Dan Henig
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Dan Henig

Ann Arbor, Michigan, United States | Established. Jan 01, 2014 | INDIE

Ann Arbor, Michigan, United States | INDIE
Established on Jan, 2014
Band Rock Pop

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"Artist Spotlight: Dan Henig - "Get Low" Cover"

Ever feel like the number one R&B, hip hop, and pop hits on the radio get old after a while? Do you find that every other song that makes it big sounds the same? If you answered yes to either of these two questions, allow me to introduce you to a YouTube artist on the rise, Dan Henig.

Born and raised back and forth between both the United Kingdom and the United States, this once small time musician has hopefully found the beginnings of a big break like many other artists through YouTube videos.

Although Henig has been playing a multitude of instruments since a very young age, it was only after he convinced his mother to buy him his first guitar that his life began to take shape. Years later, after leaving his music program at Chicago’s Columbia College, Henig returned home to start making more music than he ever had before.

Acclaimed producer Tim Patalan (producer and member of Platinum selling rock band, Sponge) began working with Henig in 2010, helping him record his first ever six song, self-titled EP. In order to help promote this first album, Henig began creating various YouTube videos in late 2011.

Early on, Henig’s more popular videos were his incredibly unique and catchy versions of well-known R&B, hip hop, and pop songs. Instead of performing these tunes how they were written, with produced beats, sound effects, and often rapping, Henig turned these songs inside out by performing jazz-inspired acoustic and a cappella versions. Henig managed to generate a decent sized following with these videos, but what would come next would be the tipping point.

On November 26, 2012 Henig released the video “Coffee Shop Acoustic Session… Get Low Cover”, unsure of the reactions he would get during its filming, as well as online. In the video, Henig traveled to an unsuspecting coffee shop and performed the song “Get Low“, originally by Lil Jon and the East Side Boyz at an open mic session. Henig’s original intentions were for the performance to be a prank, assuming not much would come from it except he and his friends finding a bit of amusement.

Although it was clear a few customers in the establishment felt uncomfortable listening to such controversial lyrics in such a uncensored & playful manner, most couldn’t help but get quite a few laughs out of his performance.

Amazingly, once the video was uploaded to YouTube, the response was overwhelming. Henig’s “Get Low” cover exploded onto the internet, raking in close to 1.2 million views in less than two weeks. Not only did this bring an incredible number of fans to Henig, but it also caused the press to take a real interest. In addition to making many news sources, Henig’s video was also shared by sites like Funny or Die, CollegeHumor, & Mashable.

Henig’s “Get Low” cover has definitely opened up some doors for his career in ways that didn’t exist just a handful of years ago. We’ll see if he can continue and hopefully capitalize on that opportunity. But for now, if you want to find out more about Dan Henig or at the very least be entertained, take a look at his website below. You can also purchase Henig’s first self-titled EP here. - IHeardIn


"Dan Henig to Open for 3 Doors Down Acoustic at MotorCity Casino Hotel, 2/9"

MotorCity Casino Hotel has announced 3 Doors Down Acoustic, Songs from the Basement, and opener Michigan's own Dan Henig at Sound Board Sunday, February 9 at 8:00 p.m.

Since forming in 1995, Mississippi rock quintet 3 Doors Down has sold more than 16 million albums worldwide. They have also garnered three Grammy nominations, two American Music Awards, and five BMI Pop Awards for songwriting, including BMI's coveted "Songwriter of the Year" award. The band's debut album, The Better Life, which is now certified six times platinum, featured the smash hit "Kryptonite." Their sophomore album, Away from the Sun, saw similar success with its radio mainstays "When I'm Gone" and "Here Without You." Their subsequent efforts were platinum certified Seventeen Days and 3 Doors Down debuted at #1 on the Billboard Hot 200 Chart. In 2012, 3 Doors Down released The Greatest Hits, a collection of nine #1 hits and three new songs, returning to the Top 5 at radio with "One Light." The band continues to perform for crowds around the globe with 3 Doors Down Acoustic / Songs From The Basement.

Dan Henig is a pop, rock, and acoustic Singer/Songwriter from Ann Arbor. He released his first EP on December 6, 2011.

