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Beaucoup Chapeaux
Nevada City, California, United States | Established. Jan 01, 2009 | SELF
Music
Press
By Leah GarchikJuly 26, 2017 Updated: July 26, 2017 1:09pm
â˘Although acoustic world-music-loving band Beaucoup Chapeaux has sold out the Red Poppy Art House in San Francisco twice, most of its performances â and familiar fans â are in its native Nevada City. A few weeks ago, however, band founder Maggie McKaig got the kind of call thatâs legendary in showbiz: A band previously booked for the Fenix in San Rafael on Saturday night, July 29, had canceled; would Beaucoup Chapeau do the gig? Oh, yes.
The Fenix, a dinner/performance venue that streams live shows, seats 50 to 60 people. McKaig was excited ... and edgy. Then a donor stepped up to buy tickets for kids from a Larkspur nonprofit, ELM (Enriching Lives Through Music). The organization, which provides music education for underserved kids, will send a group of them to listen and jam. With young groupies on the way, McKaig is less edgy now. - San Francisco Chronicle
"Twenty-four hours later and 180 degrees away, Beaucoup Chapeaux, a world and fusion quartet from Grass Valley (Nevada County), was at the Red Poppy, playing from the album âThis Music Heals Broken Hearts.â On a ledge tucked into the storefront, we nestled among pillows, enveloped by compelling yet comforting strains of accordion, fiddle, guitar, clarinet. So many fans showed up that the Poppyâs small wine bar ran out of glasses, but the crowd felt like family, with cousins crowded around the table, and you almost felt like volunteering to do the washing up."--
Leah Garchik, January 19, 2016, San Francisco Chronicle. - San Francisco Chronicle
A musicianâs tip basket is a combination of two things.
One is something quite practical: a receptacle in which appreciative listeners may drop coins and bills.
Another is something almost mystical: a larger engagement with the universe and its mysteries.
In homage to both, the tip basket kept by the band Beaucoup Chapeaux is strung with small prayer flags and a handwritten sign: âTips Are Good!â
Tips are good â and theyâre also not the only things that wind up in such a basket.
Business cards.
Currency from other countries.
Even the inadvertent: a cork, a matchbook.
And sometimes, notes.
These can be as precious as money â especially when they contain a heartfelt emotion inspired by the music.
This is what happened last year, after one of Beaucoup Chapeauxâs rousing Friday evenings at the Nevada City Classic Cafe, when band leader Maggie McKaig found a note, unsigned, that read:
âNothing Heals a Broken Heart Like Your Music.â
It seemed hugely serendipitous: in addition to the compliment the note represented, Beaucoup Chapeaux had at the time finished recording tracks for what was to be their second album.
But their beloved engineer, Bruce Wheelock, had suffered a massive cardiac arrest. He appeared to be recuperating well, but was that heart, well, healed?
Beaucoup Chapeaux (âmany hatsâ in French) is indeed comprised of musicians who wear âmany hatsâ:
McKaig, lead singer and accordion;
McKaigâs husband, Luke Wilson, plectrum banjo and tenor guitar;
Murray Campbell, violin, oboe, and English horn;
Randy McKean, clarinet, bass cla-rinet, sax, and piccolo;
All of them on vocals.
McKaig decided the tip basket phrase was a prophesy (that lovely combination of forces a tip basket can represent) â and indeed, Wheelockâs heart, quite miraculously, healed.
Back in Wheelockâs studio, Flying Whale Records, the band finished the album.
This Saturday, following a successful Bay Area tour in January â playing to a full house at Smileyâs in Bolinas, and, in San Francisco, selling out the much-acclaimed Red Poppy Art House â Beaucoup Chapeaux celebrates the CD, âThis Music Heals Broken Hearts,â with a concert at the Nevada Theatre, produced by Paul Emery.
In their seven years together, Beaucoup Chapeaux has played over 500 concerts in local and far-flung venues.
