Erin Zindle & The Ragbirds

Listening to the Ragbirds' latest studio album Finally Almost Ready is a pleasure. Trying to define their musical style is a challenge. Led by petite but strong-voiced singer and violinist Erin Zindle, the Michigan-based ensemble adds more than a few outlandish elements of world music into their groove-based rock.

"We have a hard time describing what we do," says Zindle, speaking last week from a soundcheck in Tampa during their latest tour. "Our little catchphrase is 'infectious global groove,' which gives you the idea but falls short of really defining the big picture. In simple terms, we'll say it's folk-rock with a lot of world music influence. Those are general terms, but helps explain how the Celtic, gypsy, African, and Latin influences come into it."

The Ragbirds recently completed a seven-week "eco-tour" of the West Coast and Midwest in their converted diesel van, which runs on waste vegetable oil. They supported Rusted Root on many of the dates. Their current trip winds through the Southeast.

Zindle says he and her bandmates have a fondness for the Pour House. They performed at the venue twice last year. This week, they open for Charlotte, N.C.'s New Familiars.

"My husband and I actually went on our honeymoon in Charleston," says Zindle. "We stayed on the Isle of Palms, visited the downtown area, and caught Railroad Earth at the Pour House one evening. We even ate at the restaurant next door [El Bohio]. It's such a great memory for us, so it's really fun to return with the Ragbirds for these shows. That place is a sweet spot for us."

Zindle started playing piano at a very young age while growing up in Buffalo, N.Y. She learned the basics before switching to violin at the age of nine. She learned to read sheet music, studied classical composers, and eventually expanded her musical vocabulary with more international styles.

"In high school, I started going through this phase where I wanted to study my family history," she says. "My family is Irish, so I really got into Celtic folk music. I also got into African drumming around the same time. Getting into various types of gypsy violin music, tangos, and more sensual and exotic forms came next. It's taken some time to learn the technique and to dig into the emotional depth to play those kinds of songs."

Zindle started writing poetry at a young age as well. The experience led to her lyrical work and songwriting style with the band. "I actually tend to start with the lyrics," she says. "Sometimes they tell me where the song should go and define the style that the songs should take."

After moving to Ann Arbor, Mich., in 1997, Zindle started performing with a variety of odd combos, including the acoustic world-folk group Madison Greene, the experimental gypsy ensemble the Psalters, and the Ypsilanti-based rock/reggae/bluegrass band Rootstand. The Ragbirds took shape in 2005.

"When we started out, I had ideas for songs and I started recording them right away with whatever musicians could help out," says Zindle. "We actually had them for sale at our first show. I guess that's a backwards way to start a band. Over the years, we've had different musicians in the band, but when my brother, T.J., joined in 2008, he added a lot of ides to what we were doing and things took off from there."

The current Ragbirds lineup features Erin on lead vocals, violin, mandolin, banjo, accordion, and percussion; T.J. on electric and acoustic guitars; Randall Moore on percussion; and a newly installed rhythm section of Brian Krist on bass and Lorin Kranz on drums.

"Everybody is kind of trained up on hand percussion as well," says the lead singer. "We incorporate drums and different rhythms from around the world in every show we do.

Released in 2009, Finally Almost Ready seems to draw a little from everything "worldly" into the mix. Zindle and the band emulate the breezy groove-pop of Edie Brickell on "Anywhere" and the African-infused dance-rock of David Byrne and Paul Simon on "Onyame Kokroko." Accordions, castanets, and Latin rhythms dominate the title track. Zindle singles la-la-las over the waltzy, mandolin-driven "Around the Time." Things get upbeat and almost panicky on the exotic, gypsy-tinged "Book of Matches" (a song that reached the top of the radio charts in Japan last year). Elements of funk and reggae propel the slow-bouncin' "Get In."

"It wasn't so much a design from the beginning to use all these different styles," Zindle says. "It really came together naturally. There are so many styles of music that I've listened to over the years. I was always drawn to music that takes me someplace special — music with exotic sounds from indigenous cultures. The creative fun comes with trying to twist things around and using them in your own music."
- Charleston City Paper - Charleston, SC

Listening to the Ragbirds' latest studio album Finally Almost Ready is a pleasure. Trying to define their musical style is a challenge. Led by petite but strong-voiced singer and violinist Erin Zindle, the Michigan-based ensemble adds more than a few outlandish elements of world music into their groove-based rock.

"We have a hard time describing what we do," says Zindle, speaking last week from a soundcheck in Tampa during their latest tour. "Our little catchphrase is 'infectious global groove,' which gives you the idea but falls short of really defining the big picture. In simple terms, we'll say it's folk-rock with a lot of world music influence. Those are general terms, but helps explain how the Celtic, gypsy, African, and Latin influences come into it."

The Ragbirds recently completed a seven-week "eco-tour" of the West Coast and Midwest in their converted diesel van, which runs on waste vegetable oil. They supported Rusted Root on many of the dates. Their current trip winds through the Southeast.

Zindle says he and her bandmates have a fondness for the Pour House. They performed at the venue twice last year. This week, they open for Charlotte, N.C.'s New Familiars.

