Cain MacWitish

LR: So the November 9, 2018 show that you performed last month was your first show in three years. How did it feel to perform again?

CW: It was great. I worked on a whole new DJ set for four months straight leading up to the show. So playing that for the crowd and seeing how they reacted to what I put together was really awesome.

For each set I do, I have kind of a specific theme in mind usually. I put together a whole new theme for that performance. I hadn’t played it in a club yet, and when I put things together in my, mind it’s different from actually playing it for people out on the dance floor.

My most successful set I’ve ever put together was my Ibiza set. I did that for a club – it’s up on my mixcloud and it has almost 9,000 plays. So that’s very heavy minimal techno and house set. So that’s what this set will be: minimal techno and house. Mainly for me, Pig & Dan – every time I hear a new Pig & Dan track it’s like “oh that’s such a good song.” They hardly ever have a song I don’t like. They actually produce dance tracks; minimal techno. They would probably label themselves just as “techno” – that’s usually how they label themselves, but every time they put out a new track, it’s just awesome to me.

LR: Aha! I’ve been looking for a descriptive term for your music: “minimal techno.” It’s been killing me trying to describe it; but it was definitely a thing. I’ve been saying “it’s percussion heavy without heavy percussion.”

CW: I don’t even know how to classify what I produce. It’s all over the map. But as far as my DJ sets go – that’s minimal techno. And that one I did, my Ibiza set.

LR: At our show, your set will be “minimal techno?”

CW: Yes. Most of the dancier tracks on Kompakt Records – do you know that label? They are out of Cologne, Germany.

They’re actually the biggest label in Europe right now. They’re bigger than Warner Brothers or anything like that, out there. They have all sorts of genres – they got their start putting out these compilations of minimal techno and house. They called it “The Kompact Total Collection” – every year, starting in 1999, they put one out at the end of the year. So we’re up to Compact 17 or 18 or whatever it is now.



LR: Techno is a lot more popular in Europe generally. Wouldn’t you say? I remember hearing it on the AM radio when I was there.

CW: Oh yeah. If you are a techno and house DJ, you usually don’t work in the states. You work in Europe usually. One of my favorite DJs here, Loco Dice. He’s from New York City, but he works in Europe. He’s probably my favorite current American DJ.


Loco Dice
LR: So what does “minimal techno” really mean?

CW: Minimal techno and house. Most people are pretty familiar with how techno and house sounds, right? So you take the techo elements and just strip them way down, to like the rawest elements. And then you add in like an interesting sound here or interesting sound there, but it’s not like, super over done with the production. So it’s just like super stripped down to the beat, right? Like for dance music, the beat’s the main thing, right? And then, any element you put right on top of the beat, you really think long and hard about. How is this gonna sound? Is it too much? As little as you can put on top of the beat and still make it interesting to listen to. That’s basically how I would describe it.

LR: Aha! So my previous description still works: “it’s percussion heavy, without any heavy percussion.” — hehe. And you do everything with your computer — when you perform your show live. Are there any prerecorded elements. Are you playing along with prerecorded elements or is it all prerecorded.

CW: For a DJ set I am just mixing prerecorded songs. I’m not doing a live set of original material – that would be a whole other thing. It’s interesting to me that you picked up that my original stuff is very percussive because I’m trained as a drummer since I was 8.

LR: Aha! No coincidence. - Mondo 2000