Tickets ($40.00, $35.00, and $32.00) are on sale at all Ticketmaster locations and Ticketmaster.com. To charge tickets by phone, call (800) 745-3000. Tickets are also available through the Sound Board Box Office on Wednesday and from Friday-Sunday. Guest must be at least 21 years old to attend this performance.

SOUND BOARD, an intimate live performance venue is located at MotorCity Casino Hotel. The venue features four bars and several private suites that are available to create an unforgettable live entertainment event. Free and convenient valet and self-parking are available.

Visit http://www.soundboarddetroit.com/ for more information about tickets, hotel packages, and Sound Board.

Read more at http://www.broadwayworld.com/bwwmusic/article/Dan-Henig-to-Open-for-3-Doors-Down-Acoustic-at-MotorCity-Casino-Hotel-29-20140115#8eyWT6swXdWwjRJZ.99 - BWW


"Local singer/songwriter Dan Henig aims to shape his post-viral-video career"

Local singer/songwriter Dan Henig - whose acoustic, coffee shop rendition of Lil John and the East Side Boyz's raunchy “Get Low” went viral near the end of 2012 - seems to be going places.

But this wouldn’t be a new experience, since the Ann Arbor native and his family moved 6 times in 6 years during a stint in England.

“I think of myself as someone who gets along with most people,” said Henig, who left Ann Arbor for England at age 4 and returned just before his 11th birthday. “And that time absolutely shaped me. … We were in different towns and different schools each year, so I had to learn how to talk to different people and relate to them and really listen to them. … I wasn’t playing much music when I was there, but I think the experience ended up making me a better musician.”

Henig is not, however, the kind of musician who studied for years at the feet of experts. He began learning to play the cello in England, but left that behind, opting to experiment independently on a piano. Upon moving back to Ann Arbor, he played cornet (and later trumpet) in school, only to leave that behind in 8th grade. He also took up guitar, but only took one or two lessons before deciding lessons weren’t for him—and made a similar call after starting to study music at Chicago’s Columbia College.

“I’ve always been the kind of guy who does things on his own,” said Henig. “ … The thing about music for me is, when it becomes stale, or becomes something that is regimented and work-like, it doesn’t seem worth it to me. It doesn’t sound as good when the music isn’t from the heart. As cheesy and weird as that sounds. … Sitting in a classroom learning scales and music theory, and listening to Bach and Mozart—that’s cool, but it’s not what I’m into.”

So Henig returned to Ann Arbor and worked on his music independently while taking business classes at Washtenaw Community College. And the seed for his now-famous “Get Low” cover was planted.

“I did the cover originally at an open mic night at the Blue Tractor a couple of years ago,” Henig said. “I pulled up the lyrics on my phone and picked out the chords. … It got some good laughs, so I started playing it at other shows, and it always got a good response.”

At about this time, Henig wanted to make a video for one of his original songs, and wanted to raise the money for production via Kickstarter—but he didn’t then have enough fans that would care enough to donate. So his friend (who's a filmmaker), Billy Jackson, suggested that Henig perform covers and release them online. Their first collaboration, Ryan Lewis and Macklemore’s “Thrift Shop,” did well, racking up 2,000 views overnight, while Henig’s mash-up of "As Long as You Love Me/I Can’t Make You Love Me” drew far fewer.

“That was my first taste of how things work on Youtube, in terms of how many people will watch a rap cover versus a pretty song,” said Henig.

When Henig shared his version of “Get Low” with Jackson, the director came up with the idea of Henig performing it in a coffee shop and capturing patrons’ reactions.

And although the video premiered on YouTube at a less-than-optimal time—10 p.m. on a Monday—Henig awoke the next day to find that his video had already been viewed 35,000 times. (Warning: the song contains adult language.)

Henig's website crashed, thanks to a sudden onslaught of traffic, and a screenshot of one of his Tweets (about the website being down) appeared on the front page of Reddit. “I was in class that morning, but I couldn’t stop looking at the numbers, and seeing (the video) on all these different blogs,” said Henig. “That’s what it felt like to go viral. It was just such a rush.”

Shortly before this happened, Henig had earned a full-ride scholarship to a business school in New York, and he’d planned to start in January 2013. But the success of his “Get Low” video caused Henig to think, “That was my door opening, so I took a gamble and didn’t go.”