"My husband and I actually went on our honeymoon in Charleston," says Zindle. "We stayed on the Isle of Palms, visited the downtown area, and caught Railroad Earth at the Pour House one evening. We even ate at the restaurant next door [El Bohio]. It's such a great memory for us, so it's really fun to return with the Ragbirds for these shows. That place is a sweet spot for us."

Zindle started playing piano at a very young age while growing up in Buffalo, N.Y. She learned the basics before switching to violin at the age of nine. She learned to read sheet music, studied classical composers, and eventually expanded her musical vocabulary with more international styles.

"In high school, I started going through this phase where I wanted to study my family history," she says. "My family is Irish, so I really got into Celtic folk music. I also got into African drumming around the same time. Getting into various types of gypsy violin music, tangos, and more sensual and exotic forms came next. It's taken some time to learn the technique and to dig into the emotional depth to play those kinds of songs."

Zindle started writing poetry at a young age as well. The experience led to her lyrical work and songwriting style with the band. "I actually tend to start with the lyrics," she says. "Sometimes they tell me where the song should go and define the style that the songs should take."

After moving to Ann Arbor, Mich., in 1997, Zindle started performing with a variety of odd combos, including the acoustic world-folk group Madison Greene, the experimental gypsy ensemble the Psalters, and the Ypsilanti-based rock/reggae/bluegrass band Rootstand. The Ragbirds took shape in 2005.

"When we started out, I had ideas for songs and I started recording them right away with whatever musicians could help out," says Zindle. "We actually had them for sale at our first show. I guess that's a backwards way to start a band. Over the years, we've had different musicians in the band, but when my brother, T.J., joined in 2008, he added a lot of ides to what we were doing and things took off from there."

The current Ragbirds lineup features Erin on lead vocals, violin, mandolin, banjo, accordion, and percussion; T.J. on electric and acoustic guitars; Randall Moore on percussion; and a newly installed rhythm section of Brian Krist on bass and Lorin Kranz on drums.

"Everybody is kind of trained up on hand percussion as well," says the lead singer. "We incorporate drums and different rhythms from around the world in every show we do.

Released in 2009, Finally Almost Ready seems to draw a little from everything "worldly" into the mix. Zindle and the band emulate the breezy groove-pop of Edie Brickell on "Anywhere" and the African-infused dance-rock of David Byrne and Paul Simon on "Onyame Kokroko." Accordions, castanets, and Latin rhythms dominate the title track. Zindle singles la-la-las over the waltzy, mandolin-driven "Around the Time." Things get upbeat and almost panicky on the exotic, gypsy-tinged "Book of Matches" (a song that reached the top of the radio charts in Japan last year). Elements of funk and reggae propel the slow-bouncin' "Get In."

"It wasn't so much a design from the beginning to use all these different styles," Zindle says. "It really came together naturally. There are so many styles of music that I've listened to over the years. I was always drawn to music that takes me someplace special — music with exotic sounds from indigenous cultures. The creative fun comes with trying to twist things around and using them in your own music."
- Charleston City Paper - Charleston, SC

Dear Mr. B: According to the calendar, summers almost over although where I live here in the northeast, its like it never came. The weathers been crappy, I havent been able to get outside much at all this sucks. I know youve helped people in so many ways, Mr. B, but maybe this time Im asking for too much. Is there any way you can bring summer back for me?
With great respect,
Pale in Portland
Dear Pale: Dont you worry about a thing, my friend. It just so happens I opened up a little box of sunshine right here on my desk a few minutes ago and youre the first person Im going to share it with. You want an endless summer, my friend? I have the answer: Finally Almost Ready, the new album by The Ragbirds. Im serious this records so sunny and uplifting, I had the mirror shades on by track two.
You do know The Ragbirds, right? Oh, man, Pale these folks are something else. You want to talk about rhythm devils? Start with Randall Moore, who definitely comes from the same distant world that String Cheeses Michael Travis does (you know: the planet of the 12-limbed-world-percussionist people) and does it all on everything from your standard rock n roll drum kit to groovemakers that you and I cant even pronounce. Add in co-conspirator Tim Dziekan – who appears to have been raised by a tribe of people who do all their communicating with congas – and Dan Hildebrandts big bass backbone (one whose vertebrae bend in all directions) and you have one totally infectious beat monster that takes you round and round the world in one big ol whirl and twirl that knows no fences or labels just smiles and good vibes.
But wait, Pale Im not done: enter T.J. and Erin Zindle, an incredibly gifted brother and sister musical team. T.J. can skank a reggae rhythm with the best of them, rip out a dreamy Steve Kimock-like lead, or pick a fluttering line on the acoustic thats all butterflies and fields of daisies. And sing, too (if hes not busy on the trumpet).
And then theres Erin Zindle. Im not going to do her justice, Pale, but Ill try: combine the vocal tones of a Natalie Merchant (or maybe Tara Nevins of Donna The Buffalo) with the fearlessness of Joni Mitchell and youll have a start on describing her singing abilities. From there, imagine this happy wild woman who is totally one with the violin, mandolin, accordion or piano. (Unless shes playing drums. Sometimes they all play drums. Its that kind of a band.)
Theres a back catalog to dig into, Pale, but it sounds like you need a shot of smiles RIGHT NOW and thats why Im telling you to lay hands to Finally Almost Ready. You get everything mentioned above plus the production talents of Tim Carbone and when you have Tim as ringmaster, the vibe cant help but feel good.
I could talk your ear off about this album, Pale, but times a wastin and you need to be listen to The Ragbirds and not me but just in case you need a little more convincing: Book of Matches gets things going with soaring vocals by Erin and a comfy bed of hand percussion. (Mr. Tim even digs out his violin and joins forces with Erin nice.) Like a little Phish with your world platter? Theres a moment in the solo that closes out The Frame where the totally Page-like piano leads the way up and up and up this spiral of sound, all instruments swirling and weaving in the nicest of ways until they cascade over the peak and softly land in a pool of acoustic guitar sweetness. (Are you grinning yet?)
Whats your cold one of choice, Pale? Not that you need one, but if you lean towards a Red Stripe, dig the wonk-wonka-wonk of T.J.s guitar on Get In or if you prefer a Corona, then squeeze a lime into the title cut and get a little sun on those legs, hippie boy. In the meantime, Getting Dark is a perfect example of the kind of parallel tightropes The Ragbirds walk: Moores percussion is the constant as bass, mando, and both acoustic and electric guitar weave in and out. If one goes down, they all do but The Ragbirds never falter.
I know I mentioned String Cheese earlier; imagine them at their most joyous with mariachi horns! and you have Anywhere. Or dig the sway of The Limits of Me whose verses lead you down a path to a clearing where the violin and guitar dance together. Mmmmm.