Many in the community have taken part in the magical evenings at the Classic CafĂŠ, as the bandâs music â a stirring mix of world and fusion, with elements of jazzâ floats, soars, careens out of the corner table they occupy.
Itâs a marvelous atmosphere, in which much merry eating and drinking and conversing take place, and dancing and sing-alongs (sometimes in Greek, even Macedonian) are encouraged.
Especially with Genevieveâs delicious crepes, it can feel as if youâve stumbled into a corner of Prague, or Paris.
Yet if you get close enough to watch these musiciansâ fingers, and to listen to all theyâre up to â including vocally â as individuals and as a group, itâs stunning.
So ,one of many exciting aspects of this concert will be the opportunity to witness Beaucoup Chapeauxâs extraordinary musicianship.
That includes the intricate harmonies, the meticulous rhythms, the way one instrument might chase the melody played by another up a series of scales.
Then, the way all of them break away to play their own dances through the universe, all the while deeply aware of what every other person is contributing, before â with a gathering look from McKaig â reconnecting for a rousing, heartfelt, unexpected (sometimes even amusing) finish.
Especially compelling are two original tunes, âElastĂque,â written by McKean, and âScythian Steppe,â by McKaig.
Topping off the evening, Orkestra Chapeaux â Margot Duxler, Sands Hall, Pam Hodges, Henry Hansen, Ludi Hinrichs, Sean Kerrigan, Cameron Kopf, Callum McKean, and Kirsti Powell â joins Beaucoup Chapeaux for their final number.
The heart of audience members will gallop, it will twine, it will open.
It will not only be healed â it will shout for joy.
--Sands Hall - The Union
"You four were awesome, kinetic, top of your fiddle, accordion, clarinet and banjo!!!! We had a ball and your energy was supremely contagious, warm, hot, happy, emotive, bounding, galloping & electrically charged !"-- Mrs. Mustard, aka Jane Wattenberg. -
Valentineâs Day marks the fifth holiday anniversary and fourth year that Beaucoup Chapeaux has romanced local fans with European-style gypsy music in a French bistro setting at the Nevada City Classic CafĂŠ.
Every Friday night Tapas plates, crepes and wine pass freely among friends and neighbors in a room ringing with laughter, music, singing and dancing.
âTogether weâre creating an atmosphere that some people call magic. Itâs like a voyage every Friday. Itâs alive,â said Genevieve Crouzet who owns the restaurant with her husband Kirk Valentine.
A project that began on a snowy Valentineâs Day during a city power outage has blossomed into a weekly event that draws a strong following of locals.
Since their first experimental days at the CafĂŠ, the bandâs popularity has grown. In four years, Beaucoup Chapeaux has performed more than 350 gigs including two Pacific Northwest tours.
âI think they are one of the great bands in the area,â said Mikail Graham. He says the band has reinvigorated the townâs local Friday night music scene beyond bar and dinner clubs.
âThereâs nobody else doing what they do and doing it with as much fun, gusto and just enjoyment as they do,â said Graham.
Beaucoup Chapeaux, which roughly translates to âmany hatsâ plays music you might hear in a Persian CafĂŠ or Greek Taverna. Some have called their performance a free trip to Europe without ever having to set foot out of Nevada County.
âThatâs part of what I think so many of us respond to. That we are experiencing, on a Friday night in an old mining town in northern California, the kind of thing thatâs been going on for centuries in cafes from Athens to Naples, Paris to Dubrovnik,â said local writer, musician and theater director Sands Hall.
Maggie McKaig plays accordion with her âentourageâ as she calls the band: her husband of 35 years Canadian Luke Wilson on tenor guitar and plectrum banjo, Scotland born Murray Campbell on violin, oboe and English horn and on clarinet, bass clarinet and piccolo is Randy McKean. The band plays high-energy music with no amplification.
âItâs going to pick them up out of the doldrums at the end of the week,â Campbell said.
