as on the title track. Thankfully, and this is not always the case, the lyrics are substantive enough to carry the voice. There is an avoidance of the cliché and the strained rhymes which often bedevil lesser talents. Many of the tracks have a deeply personal theme which it takes a couple of listens before you can really begin to appreciate the content.

"Standing My Own Ground" changes the tone a little with its overtly funky riff emanating from a jangly guitar sound. This track has a slight seventies feel to it, driven by the Hammond organ and its fine solo, which despite this, is neither retro nor overtly nostalgic. This is perhaps the key to Sometimes Julie's art. There is a confidence based around a comfortable association with west coast rock but taken beyond its original parameters to bring in wider influences and the personal tastes of the band members.

"Sanctuary", for example, is a smoother number with a more acoustic feel to it and atmosphere provided by a slide guitar and, later, heavy reverb on the lead guitar. It exemplifies the band's ability to step beyond a simple rehashing of well-established musical; formats. "Another World", by way of contrast, opens with a strong rock riff, sustain and a driving rhythm. Put this on when you are driving down a straight, car free road and just hope there are no traffic cops around. The EP closes with "When the Sun Ain't Shining", which possesses the best melody on the album and again features a strong performance on the Hammond organ. As a ballad it has perhaps the sunniest disposition of all the tracks on the EP and is a suitable closer.

Bright Side of the Line is a strong offering which will cement the band's existing fanbase. There is a suspicion that music of this kind has possibly passed its sell- date, but there will always be a place for solid, well crafted songs which deal with themes as timeless as the music in which they are set. Sometimes Julie put in a fine performance on this EP and ought to be in a position to develop their sound further with later releases. - Music Emissions

First from San Diego, CA comes the latest release from Sometimes Julie. Their new six-song EP titled "Bright Side Of The Line" features the powerful vocals of Monica Sorenson along with the experienced songwriting of Rick Walker. The two have grown from an acoustic bar band in 2012 into a new indie-rock force that sounds polished beyond their years together. Beginning with "Emily" and "Bright Side Of The Line," Sometimes Julie deliver a powerful set of rockers that incorporate elements of funks, blues and country. Their new short release finishes with the intense, guitar driven "Another World" and Americana/pop of "When The Sun Ain't Shining." To find out more about Sometimes Julie and their latest release "Bright Side Of The Line," please visit sometimesjulie.com. - JP's Music Blog

From San Diego comes Sometimes Julie, a solid blues rock act, who sound promising at every turn.

Kicking off ths EP with “Emily,” the song is punched up with horns, and interesting quiet breaks. This isn’t another, rote, by the numbers band. Title track, “Bright Side of the Line” simmers and pops suddenly. Driven and contentious, the band pushes against the second gear pacing, but it’s this restraint that turns this song into the tense drama it is.“Sanctuary” Impassioned soul fills this ballad with some nice guitar coloring opposite Sorenson’s empassioned delivery. “Standing My Own Ground” is a determined declaration of independce, come what may. The organ work on it is sultry and slinks and pulse through the rhythm sections aggressively.

“Another World” is a revved up rocker, demanding an escape from the trite and mundane. “When the Sun Ain’t Shining” is a restrained blues number. Hopeful and resolute, this romantic endeavor “is the right place to be.

This is a strong collection of numbers designed to showcase Monica Sorenson’s sensual and robust vocals. But Sometimes julie is a band. So don’t be distracted by first thing you hear in the mix. The group plays strong in the pocket, taking leads as necessary, foucsed on the songs, first and foremost.

Right now is the right time for Sometimes Julie. - Indie Music

Sometimes Julie is a band that makes its home in the SoCal area. The band features songwriters Monica Sorenson and Rick Walker (guitar) who came together to bring Walker’s compositions to life. Later, the duo would expand their musical outfit with the help of George Nelms (drums), Bruce Paul Allen (bass) and Alberto Moreno (lead guitar). The members of the combine their various musical influences together to form a sound that features a very strong Classic Rock style. That style seems to put the band somewhere in the same time period as bands like Jefferson Airplane, Janis Joplin and other bands from around the late 60s, early 70s era. At times, Sometimes Julie sounds timeless, and at other times, a little dated. But the band still creates original music that has plenty of accessibility that it can easily find a willing audience.

Bright Side of the Line, the new EP from Sometimes Julie begins with the track “Emily”. The style of the music gives the band a very strong Classic Rock style. The band brings elements like saxophone, flute and organ into the music. Because of that, the musical combination brings to mind the sound and style of a band like Jefferson Airplane, with a little more jazz to the sound. While not really a modern-day feel, the track would have easily fit alongside Jefferson Airplane and the other acts that played the Woodstock festival.