The experience ends with Onyame Kokroko, the coolest drum circle you ever sat in on. Its perfect, Pale like a happy parking lot scene after the show except YOU CAN HIT REPEAT and play it all over again.
So there you go guaranteed smiles no matter what the weather is outside, my friend. With Finally Almost Ready, the forecast is always sunny and worldly with no borders and plenty of highs.
Your ol pal,
Mr. B - Relix Magazine / Jambands.com

Dear Mr. B: According to the calendar, summers almost over although where I live here in the northeast, its like it never came. The weathers been crappy, I havent been able to get outside much at all this sucks. I know youve helped people in so many ways, Mr. B, but maybe this time Im asking for too much. Is there any way you can bring summer back for me?
With great respect,
Pale in Portland
Dear Pale: Dont you worry about a thing, my friend. It just so happens I opened up a little box of sunshine right here on my desk a few minutes ago and youre the first person Im going to share it with. You want an endless summer, my friend? I have the answer: Finally Almost Ready, the new album by The Ragbirds. Im serious this records so sunny and uplifting, I had the mirror shades on by track two.
You do know The Ragbirds, right? Oh, man, Pale these folks are something else. You want to talk about rhythm devils? Start with Randall Moore, who definitely comes from the same distant world that String Cheeses Michael Travis does (you know: the planet of the 12-limbed-world-percussionist people) and does it all on everything from your standard rock n roll drum kit to groovemakers that you and I cant even pronounce. Add in co-conspirator Tim Dziekan – who appears to have been raised by a tribe of people who do all their communicating with congas – and Dan Hildebrandts big bass backbone (one whose vertebrae bend in all directions) and you have one totally infectious beat monster that takes you round and round the world in one big ol whirl and twirl that knows no fences or labels just smiles and good vibes.
But wait, Pale Im not done: enter T.J. and Erin Zindle, an incredibly gifted brother and sister musical team. T.J. can skank a reggae rhythm with the best of them, rip out a dreamy Steve Kimock-like lead, or pick a fluttering line on the acoustic thats all butterflies and fields of daisies. And sing, too (if hes not busy on the trumpet).
And then theres Erin Zindle. Im not going to do her justice, Pale, but Ill try: combine the vocal tones of a Natalie Merchant (or maybe Tara Nevins of Donna The Buffalo) with the fearlessness of Joni Mitchell and youll have a start on describing her singing abilities. From there, imagine this happy wild woman who is totally one with the violin, mandolin, accordion or piano. (Unless shes playing drums. Sometimes they all play drums. Its that kind of a band.)
Theres a back catalog to dig into, Pale, but it sounds like you need a shot of smiles RIGHT NOW and thats why Im telling you to lay hands to Finally Almost Ready. You get everything mentioned above plus the production talents of Tim Carbone and when you have Tim as ringmaster, the vibe cant help but feel good.
I could talk your ear off about this album, Pale, but times a wastin and you need to be listen to The Ragbirds and not me but just in case you need a little more convincing: Book of Matches gets things going with soaring vocals by Erin and a comfy bed of hand percussion. (Mr. Tim even digs out his violin and joins forces with Erin nice.) Like a little Phish with your world platter? Theres a moment in the solo that closes out The Frame where the totally Page-like piano leads the way up and up and up this spiral of sound, all instruments swirling and weaving in the nicest of ways until they cascade over the peak and softly land in a pool of acoustic guitar sweetness. (Are you grinning yet?)
Whats your cold one of choice, Pale? Not that you need one, but if you lean towards a Red Stripe, dig the wonk-wonka-wonk of T.J.s guitar on Get In or if you prefer a Corona, then squeeze a lime into the title cut and get a little sun on those legs, hippie boy. In the meantime, Getting Dark is a perfect example of the kind of parallel tightropes The Ragbirds walk: Moores percussion is the constant as bass, mando, and both acoustic and electric guitar weave in and out. If one goes down, they all do but The Ragbirds never falter.
I know I mentioned String Cheese earlier; imagine them at their most joyous with mariachi horns! and you have Anywhere. Or dig the sway of The Limits of Me whose verses lead you down a path to a clearing where the violin and guitar dance together. Mmmmm.