Far from purists, Beaucoup Chapeaux plays a mix of old traditional tunes from a wide swath of Europe as well as original music with many influences such as Django Reinhardt and American jazz and folk.
âWeâve always pushed boundaries on any genre of music,â said McKaig, who raised two children and recorded seven albums with Wilson.
Jokingly referred to as the âImprov Kingâ of the band, Wilson doesnât read music but âhears things that no one else hears.â McKaig led a successful singer/ songwriter career prior to Beaucoup Chapeaux. Campbell is a classically trained musician and McKean is an accomplished musician and composer. Beaucoup Chapeaux is a continuum of other projects band members have worked on together over the years.
âAll in all, they are each one of them uniquely talented; as a collective, they are an astonishing juggernaut,â said Hall who makes a point to stop by the cafĂŠ to eat, or sometimes just to catch a few songs on the way to a movie or play.
âWhat Beaucoup Chapeaux is up to in that little cafe helps knit our community,â she said.
A lot of what the band does is improvised and they never play a set list. It is meant to capture the spirit of a band traveling throughout the cafĂŠ culture of Europe. Friday nights at the Classic Cafe are filled with nostalgia and romance.
âItâs the biggest local music secret with good food there is,â Wilson said.
Playing for quiet listening concert audiences is quite different from the boisterous and chaotic atmosphere of a cafĂŠ where there is a certain amount of experimental risk. The music changes from a dinner backdrop to a lively improvised performance.
âI think we have a lot more freedom to get crazy in the cafĂŠ,â said Campbell.
The band is known to stroll through the cafĂŠ, instruments in hand encouraging diners to get in the spirit of the moment and join in.
âI get their attention. I leap up and sing a song and we roam around,â said McKaig.
Urged by their fans, the band recorded, âA Night at the Classic CafĂŠâ and the following summer took their music on the road, touring festivals, coffee houses and art galleries in Oregon, Washington and the Bay Area.
In April they will play at San Franciscoâs Red Poppy Art House and plan to release a second recording later this year.
World travelers and European visitors alike gravitate to the bandâs music. One couple remarked how they didnât find the experience they were looking for in Europe until they returned to the Nevada City Classic CafĂŠ, said Wilson.
âWe must be doing something right. It makes people feel good,â McKaig said.
To learn more visit: www.facebook.com/BeaucoupChapeaux/info, www.ncclassiccafe.com/
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print Print - Nevada City Advocate
As central as the films are here at Wild and Scenic, the community-centered nightlife is also a vital part of the festival experience. At Nevada Cityâs Classic Cafe I found a capacity house enjoying wine, French cuisine, and the eclectic sounds of Beaucoup Chapeaux. The cafe is like a little magic portal that awakens not only our senses, but our sense of appreciation as well. - Lightcap Farm Wordpress
By Laura Brown Nevada City Advocate
Those who stroll past the Classic CafĂŠ on Broad Street on a Friday
evening will hear European gypsy music, conversation and laughter waft
out invitingly into the night.
A look inside will reveal a bustling French bistro-style atmosphere with
a Nevada City slant. Old friends fill the place each week to eat crepes
and Tapas specials, drink wine and listen to the lively acoustic music
of Beaucoup Chapeaux.
It all began nearly three years ago on Valentineâs Day, when husband and
wife owners Kirk Valentine and Genevieve Crouzet began a tradition that
was meant to offset the doldrums of a grim economy.
âWe needed something to cheer up,â Crouzet explained in her heavy French
accent.
With a vision to find an accordion player, Crouzet was thrilled when she
first heard Maggie McKaig playing at a Saturday farmerâs market.
A few months later during a power outage on a cold, snowy evening,
McKaig joined by her entourage â 33-year partner Luke Wilson and band
Beaucoup Chapeaux members â warmed the cafĂŠ with their music for the
first time.
âRight at the beginning it was just magic,â said Peter Wilson, a local
musician who has played with the band on various occasions.