The new release from Sometimes Julie continues with the EP’s title track. “Bright Side of the Line” features a strong Rock and Roll feel and features a strong groove in the music. The track’s music, refrain and vocal delivery from Monica Sorenson create a track that brings to mind something from the band Heart. It ends up being a little more commercially acceptable for today’s Classic Rock music than the previous track which sounds a little more retro.

The first two tracks on Bright Side of the Line feature a strong Rock and Roll approach. However, the next track of “Sanctuary” finds the band easing off the energy level just a little. An acoustic guitar leads the instruments on the track for the first minute or so. After that first minute, the electric guitars come in to help lead the song into a stronger Rock and Roll direction. “Sanctuary” becomes a Solid Rock love song. The track shows off both the power of Monica Sorenson’s voice. The electric guitar adds a lot of energy to the music in the song.

With the track of “Standing on My Own,” the band adds a little Blues influence to their music. The Blues/Rock track combines the two different musical genres as the guitars add plenty of Rock and Roll influence while the organ brings plenty of Blues influence to the track. The vocals from Monica Sorenson brings everything together. Her vocals have plenty of energy and plenty of sadness at the same time as she sings about trying to survive.

Sometimes Julie continues to follow the Blues/Rock direction on the track “Another World”. This time, the band focuses more on the Rock side of the combination. However, they still add some of the Blues influence to the song. As a result, the track brings the listener back to the late eighties when the Power Rock genre was burning up the airwaves. “Another World” is a track that easily could have gotten a lot of airplay at the right time. The lead guitar on the track from Alberto Moreno is one of the strongest moments on the entire Bright Side of the Line release.

The newest release from Sometimes Julie comes to a close with the track “When the Sun Ain’t Shining”. The final track on the EP keeps the band in an eighties state of mind. The song would have easily been included onto radio formats from that era. “When the Sun Ain’t Shining” is a fun, rockin’ way to bring Bright Side of the Line from Sometimes Julie to a close.

Although only six tracks long, the Bright Side of the Line EP from Sometimes Julie is strong from the first track to the last. Because of that, there is no down time as the group makes good use of their various musical influences. This is what real Rock and Roll should sound like. - The Rock and Roll Report

What does “Americana” mean to you? Is it blues, folk, country, or jazz? Sometimes it can be all of that — a meandering journey incorporating elements of every genre of music that has roots elsewhere but took shape in America. Many bands have tried to leave their stamp on the genre. Some get some elements right, focusing on the folk or country elements. Sometimes Julie, however, gets it all right every time.

Sometimes Julie Shows what “Americana” Should Be

Hailing from San Diego, CA, Sometimes Julie is the brainchild of singer-songwriter Monica Sorensen and veteran songwriter and musician Rick Walker. The duo got together in 2012 after Walter heard Sorensen at a local karaoke joint — under the stage name “Julie,” the band’s namesake — and instantly found someone to bring “some better storytelling” to his 20 years’ worth of songs.

That storytelling is on display — and in fine form — in the band’s latest EP, Bright Side of the Line. The collection of six songs is some of the best in the Americana genre, blending bits of blues, swing, and garage rock to present a unified whole that is charismatic, honest, and undeniably fun.

The album sees Sorensen dealing with intense emotions in her battle to deal with the death of her 20-year-old son. Every song is defined by tension — a push-and-pull, give-and-take, quiet-and-loud dichotomy that balances the darkness at the heart of the music with soaring crescendos expertly pulled off by a band playing as cohesively as it gets.

Songwriting as the Main Attraction

If the goal of every song is to tell a story, then the pressure is on the songwriting to convey the emotion. Luckily, Sorensen and Walter are up to the task. Walter’s compositions manage tremendous amounts of contrast. The arrangements all sound familiar at first, following traditional blues scales as the songs demand. Where Walter shines, however, is when the songs go off in unexpected directions, with chord changes that sound jarring at first but then make total sense, just like some of the best Fleetwood Mac, Bruce Springsteen, and even Radiohead songs.

And then there’s Sorensen’s voice. Equal parts Chrissie Hynde and Pat Benatar with the sheer power of Melissa Etheridge, Sorensen shines in every track with an unflinching honesty paired with tremendous sincerity and tenderness. She’s playful in songs like “Emily” and “Standing My Own Ground,” angry in the title track “Bright Side of the Line,” and powerful in “Another World.”