The experience ends with Onyame Kokroko, the coolest drum circle you ever sat in on. Its perfect, Pale like a happy parking lot scene after the show except YOU CAN HIT REPEAT and play it all over again.
So there you go guaranteed smiles no matter what the weather is outside, my friend. With Finally Almost Ready, the forecast is always sunny and worldly with no borders and plenty of highs.
Your ol pal,
Mr. B - Relix Magazine / Jambands.com

A modern day troupe of well-traveled musicians, the Ragbirds have a repertoire that reads like a map of the world, taking audiences off to faraway lands without ever leaving the stage. The Ragbirds swoop down to Nietzsche’s this Saturday (May 7) with their “infectious global groove” and cache of folk instruments from around the world. What is typically described as “world music” is given a fresh and accessible makeover as touches of reggae, Celtic folk, African, Latin, Gypsy jazz, and Americana are woven seamlessly into contemporary rock and pop hooks. Lead singer, multi-instrumentalist, and Buffalo native Erin Zindle adds an exotic, poetic vocal quality while floating from instrument to instrument—banjo, accordion, fiddle, mandolin, and percussion—in a dizzying spell of musicianship and skill. Guitarist T.J. Zindle and bassist Brian Crist lay down beautifully phrased melodies over the world-beat rhythms of drummer Loren Kranz and percussionist Randall Moore. You’d be hard-pressed to find a group of musicians that care as much about the environment they live in as the music they play, and the Ragbirds make sure that their carbon footprint is kept minimal by “eco-touring” on a converted diesel bus that runs on recycled vegetable oil. With over 150 shows in over 40 states a year, they’re certainly doing their part to stay true to the positive, homegrown vibe their music gives off. The Ragbirds are sure to take you on a musical journey around the world, one where you’re not quite sure where you’re going next, but you just know you like what you hear. —jon wheelock

Read more: http://artvoice.com/issues/v10n18/see_you_there#ixzz1ckp1ZHAq
- Artvoice - Buffalo, NY

A modern day troupe of well-traveled musicians, the Ragbirds have a repertoire that reads like a map of the world, taking audiences off to faraway lands without ever leaving the stage. The Ragbirds swoop down to Nietzsche’s this Saturday (May 7) with their “infectious global groove” and cache of folk instruments from around the world. What is typically described as “world music” is given a fresh and accessible makeover as touches of reggae, Celtic folk, African, Latin, Gypsy jazz, and Americana are woven seamlessly into contemporary rock and pop hooks. Lead singer, multi-instrumentalist, and Buffalo native Erin Zindle adds an exotic, poetic vocal quality while floating from instrument to instrument—banjo, accordion, fiddle, mandolin, and percussion—in a dizzying spell of musicianship and skill. Guitarist T.J. Zindle and bassist Brian Crist lay down beautifully phrased melodies over the world-beat rhythms of drummer Loren Kranz and percussionist Randall Moore. You’d be hard-pressed to find a group of musicians that care as much about the environment they live in as the music they play, and the Ragbirds make sure that their carbon footprint is kept minimal by “eco-touring” on a converted diesel bus that runs on recycled vegetable oil. With over 150 shows in over 40 states a year, they’re certainly doing their part to stay true to the positive, homegrown vibe their music gives off. The Ragbirds are sure to take you on a musical journey around the world, one where you’re not quite sure where you’re going next, but you just know you like what you hear. —jon wheelock

Read more: http://artvoice.com/issues/v10n18/see_you_there#ixzz1ckp1ZHAq
- Artvoice - Buffalo, NY

Inside of an eco-friendly, vegetable-oil-fueled tour bus are five band members with the ability to use eight different instruments, and they're headed for Columbus.

The Ragbirds will play at Woodlands Tavern in Grandview Heights at 11 p.m.

The Ragbirds combine influences of folk, pop and rock with a Celtic feel. Frontwoman Erin Zindle said in an email she was inspired by artists such as Paul Simon, Peter Gabriel and Rusted Root.

Zindle leads the band, providing vocals and playing the violin, mandolin, banjo, accordion and percussion. Zindle's husband Randall Moore provides percussion and her brother T.J. Zindle plays guitar. In addition to Erin, T.J. and Moore, the band has Brian Crist on bass and Loren Kranz on drums.

Since their start as just Moore and Erin in 2005, the lineup has changed and so has their sound, thanks to their time on the road.

The major transition in their music came when T.J. joined in 2008. Erin said his influences brought more electric guitar causing the sound to gain a little edge, shifting toward a rock-and-roll feel.

"The road has been the major catalyst for change. As we have been touring for the last few years, we play between 150-200 shows a year, we have been able to experience how the music relates to many different audiences," Erin said in the email.