âIt was great. People loved it. They discovered the place,â Crouzet said.
These days itâs difficult to find an empty chair or table most Friday
nights in what was once the downtown Nevada City diner known as Moores.
Besides McKaig with her accordion and Luke Wilson on tenor guitar and
banjo, the band includes Scotland-born Murray Campbell on violin, Randy
McKean on clarinets and additional violin by Margot Duxler.
The key to the magic is the âutterly unamplifiedâ acoustic ensemble,
said Peter Wilson.
Itâs the right amount of sound for the room â not too loud, nor quiet
either â allowing people to carry on conversations yet tune into the
music if they feel moved to.
âUnamplified music by nature is way more intimate,â Peter Wilson said.
A diverse following has surfaced over the years during the community
party, from surgeons to stone masons and everyone in between. Over the
years, the band has watched couples meet and fall apart and unlikely
friendships grow in the cafe.
âItâs not like anything else that goes on in Nevada City,â said Murray
Campbell. âItâs got itâs own kind of feel to it.â
More than just background music, the performers are known to get up from
their seats and âstrollâ and dance about the crowded room by nightâs
end. A dancer of many years, Crouzet is known to join in song. Crowds
dance, clap and stomp feet in time to the music.
âItâs not fragile. Itâs a pretty robust scenario,â Campbell said.
Though the band brings a following of fans, many regulars were
introduced to the music through the cafĂŠ. Some of the regulars can be
classified as âEurophiles,â folks who have been to Europe, love the
culture and long to return.
âThatâs a comment we hear a lot, it reminds them of a cafĂŠ in Paris.
Itâs like a cheap trip to Europe,â McKaig said.
The band plays European roots music from 50 and 60 years ago, heavily
influenced by American Jazz. Old favorites like Under Paris Skies and
tunes found in European films like Bread and Tulips are popular.
âA lot of the music we play is older, traditional music,â said McKaig.
âWhat I hear is the roots of Bluegrass and Country. Itâs all there,â
said Luke Wilson, a luthier and musician who has played a wide range of
music for 50 years.
Fans of the community party must wait an entire week before returning,
adding to the specialness of the occasion.
âThereâs almost like a Brigadoon quality to it,â McKaig said, comparing
the Friday night scene to that of the old German tale of a magical
village that appears only one day every hundred years.
Those looking to satisfy their palate can choose dishes inspired from
Crouzetâs French roots like Coq au Vin and Tarte Tatin and Valentineâs
American influence like the Prime Rib Crepe. Rounding out the meal is a
wide array of wine and beer to choose from.
Crouzet says her skills in the kitchen stem from her birthplace.
âEvery French woman knows how to cook. You are kind of raised in a place
where everyone loves to cook,â she said.
Far from stale, the relationship between the musicians and cafĂŠ owners
has grown richer over time, Crouzet said.
âWe realize we have the same vision with people. Itâs giving joy and
happiness. Food is a way to reach out and music is a way to reach out,â
she said.
For more information, visit www.ncclassiccafe.com or
www.beaucoupchapeaux.net.
Laura Brown is a freelance writer. Contact her at 401-4877 or
laurabrown323@comcast.net.
- Nevada City Advocate
By Laura Brown Nevada City Advocate
Those who stroll past the Classic CafĂŠ on Broad Street on a Friday
evening will hear European gypsy music, conversation and laughter waft
out invitingly into the night.
A look inside will reveal a bustling French bistro-style atmosphere with
a Nevada City slant. Old friends fill the place each week to eat crepes
and Tapas specials, drink wine and listen to the lively acoustic music
of Beaucoup Chapeaux.
It all began nearly three years ago on Valentineâs Day, when husband and
wife owners Kirk Valentine and Genevieve Crouzet began a tradition that
was meant to offset the doldrums of a grim economy.
âWe needed something to cheer up,â Crouzet explained in her heavy French
accent.