But she particularly shines in the terrific “Sanctuary,” an effortless classic song where not just Sorensen but the entire band shows exactly how well their chemistry works. Walter’s backing vocals perfectly complement Sorensen’s soaring highs. Also drawing the spotlight is lead guitarist Alberto Moreno with meticulously crafted solos that are at times Lindsey Buckingham and Joe Perry (and at one point even Noel Gallagher). Keeping it all afloat is the impressive rhythm section of drummer George Nelms and bassist Bruce Paul Allen.

Like the best of Americana — and, really, like the best of America — it always comes down to how well the parts come together to form the whole. With Sometimes Julie, all the parts, from the carefully craftsmanship to the seasoned musicians and Sorensen’s honed and powerful voice, together create a band that is compelling, memorable, and most importantly, fun.

Check out Bright Side of the Line on the band’s site or on iTunes. - Indie Band Guru

‘Emily’ kicks the EP off, introducing the band’s sound with unassuming clarity, sitting somewhere between the soul of Amy Winehouse and the daring bravado of Fleetwood Mac.

The contrast between the snappy guitars and airy flute is striking, and creates a fascinating dynamic that creates tension and at the same time a sense of cohesion. The edgy tones continue with title track ‘Bright Side Of the Line’, with a strong vocal laced with sass and working perfectly with the guitar works that swaggers with a sense of attitude. ‘Sanctuary’ manages to stand up as a sturdy song, although it fails to grab the listener entirely, passing through some fairly standard methods that leave the song coming over as more of a composite of a variety of influences despite its best efforts to push out a soaring chorus and scowling guitar solo. ‘Standing My Own Ground’ steps up to the bar somewhat more strongly, with a guitar solo that really reaches out and grabs the attention, while ‘Another World’ positively screams and splutters with gusto. Monica Sorenson’s gutsy vocals really do soar throughout every song on Bright Side Of The Line, with shades of blues and soul that are all wrapped up and delivered in a thoroughly modern package. Closing track ‘When The Sun Ain’t Shining’ brings things to a tidy end, with a more delicate acoustic, country tinged tone that wraps things up with an upbeat kick. This is feel good stuff to be sure, and just as suitable for a wild road trip as it is for a cosy night in. - CrossRadar

Sometimes Karaoke Leads To A Career In Music

While it’s likely that most folks reading this have partaken in a round of karaoke at some point in their lives, the number of folks for whom such a performance actually led to a musical career is likely miniscule. Yet that’s exactly how the duo of Monica Sorenson and Rick Walker, leaders of the band Sometimes Julie, came into being.

The band has built a solid following that has seen them play to packed houses at venues throughout the Southland, from street fairs to the House of Blues. The duo is set to perform a free early show at Winston’s in Ocean Beach on March 25.

Singer Sorenson and guitarist Walker met in 2012, while she was singing karaoke. Speaking between numbers, Walker learned that Sorenson was a poet in need of musical backing, while coincidentally, he needed lyrics for a batch of new tunes he was working on.


According to Walker, the band’s name came about due to the karaoke connection. “At the time she didn’t want people taking video and posting it, as it might be embarrassing at work. So on signup sheets to sing, she would write in ‘Julie.’ I didn’t know her real name was actually Monica until we had been writing together for six months,” he laughed.

Following a bit of woodshedding, the pair teamed with George Nelms (drums), Bruce Paul Allen (bass) and Alberto Moreno (lead guitar), creating a distinctive sound that mixed elements of Americana and indie rock, as well as blues and pop.

“Our sound has expanded a lot since we started out,” Walker continued. “Early on we had a sort of contemporary Americana sound. While that’s still there, some of our newer material has a harder edge, as the new members of the band had things to bring to the table.”

The progression is natural when you consider that Walker was originally from Chicago. “Being from that area, the blues are in my veins,” he said. “I’m definitely influenced by the likes of Buddy Guy, also Eric Clapton. But I also want to point out that, particularly in the early 1990s, there was a big powerpop scene in the area, so Cheap Trick was really important as well.”

In 2014, Sometimes Julie released their debut album, “Head First,” scoring airplay and following it up in 2016 with an E.P., “Bright Side of the Line.” A follow up is set for later this year, set to be recorded at Pacific Beat Studios with producer Alan Sanderson (The Rolling Stones, Fleetwood Mac). “We start tracking on April 1, but prior to that we will be releasing a new single, ‘In My Bones,’” he said.