The show at Woodlands Tavern will include songs from their fourth studio album, 2009's "Finally Almost Ready."

Audience members can expect a folk rock sound infused with a little bit of rock-and-roll. The songs are "fun, danceable and diverse," Erin said in an email.

The five band members travel around the country in a Ford E-350 diesel bus that they converted to run on recycled waste vegetable oil in 2008. The bus is named "Cecilia" after the patron saint of music.

In an email, Erin said it has always been important to the band to reduce its impact on the Earth. In the course of a year with 200 tour stops, the band travels more than 100,000 miles.

"We're able to drastically cut our dependence on gas while at the same time helping our pocket book," Joe Choma, band manager, said in an email.

The band also avoids using plastic water bottles and made each of their albums with recycled materials.

The Ragbirds raise money to fund their albums and tours through Kickstarter.com, a website that connects artists, musicians and others with potential donors to fund projects. This year, the band has received $14,000 from fans to continue their tours.

The Ragbirds attempt to have their audiences "laugh, smile, dance, and enjoy a high-energy show featuring diverse sounds from around the world," Choma said in the email.

Woodlands Tavern patrons must be at least 18 years old. The tavern is located at 1200 W. 3rd Ave and tickets for the show, starting at 11 p.m., are $10 at the door. - The Lantern - Ohio State University

Inside of an eco-friendly, vegetable-oil-fueled tour bus are five band members with the ability to use eight different instruments, and they're headed for Columbus.

The Ragbirds will play at Woodlands Tavern in Grandview Heights at 11 p.m.

The Ragbirds combine influences of folk, pop and rock with a Celtic feel. Frontwoman Erin Zindle said in an email she was inspired by artists such as Paul Simon, Peter Gabriel and Rusted Root.

Zindle leads the band, providing vocals and playing the violin, mandolin, banjo, accordion and percussion. Zindle's husband Randall Moore provides percussion and her brother T.J. Zindle plays guitar. In addition to Erin, T.J. and Moore, the band has Brian Crist on bass and Loren Kranz on drums.

Since their start as just Moore and Erin in 2005, the lineup has changed and so has their sound, thanks to their time on the road.

The major transition in their music came when T.J. joined in 2008. Erin said his influences brought more electric guitar causing the sound to gain a little edge, shifting toward a rock-and-roll feel.

"The road has been the major catalyst for change. As we have been touring for the last few years, we play between 150-200 shows a year, we have been able to experience how the music relates to many different audiences," Erin said in the email.

The show at Woodlands Tavern will include songs from their fourth studio album, 2009's "Finally Almost Ready."

Audience members can expect a folk rock sound infused with a little bit of rock-and-roll. The songs are "fun, danceable and diverse," Erin said in an email.

The five band members travel around the country in a Ford E-350 diesel bus that they converted to run on recycled waste vegetable oil in 2008. The bus is named "Cecilia" after the patron saint of music.

In an email, Erin said it has always been important to the band to reduce its impact on the Earth. In the course of a year with 200 tour stops, the band travels more than 100,000 miles.

"We're able to drastically cut our dependence on gas while at the same time helping our pocket book," Joe Choma, band manager, said in an email.

The band also avoids using plastic water bottles and made each of their albums with recycled materials.

The Ragbirds raise money to fund their albums and tours through Kickstarter.com, a website that connects artists, musicians and others with potential donors to fund projects. This year, the band has received $14,000 from fans to continue their tours.

The Ragbirds attempt to have their audiences "laugh, smile, dance, and enjoy a high-energy show featuring diverse sounds from around the world," Choma said in the email.

Woodlands Tavern patrons must be at least 18 years old. The tavern is located at 1200 W. 3rd Ave and tickets for the show, starting at 11 p.m., are $10 at the door. - The Lantern - Ohio State University

"Highly Impressive!" USA TODAY
------------------------------------------
"The most engaging new band I've heard this year is The Ragbirds....eclectic, restlessly creative, poetic, and delivered with confidence, it grows on you with every listen."
-Jeffery Overstreet, Looking Closer Magazine, Seattle WA
----------------------------------------------
It's rare to hear something new and exciting in the realm of folk/roots music, but the careful alchemists of The Ragbirds have given us just that!
-Bryan Rodgers, Homegrown Music Network
----------------------------------------------
"This is evidence of the very best of what independent contemporary pop music has to offer"
-Thom Jurek, All Music (AMG)
----------------------------------------------
"The Ragbirds have gestated a sound and experience so unlike anything you've seen in these parts, you may begin to wonder if you've teleported to another land"
-Cheryl Wilson, The Uncommon Sense Magazine (Flint MI)
----------------------------------------------
"I feel like I've stumbled across a band that's destined to achieve the same level of cult-greatness as The Innocence Mission, Bruce Cockburn, Ron Sexsmith, Sufjan Stevens, and yes, even Over the Rhine.... The Ragbirds debut album, Yes Nearby, is a work of astounding international eclecticism, mixing everything from reggae to Celtic to blues music along with plenty of world music into a unified, enchanting whole"
-Josh Hurst, Revealarts (Tennesee)
---------------------------------------------
"A terrific melting pot!"
-The Detroit News
----------------------------------------------
"In an era of catchy but ultimately unsatisfying pop tunes, this is a welcome treat!"
-Roger Lelievre, The Ann Arbor News (Ann Arbor MI)
----------------------------------------------
"A remarkably captivating hybrid of world music and folk, spanning numerouse musical genres with amazing accuracy and apparent ease"
-Dave Kargol, The Ann Arbor Paper (Ann Arbor MI)
----------------------------------------------
"The first time I heard them play I was stunned....I heard their music and literally stopped in my tracks. Their music is not only inspiring and powerful, but a successful experiment in teleportation as well"
-Jamie Bradish, The Ypsilanti Courier (Ypsilanti MI)
----------------------------------------------
"Their world music influenced repetoire and virtuoso musicianship is already earning a buzz"
-The Ann Arbor Paper (Ann Arbor MI)
---------------------------------------------- - Mixed