With a vision to find an accordion player, Crouzet was thrilled when she
first heard Maggie McKaig playing at a Saturday farmerâs market.
A few months later during a power outage on a cold, snowy evening,
McKaig joined by her entourage â 33-year partner Luke Wilson and band
Beaucoup Chapeaux members â warmed the cafĂŠ with their music for the
first time.
âRight at the beginning it was just magic,â said Peter Wilson, a local
musician who has played with the band on various occasions.
âIt was great. People loved it. They discovered the place,â Crouzet said.
These days itâs difficult to find an empty chair or table most Friday
nights in what was once the downtown Nevada City diner known as Moores.
Besides McKaig with her accordion and Luke Wilson on tenor guitar and
banjo, the band includes Scotland-born Murray Campbell on violin, Randy
McKean on clarinets and additional violin by Margot Duxler.
The key to the magic is the âutterly unamplifiedâ acoustic ensemble,
said Peter Wilson.
Itâs the right amount of sound for the room â not too loud, nor quiet
either â allowing people to carry on conversations yet tune into the
music if they feel moved to.
âUnamplified music by nature is way more intimate,â Peter Wilson said.
A diverse following has surfaced over the years during the community
party, from surgeons to stone masons and everyone in between. Over the
years, the band has watched couples meet and fall apart and unlikely
friendships grow in the cafe.
âItâs not like anything else that goes on in Nevada City,â said Murray
Campbell. âItâs got itâs own kind of feel to it.â
More than just background music, the performers are known to get up from
their seats and âstrollâ and dance about the crowded room by nightâs
end. A dancer of many years, Crouzet is known to join in song. Crowds
dance, clap and stomp feet in time to the music.
âItâs not fragile. Itâs a pretty robust scenario,â Campbell said.
Though the band brings a following of fans, many regulars were
introduced to the music through the cafĂŠ. Some of the regulars can be
classified as âEurophiles,â folks who have been to Europe, love the
culture and long to return.
âThatâs a comment we hear a lot, it reminds them of a cafĂŠ in Paris.
Itâs like a cheap trip to Europe,â McKaig said.
The band plays European roots music from 50 and 60 years ago, heavily
influenced by American Jazz. Old favorites like Under Paris Skies and
tunes found in European films like Bread and Tulips are popular.
âA lot of the music we play is older, traditional music,â said McKaig.
âWhat I hear is the roots of Bluegrass and Country. Itâs all there,â
said Luke Wilson, a luthier and musician who has played a wide range of
music for 50 years.
Fans of the community party must wait an entire week before returning,
adding to the specialness of the occasion.
âThereâs almost like a Brigadoon quality to it,â McKaig said, comparing
the Friday night scene to that of the old German tale of a magical
village that appears only one day every hundred years.
Those looking to satisfy their palate can choose dishes inspired from
Crouzetâs French roots like Coq au Vin and Tarte Tatin and Valentineâs
American influence like the Prime Rib Crepe. Rounding out the meal is a
wide array of wine and beer to choose from.
Crouzet says her skills in the kitchen stem from her birthplace.
âEvery French woman knows how to cook. You are kind of raised in a place
where everyone loves to cook,â she said.
Far from stale, the relationship between the musicians and cafĂŠ owners
has grown richer over time, Crouzet said.
âWe realize we have the same vision with people. Itâs giving joy and
happiness. Food is a way to reach out and music is a way to reach out,â
she said.
For more information, visit www.ncclassiccafe.com or
www.beaucoupchapeaux.net.
Laura Brown is a freelance writer. Contact her at 401-4877 or
laurabrown323@comcast.net.
- Nevada City Advocate
5 Stars!
There's a lot to like about this group, but the central idea seems to be fun. Some cuts are sentimental and even schmaltzy, but never to excess, and never without a touch of underlying grit. Go on, tap your feet, dance, you won't find a thing here to defeat that mood. When the sun's not shining, I play this CD and out it comes, in my car or in my kitchen. But at the same time, I'm left musing on deeper things too. Life's promises and disappointents to go with life's pleasures.