Of course, hitting upon “novelty” fame can be a blessing and a curse, in that an artist gets a taste of success while also potentially being trapped into fans’ very specific expectations. But “Get Low” seems to have brought a variety of fans to Henig.

“There are dirty rap cover fans, who appreciate a funny cover and enjoy it, but I’m a fleeting thing for them. They’re not going to go buy a record, but I still appreciate that that helped launch me. Then there are curious fans, who went deeper, checked out more of my covers and seem to like them. Then there are fan fans, who are actual fans that went and listened to my original music. … Then there are the super fans. The ones sending me emails from London and New York and L.A., asking me to play at weddings, or play certain venues, or play at business events.”

Henig has written a lot of new material this summer; he opened for Brett Dennen (and sold out of his CDs) at Sonic Lunch; and although it was a struggle, and “cost an arm and a leg,” he got the chance to make a video for his song “Falling.” (The video’s now in post-production.)

“My goal is to eventually be a writer for other artists,” said Henig. “That’s my dream, is to get into a room in Nashville or L.A. or London or New York with some big artists. … That’s where my heart is is the writing. But I love performing, too. … I feel at home on stage. It’s feels like meditating, especially when there’s a good crowd and you’re interacting with them - you can’t beat it. There’s nothing like it. But the part in between is grueling.”

Henig would love to stay in Ann Arbor, but he realizes that he might have to relocate initially to a place like Los Angeles to take his career to the next level. But regardless of where he goes, fans can expect lots of new songs, if not an album, in the future.

“I’m not sure about the whole album thing,” said Henig. “The more I think about it, the less it makes sense to me. I tried to remember the last time I bought an album, or even the last time my parents bought an album. … Everyone goes to iTunes now, and people only buy the songs want to hear. And when making an album, there tends to be this thing in the back of the musician’s mind that says that all songs have to fit together. … But to me, each song is like a kid. If one child is artistic, and the other is all about stats or math, then maybe one should go to a magnet school, and the other should go to a performing arts school. … Why make one song fit another, if it’s not supposed to? I just want to make each song the best song it can be.” - Ann Arbor News


Discography

Still working on that hot first release.

Photos

Bio

Although pop musician Dan Henig made his industry debut performing a viral cover of LiL Jons Get Low in 2012, hes been writing and performing original material for years. He has released a promotional EP produced in collaboration with acclaimed producer Tim Patalan (Lovedrug, Sponge, Taproot, etc.), and is set to release new record following his 2014 college tour.

Henigs tracks bring to mind the radio friendliness of multiple big-name musicians, but his attention to detail and lyrical creativity helps set him apart. Behind the euphonious hooks, theres a lyrical depth and, at times, a kind of darkness more suggestive of Leonard Cohen, one of Henigs major influences.

Henig spent his formative years in England, when his father a Ford Motor Company engineer who typically listened to Frank Sinatra, Cohen, Dean Martin, and the like was transferred overseas for work. The family spent 6 years in the UK. There, Henig discovered his passion for music - first playing Cello, than Trumpet, and eventually trying every instrument he could get his hands on. Drawn to the guitar, it wasnt until Henigs family returned to Michigan that he struck a deal with his Mom to get him one. I told her I could figure out how to play any song within 5 minutes at the store. It took me 10 minutes to figure out some Red Hot Chili Peppers song I was obsessed with at the time, but she bought me the guitar anyway!

Armed with his own axe, Henig began honing his playing and songwriting skills. At 18, he enrolled in the music school at Chicagos Columbia College. Turns out I learned more about music from playing shows and writing in my bedroom than I did from a classroom so I quit school, moved back to Michigan and kept creating. Influenced by such musicians as John Mayer, Coldplay, Sara Bareilles, Mat Kearney, and Cohen, Henigs music has a relatability to it thats rare in the modern industry.

With a festival appearances, a nationwide college tour, and several opening slots for acts such as 3 Doors Down, Brett Dennen, Josh Krajcik, and Theo Katzman, Henigs performances continue to captivate audiences of a broad range. As a performer, Dan does not simply play to his audiences, but interacts with them in a unique way that evokes rare emotional appeal and highly entertaining live performances.


Band Members