"Highly Impressive!" USA TODAY
------------------------------------------
"The most engaging new band I've heard this year is The Ragbirds....eclectic, restlessly creative, poetic, and delivered with confidence, it grows on you with every listen."
-Jeffery Overstreet, Looking Closer Magazine, Seattle WA
----------------------------------------------
It's rare to hear something new and exciting in the realm of folk/roots music, but the careful alchemists of The Ragbirds have given us just that!
-Bryan Rodgers, Homegrown Music Network
----------------------------------------------
"This is evidence of the very best of what independent contemporary pop music has to offer"
-Thom Jurek, All Music (AMG)
----------------------------------------------
"The Ragbirds have gestated a sound and experience so unlike anything you've seen in these parts, you may begin to wonder if you've teleported to another land"
-Cheryl Wilson, The Uncommon Sense Magazine (Flint MI)
----------------------------------------------
"I feel like I've stumbled across a band that's destined to achieve the same level of cult-greatness as The Innocence Mission, Bruce Cockburn, Ron Sexsmith, Sufjan Stevens, and yes, even Over the Rhine.... The Ragbirds debut album, Yes Nearby, is a work of astounding international eclecticism, mixing everything from reggae to Celtic to blues music along with plenty of world music into a unified, enchanting whole"
-Josh Hurst, Revealarts (Tennesee)
---------------------------------------------
"A terrific melting pot!"
-The Detroit News
----------------------------------------------
"In an era of catchy but ultimately unsatisfying pop tunes, this is a welcome treat!"
-Roger Lelievre, The Ann Arbor News (Ann Arbor MI)
----------------------------------------------
"A remarkably captivating hybrid of world music and folk, spanning numerouse musical genres with amazing accuracy and apparent ease"
-Dave Kargol, The Ann Arbor Paper (Ann Arbor MI)
----------------------------------------------
"The first time I heard them play I was stunned....I heard their music and literally stopped in my tracks. Their music is not only inspiring and powerful, but a successful experiment in teleportation as well"
-Jamie Bradish, The Ypsilanti Courier (Ypsilanti MI)
----------------------------------------------
"Their world music influenced repetoire and virtuoso musicianship is already earning a buzz"
-The Ann Arbor Paper (Ann Arbor MI)
---------------------------------------------- - Mixed

NEW YORK, NY – Playing New York City for
the first time can be a daunting experience for
many.We can be your best friends, but also
your toughest and most forthright critics.Prime
example: This year’s Yankee home opener,
where the gentleman singing the national
anthem hit a bad note and the entire stadium
let out a collective gasp – no holds barred.
However in addition, we are the most diverse
city in the world, and we tend to listen to anything
with open ears and an open mind.
The Ragbirds, an eclectic folk rock outfit
hailing from Ypsilanti, Michigan, came to the
Knitting Factory’s Tap Bar for their first show
ever in the city; and you know what? They played
fearlessly – even if they were terrified inside.
They won me over, while having everyone in
the room dancing liberally, whether drunk or
sober.
When I can use the word “refreshing” about
an artist, it excites me.The Ragbirds are unique,
exceptionally talented, and undoubtedly give
off a vibe that easily puts you in the frame of
mind you wish for on the days you run around
like a chicken with its head cut off.You finally
don’t have to think about a damn thing. With
songs like “Tipi Baya” – inspired by a friend’s
young daughter who repeated the phrase while
no one knew what she wanted – about being
misunderstood, and “Tarantella” – inspired by
an Italian folk dance to cure a poisonous spider
bite – about any kind of poison, they show you
how to look at life from new angles.
Front woman Erin Zindle not only has a
captivating and supple voice, but I’m not sure
there’s an instrument she can’t play well – or
at all. Throughout the night she picked up a
violin, tambourine, mandolin, African drum,
and cabasa, among others, all intertwined with
her singing. She also plays the accordion, but
it was a little under the weather and couldn’t
make an appearance this time around. One of
the best things about Zindle is the smile
plastered on her face throughout the night as
she hops around and performs. There is no
doubt she adores playing music.
Drummer Randall Moore and percussionist
Tim Dziekan did not overpower one another,
or bore the hell out of me as some
“percussionists” do. They played beautifully
against each other and laid out a solid groove
– along with bassist Dan Hildebrandt – for Zindle
and guitarist Matthew Melody, who certainly
lives up to his name.
On more than one occasion, the band went
off into a jam session; but not the type where
they were out in another galaxy and I was falling
asleep as I waited for them to return to the
home planet. I was immediately into it, and
wherever they floated off to, they took me and
the rest of the room with them. - The Aquarium