Not that any recording could beat seeing Beaucoup Chapeaux live in the exuberant, free-flowing, Friday night atmosphere of Nevada City's Classic Cafe. Still, we can't always be there, so here's a way to fill the gap-- - Bill Pieper writing on CD Baby
A mainstay on Friday evenings at The Nevada City Classic Cafe eatery for the past several years, Beau- coup Chapeaux play a mixture of music that oozes with joyful world overtones that has prompted their fans to exclaim that the group's music "can get them to Europe in mere seconds." I have to wholeheartedly agree as these four musical friends have truly found their stride with this fabulous record. If you like your music with an old world European quality and played straight from the hip with no excuses, look no further as this will be your cup-otea and then some! beaucoupchapeaux.net - KVMR DJ Top Picks 2011
A mainstay on Friday evenings at The Nevada City Classic Cafe eatery for the past several years, Beau- coup Chapeaux play a mixture of music that oozes with joyful world overtones that has prompted their fans to exclaim that the group's music "can get them to Europe in mere seconds." I have to wholeheartedly agree as these four musical friends have truly found their stride with this fabulous record. If you like your music with an old world European quality and played straight from the hip with no excuses, look no further as this will be your cup-otea and then some! beaucoupchapeaux.net - KVMR DJ Top Picks 2011
Lemonade:
Maggie McKaig and Luke Wilson-- much more than two plain folks
Thursday, September 24, 2009
By Jesse Locks
Special to The Union
This summer has been a busy one for folk duo Maggie McKaig and Luke Wilson.
They performed along with good friend Peter Wilson, as the Wilson Triplets at the California WorldFest, lead a successful Friday night series at the Nevada City Classic Caf�, and recently returned from Nashville, Tenn., where they were nominated for Best Celtic Instrumental and showcased at Just Plain Folks, the world's largest independent music awards. For a couple that vowed 30 years ago that they'd never play together, they are continuing to make music that moves listeners and audiences.
McKaig and Wilson have been familiar faces in the local music scene for over two decades. Together they have released five albums and performed with an array of notable players including Utah Phillips, Alasdair Fraser, Saul Rayo, Tom MacDonald, Sands Hall, Charlie Brock, Joe Fajen, Kimberly Bass, Mariee Sioux and two-time Grammy winner Mary Youngblood on a variety of stages across the country, but neither were quite prepared for the magnitude of the world's largest grass roots music organization known as Just Plain Folks.
�We didn't really have a clue how big this thing was,� explains McKaig when I catch up with her by phone from her home outside of Nevada City. �I've never submitted my music for an award, but Derek Sivers of CD Baby suggested we do it and I really respect him and his business. It didn't cost anything, so I thought why not?�
Just Plain Folks is a community of over 51,500 songwriters, recording artists, music publishers, record labels, recording studios and engineers, producers, publicists and journalists, music retailers and about every other type of member of the music industry. Their mission is to provide �a network of cooperation and inclusion for all musicians.� They also host the world's largest independent music awards where volunteers screen up to 42,000 albums and 560,000 songs in nearly a hundred different genres.
McKaig's original tune, "Flora's Waltz," made the top six �� out of 2000 entries �� of "Best Celtic Instrumentals," but the icing on the cake came when she and Wilson were one of the few groups asked to perform at the awards ceremony last month in Nashville. Over 500 people from 80 different countries were in attendance.
�We had such a blast. It was a fun night of non-stop music from musicians all around the world,� says McKaig. �Everyone was exchanging their information and CDs.�
McKaig and Wilson have also been selected to showcase at the Far West Folk Alliance Conference in November, an opportunity she believes made possible by the Just Plain Folks Festival.