The band does perform occasional covers such as Lucinda Williams song “Essence” or Led Zeppelin’s evergreen, “Rock ’n’ Roll,” but Sometimes Julie prefers to stick to their originals. “We do occasionally throw a cover in for fun, but we try not to focus on that as we have lots of our own music that fits the bill for club shows.

With five years in the band, Walker is happy with the progress made by Sometimes Julie. “We really like the creative process,” he said. “We like starting with the glint of an idea, fleshing it out and taking it to audiences. Getting a positive response from a crowd after that work is the best feeling in the world,” he said. “I guess you could say that we love the whole process of making music, start to finish.” - Peninsula Beacon/sdnews.com - Bart Mendoza

While it’s likely that most folks reading this have partaken in a round of karaoke at some point in their lives, the number of folks for whom such a performance actually led to a musical career is likely miniscule. Yet that’s exactly how the duo of Monica Sorenson and Rick Walker, leaders of the band Sometimes Julie, came into being.

The band has built a solid following that has seen them play to packed houses at venues throughout the Southland, from street fairs to the House of Blues. The duo is set to perform a free early show at Winston’s in Ocean Beach on March 25.

Singer Sorenson and guitarist Walker met in 2012, while she was singing karaoke. Speaking between numbers, Walker learned that Sorenson was a poet in need of musical backing, while coincidentally, he needed lyrics for a batch of new tunes he was working on.

According to Walker, the band’s name came about due to the karaoke connection. “At the time she didn’t want people taking video and posting it, as it might be embarrassing at work. So on signup sheets to sing, she would write in ‘Julie.’ I didn’t know her real name was actually Monica until we had been writing together for six months,” he laughed.

Following a bit of woodshedding, the pair teamed with George Nelms (drums), Bruce Paul Allen (bass) and Alberto Moreno (lead guitar), creating a distinctive sound that mixed elements of Americana and indie rock, as well as blues and pop.

“Our sound has expanded a lot since we started out,” Walker continued. “Early on we had a sort of contemporary Americana sound. While that’s still there, some of our newer material has a harder edge, as the new members of the band had things to bring to the table.”

The progression is natural when you consider that Walker was originally from Chicago. “Being from that area, the blues are in my veins,” he said. “I’m definitely influenced by the likes of Buddy Guy, also Eric Clapton. But I also want to point out that, particularly in the early 1990s, there was a big powerpop scene in the area, so Cheap Trick was really important as well.”

In 2014, Sometimes Julie released their debut album, “Head First,” scoring airplay and following it up in 2016 with an E.P., “Bright Side of the Line.” A follow up is set for later this year, set to be recorded at Pacific Beat Studios with producer Alan Sanderson (The Rolling Stones, Fleetwood Mac). “We start tracking on April 1, but prior to that we will be releasing a new single, ‘In My Bones,’” he said.

The band does perform occasional covers such as Lucinda Williams song “Essence” or Led Zeppelin’s evergreen, “Rock ’n’ Roll,” but Sometimes Julie prefers to stick to their originals. “We do occasionally throw a cover in for fun, but we try not to focus on that as we have lots of our own music that fits the bill for club shows.

With five years in the band, Walker is happy with the progress made by Sometimes Julie. “We really like the creative process,” he said. “We like starting with the glint of an idea, fleshing it out and taking it to audiences. Getting a positive response from a crowd after that work is the best feeling in the world,” he said. “I guess you could say that we love the whole process of making music, start to finish.” - sdnews.com

San Diego based band Sometimes Julie, fronted by singer/songwriter duo Monica Sorenson and Rick Walker performs “provocative indie rock with strong Americana influence.” Joined by Michael Heater on drums, Bruce Paul Allen on bass, Alberto Moreno on lead guitar and Anthony Sarain on sax, flute and keys, Sometimes Julie planted its roots in 2012 when Sorenson and Walker met at a karaoke bar in San Diego. Sorenson was looking for a new outlet in which to express her poetry and Walker had 20 plus years worth of musical compositions that needed lyrics. Fast forward to June of this year and you have Breaking the band’s third album.

Musically, the album is partly a throwback to classic with southern rock and country influences. Themes within the lyrics include relationships, loss and protest. After a listen or two you’ll hear some resemblances to artists such as Janis Joplin, Heart, Melissa Etheridge and Sheryl Crow. The opener “In My Bones” starts off with a familiar beat that reminded me of classic Pat Benatar – couldn’t say what song of hers – but, this one has great chemistry and a great guitar solo. “Breaking” has more of a smoky country feel to it with its sultry swaggering beat and lyrics centered on breaking off a relationship. “Satisfied” features a little throwback to something that sounds like Heart, but this one also sounded fresh and new to me. The message in this song is positive and strong – “Go on and claim my prize / Don’t wait, don’t be upstaged / Let it out and cry / Let myself be satisfied.”