NEW YORK, NY – Playing New York City for
the first time can be a daunting experience for
many.We can be your best friends, but also
your toughest and most forthright critics.Prime
example: This year’s Yankee home opener,
where the gentleman singing the national
anthem hit a bad note and the entire stadium
let out a collective gasp – no holds barred.
However in addition, we are the most diverse
city in the world, and we tend to listen to anything
with open ears and an open mind.
The Ragbirds, an eclectic folk rock outfit
hailing from Ypsilanti, Michigan, came to the
Knitting Factory’s Tap Bar for their first show
ever in the city; and you know what? They played
fearlessly – even if they were terrified inside.
They won me over, while having everyone in
the room dancing liberally, whether drunk or
sober.
When I can use the word “refreshing” about
an artist, it excites me.The Ragbirds are unique,
exceptionally talented, and undoubtedly give
off a vibe that easily puts you in the frame of
mind you wish for on the days you run around
like a chicken with its head cut off.You finally
don’t have to think about a damn thing. With
songs like “Tipi Baya” – inspired by a friend’s
young daughter who repeated the phrase while
no one knew what she wanted – about being
misunderstood, and “Tarantella” – inspired by
an Italian folk dance to cure a poisonous spider
bite – about any kind of poison, they show you
how to look at life from new angles.
Front woman Erin Zindle not only has a
captivating and supple voice, but I’m not sure
there’s an instrument she can’t play well – or
at all. Throughout the night she picked up a
violin, tambourine, mandolin, African drum,
and cabasa, among others, all intertwined with
her singing. She also plays the accordion, but
it was a little under the weather and couldn’t
make an appearance this time around. One of
the best things about Zindle is the smile
plastered on her face throughout the night as
she hops around and performs. There is no
doubt she adores playing music.
Drummer Randall Moore and percussionist
Tim Dziekan did not overpower one another,
or bore the hell out of me as some
“percussionists” do. They played beautifully
against each other and laid out a solid groove
– along with bassist Dan Hildebrandt – for Zindle
and guitarist Matthew Melody, who certainly
lives up to his name.
On more than one occasion, the band went
off into a jam session; but not the type where
they were out in another galaxy and I was falling
asleep as I waited for them to return to the
home planet. I was immediately into it, and
wherever they floated off to, they took me and
the rest of the room with them. - The Aquarium

For a band with only half a decade under its belt, Ann Arbor, Mich.-based The Ragbirds have a distinct sound fledgling bands get wet dreams about. The songs walk a line -- and sometimes deliberately dance on either side -- between modern folk and world-beat, taking obvious musical cues from most of the eastern hemisphere. Now in the middle of a U.S. tour and writing songs for a new album, The Ragbirds are giving listeners the pleasure of hearing word music from the hands and throats of Midwesterners, led by the jaw-dropping vocals of singer and 'Bird co-founder Erin Zindle. (We could listen to Zindle sing about her grocery list and still be blown away.) We caught up with Zindle to hear that voice a cappella.

CityLife: You play in a five-piece band, which includes your brother and husband. Who fights with who?

Erin Zindle: (laughs) There's always arguments, but we get along really well. We're lucky.

CL: Ann Arbor, Mich., isn't known for its rampant cultural growth. Do you ever run into skepticism as a rootsy afro-groove band full of white Midwesterners?

EZ: I'm sure that people think skeptically about it here and there. It hasn't been expressed to me yet. Ann Arbor is a much more cultural place than the place I'm actually from, which is a suburb of Buffalo, N.Y. But I could understand that thought. I have a love for world music and the cultures where that music comes from, and I've listened to it for so many years now. It's found its way naturally into my own music. It's less my roots and more where my ears have been.

CL: Is your current sound what you pictured when you started The Ragbirds five years ago?

EZ: I'm not sure what I pictured five years ago. I don't think it's drastically different from what I imagined it would be, but I was just figuring it all out. I try not to project it too far forward, either. I'm inspired by these sounds from all over the world. I'm trying to let it happen naturally, and not force it, like, "Oh I really wanna try this style." There's a little bit of that, but when I write a song, the song kind of tells me where it wants to go. Like the lyrics for my tango are all about being brave and how love is a great dancer, so it led me to writing a tango. So I guess it's hard to say what I imagined five years ago and how it'll continue to develop.

CL: A lot of your tracks are influenced by different parts of the world. How do you mentally prepare to enter a different musical mindset?

EZ: Each piece is different, but I think the preparation is the same for me personally. When I'm getting ready to get on stage, it is sort of like putting on a dress. It's some persona that I'm going to wear. I'm like the tour guide through this trip we're about to go on. I try to explain to the audience that they're coming along with me to these different places. But some songs require more emotional preparation than others. The tango is a great example again: It's such a bold dance, and I find myself taking a deep breath. I wrote this very flamboyant, violent intro because that helps me prepare for the song. It requires me to dig into that place I need to go.

CL: You've had to replace almost every member of the band since the group's inception. How do you bounce back from losing members?

EZ: That's been our biggest obstacle, and it's been a big frustration. But every time, it's been an easy turnover. For everybody it's been for different circumstances but basically the same story: [They] can't continue [playing] this many dates on the road for the amount of money a touring musician makes at this level. It's definitely been an obstacle, but we're very hard-working. My husband and I are the two founding members, and we just kinda keep picking up the pieces and keep rolling forward.

CL: You released your most recent album, Finally Almost Ready, a year ago. Are you preparing for a new album soon? What's coming up for The Ragbirds?

EZ: Yes, we're writing songs right now. We're hoping to get into the studio around winter time. We're definitely going to have an album next year -- we're reluctant to say exactly when.

CL: You have two dates here in Las Vegas that are spread apart. Will you stay here during that time, and if so, what do you aim to do between those gigs?

EZ: We're playing Friday in Las Vegas, going to San Diego for a gig, then coming back to Las Vegas. My brother TJ and I have another brother who lives in Las Vegas with three kids, and I haven't seen him in five years. My parents are flying in from Buffalo, and we're having Thanksgiving early in Las Vegas. It's gonna be a fun time for us. Especially being on the road for so long, it's gonna be nice to have some family time in the middle. - Las Vegas City Beat

For a band with only half a decade under its belt, Ann Arbor, Mich.-based The Ragbirds have a distinct sound fledgling bands get wet dreams about. The songs walk a line -- and sometimes deliberately dance on either side -- between modern folk and world-beat, taking obvious musical cues from most of the eastern hemisphere. Now in the middle of a U.S. tour and writing songs for a new album, The Ragbirds are giving listeners the pleasure of hearing word music from the hands and throats of Midwesterners, led by the jaw-dropping vocals of singer and 'Bird co-founder Erin Zindle. (We could listen to Zindle sing about her grocery list and still be blown away.) We caught up with Zindle to hear that voice a cappella.

CityLife: You play in a five-piece band, which includes your brother and husband. Who fights with who?

Erin Zindle: (laughs) There's always arguments, but we get along really well. We're lucky.

CL: Ann Arbor, Mich., isn't known for its rampant cultural growth. Do you ever run into skepticism as a rootsy afro-groove band full of white Midwesterners?

EZ: I'm sure that people think skeptically about it here and there. It hasn't been expressed to me yet. Ann Arbor is a much more cultural place than the place I'm actually from, which is a suburb of Buffalo, N.Y. But I could understand that thought. I have a love for world music and the cultures where that music comes from, and I've listened to it for so many years now. It's found its way naturally into my own music. It's less my roots and more where my ears have been.

CL: Is your current sound what you pictured when you started The Ragbirds five years ago?

EZ: I'm not sure what I pictured five years ago. I don't think it's drastically different from what I imagined it would be, but I was just figuring it all out. I try not to project it too far forward, either. I'm inspired by these sounds from all over the world. I'm trying to let it happen naturally, and not force it, like, "Oh I really wanna try this style." There's a little bit of that, but when I write a song, the song kind of tells me where it wants to go. Like the lyrics for my tango are all about being brave and how love is a great dancer, so it led me to writing a tango. So I guess it's hard to say what I imagined five years ago and how it'll continue to develop.

CL: A lot of your tracks are influenced by different parts of the world. How do you mentally prepare to enter a different musical mindset?

EZ: Each piece is different, but I think the preparation is the same for me personally. When I'm getting ready to get on stage, it is sort of like putting on a dress. It's some persona that I'm going to wear. I'm like the tour guide through this trip we're about to go on. I try to explain to the audience that they're coming along with me to these different places. But some songs require more emotional preparation than others. The tango is a great example again: It's such a bold dance, and I find myself taking a deep breath. I wrote this very flamboyant, violent intro because that helps me prepare for the song. It requires me to dig into that place I need to go.

CL: You've had to replace almost every member of the band since the group's inception. How do you bounce back from losing members?

EZ: That's been our biggest obstacle, and it's been a big frustration. But every time, it's been an easy turnover. For everybody it's been for different circumstances but basically the same story: [They] can't continue [playing] this many dates on the road for the amount of money a touring musician makes at this level. It's definitely been an obstacle, but we're very hard-working. My husband and I are the two founding members, and we just kinda keep picking up the pieces and keep rolling forward.

CL: You released your most recent album, Finally Almost Ready, a year ago. Are you preparing for a new album soon? What's coming up for The Ragbirds?

EZ: Yes, we're writing songs right now. We're hoping to get into the studio around winter time. We're definitely going to have an album next year -- we're reluctant to say exactly when.

CL: You have two dates here in Las Vegas that are spread apart. Will you stay here during that time, and if so, what do you aim to do between those gigs?

EZ: We're playing Friday in Las Vegas, going to San Diego for a gig, then coming back to Las Vegas. My brother TJ and I have another brother who lives in Las Vegas with three kids, and I haven't seen him in five years. My parents are flying in from Buffalo, and we're having Thanksgiving early in Las Vegas. It's gonna be a fun time for us. Especially being on the road for so long, it's gonna be nice to have some family time in the middle. - Las Vegas City Beat