“Picking Up The Pieces” channels a little Janis Joplin with a country rock sound and organ keys accompanying the words that sing about being fooled again by a pretty face that double crossed you and left you out in the cold. I thoroughly enjoyed the next song “Send Me A Sign.” Sorenson here sounds a little like Alanis Morrisette and Melissa Etheridge but of course it’s her powerful chops all the way through. Lyrically, the song is about asking for a sign from somewhere or someone – “A voice is calling, is it you? / Have you come to talk to me.” I liked the words for their humbleness and humanity and I thought the guitar solo is fantastic, too.

“Looking Out for Me” starts with a full rocking beat and guitar intro and beginning with the second verse Rick Walker joins Sorenson on vocals. This number has more of a romantic bluesy feel with its lyrics promising – “I'd lay down my entire life /Just to see you dance and watch you fly / Please don't question me, don't ask me why / Trust my heart and let me hold you tight.”

The last tune is what I think we need more of these days – a protest song. “I Won’t Go Quietly” starts off with a deep bass and drum beat chugging along with heavy guitar chords joining in that are oh so nice to the ears. I loved the rhyming to Sorenson’s words – “Resist, oppose, stand up, and demand change / Insist, expose, the last one to stand reigns / Persist, and know together we can claim /The rights we hold, a given, preordained.” The shout singing towards the end makes this one a sure crowd pleaser.

​By the looks of it, Sometimes Julie is well connected through many social media platforms; check them out there or perhaps at a future live show in the San Diego area. - Divide and Conquer

Sometimes Julie broke through a few years back with a full-length CD, Head First; the band, featuring powerful vocalist Monica Sorenson, played songs with a classic rock feel. They moved to a harder rocking edge on Bright Side of the Line and are back with a new EP, Breaking, rocking hard as ever.

This seven-tune collection is again mostly written by Sorensen and singer/keyboard/guitarist Rick Walker and the overall sound is alt-rock, leaning on Sorenson’s impressive pipes with little effort to be subtle or quirky: plenty of overdriven guitars, cranked-up organ, and big crescendos.

They leave no doubt about the approach on “In My Bones” as the opener is balls-to-the-walls guitar rock with Sorenson is mixed hot to wail about how “blood is thicker than water.” Good harmonies on the chorus and a crash-and-burn guitar solo by Alberto Moreno add propulsion. The title tune hammers the hard rock message home, building from a brooding lick to power chords as she sings “I’ve held my thoughts close to my vest/ Now they’re pounding in my chest.”

“Picking Up the Pieces” finds Sorenson telling the bitter truth to a friend who was betrayed by a straying male lover, a traditional country theme helped by a modern country-rock feel. The softest the group gets is on “Send Me a Sign,” but even it grinds out the choruses. The set wraps with “I Will Not Go Quietly,” a punchy rocker that for whatever reason recalls Pat Benatar.

Breaking rocks, and showcases Monica Sorenson’s considerable vocal talents. - San Diego Troubadour

This Blues-Based Rock and Roll band got started by a chance meeting at a Karaoke dive bar. So…we’ve coined Sometimes Julie as a “Dive Band!” The band’s name originated from that same place; however, it took about 6 months before they figured out what to call it. Monica and Rick casually tell that story in this episode. Basically, as Monica puts it, “We’re all just aspiring to be Julie.” They began as just the two of them but quickly expanded their sound while developing the band’s focus. Sappy love songs were the start of Monica’s writing, but the team worked together on their writing and developed “Head First,” an album that ended up winning them multiple awards!

We play three songs off of their newest album titled “Breaking” and break down (pun not intended) their writing and inspirations. Especially one line that Big Jon picks up on. The power and emotion they pack into these songs might give you chills or inspire you…and the musicianship of their complement might just blow your mind. Alberto with his monster leads and Bruce with his killer bass lines. Their drummer is new, so we don’t get to hear John’s licks quite yet, but they’re heading into the studio for more recordings soon, and you can always find out where to go and see them at www.sometimesjulie.com

09:54 “Breaking”
26:58 “In My Bones”
42:04 “Picking Up The Pieces” - The Dusty Futon