�In this youth orientated business of music, it is pretty mind boggling that an awards ceremony like this exists. Judges are not looking for who is the next big thing, rather they are listening for a piece of music that moves them.�
(Lemonade is cool and refreshing, usually sweet and a little bit tart. Jesse Locks is a freelance writer. You can reach her at jesselocks@gmail.com.)
- The Union
It was a dark and stormy night. Oops! That's been done before.
It was a dreary Friday. It had been raining all week, and I'd finished my library books. Cabin fever was about to engulf us. My husband, David, and I invited a friend to share in our boredom, and the three of us strolled down Broad Street.
Suddenly we were accosted by a musician coming out of a small cafĂŠ. Hey, what is this? North Beach? Paris? We stepped inside. The cafĂŠ was redolent of garlic and butter. The tables were full and people were singing along with the musicians. We were immediately transported to a boisterous, vibrant Paris bistro â just what we needed to lift our spirits!
The menu at the Classic CafĂŠ is quite simple and affordable. Crepes or quiche and salad, and French fries that are perfectly crisped as only the French can do are a few choices. The bouillabaisse is to-die-for with a cream base instead of tomato. There are several delicious dessert crepe options also.
Beaucoup Chapeaux plays European cafĂŠ music every Friday. The band consists of Maggie McKaig who is wild on an accordion, Luke Wilson playing tenor guitar, Murray Campbell on violin, and Randy McKean on clarinet.
Seven years ago Kirk Valentine and Genevieve Crouzet bought Moore's CafĂŠ which had been in business on Broad Street for many years. Their plan was to open a bakery and had made arrangements with a French baker to bring his family over, but the baker and his wife decided they wanted to raise their family in France, not California. Kirk and Genevieve now owned a restaurant without a plan.
They kept it as the classic American cafĂŠ that it was, but began adding their own French influence â lunches and all-day American breakfasts with a fabulous French crepe. Their cook, Alphonso, worked at Moore's and continues to be the foundation of their kitchen today. Two years ago Genevieve had the idea of turning the cafĂŠ into a classic French bistro on Friday nights and the place has been jumpin' ever since.
Growing up in France, Genevieve earned a degree in biology and physiology. She was a dancer in Paris, but always dreamed of moving to San Francisco. Then in the 80s she did indeed move there and studied massage. Shortly after that she met and married Kirk Valentine.
Kirk began his career(s) as an aerospace engineer and worked on the Gemini and Apollo projects. When the money for space exploration dried up, aerospace wasn't as mentally stimulating and the financial stresses of the industry were not fun. Kirk moved on and found himself as the owner of a sail boat company. Here he also got to dabble in another of his creative passions â food. He helped to establish a restaurant at the facility for their sailing club in Pt. Richmond.
When their son was born, Genevieve and Kirk wanted to move out of the Bay Area. Nevada City was the place.
The restaurant continues to be fun for both Genevieve and Kirk, and it shows. Their goal is to offer a good value for your money (and a raucous crowd too). The employees also help them to spend more time with their son, Sean.
Nevada City Classic CafĂŠ is open for breakfast and lunch, 8 a.m. to 2:30 p.m., seven days a week. The bistro is open Friday nights from 6 to 9 p.m.
Patti Bess is a local freelance writer, cookbook author and a radio host on KVMR-FM. E-mail her with questions or for more information at pbess@exwire.com.
- The Union
Utah Phillips introducing Maggie and Luke on May 9, 2004, at the Mother's Day Concert, Unitarian Universalist Church, Grass Valley CA. "Two of the finest folk musicians, singers, and songwriters performing today."
Response to their new CD "Storm Sessions":
Really quite a delight to listen to!
---Jimmy James, DJ, KBCS Radio, Bellevue, Washington
This is a great CD, with a really warm and live sound!
---Che Greenwood, DJ. KVMR Radio, Nevada City, CAI
LOVE EVERYTHING!
We listened to Storm Sessions (GREAT TITLE) all the way through. Itâs wonderful, Maggie! I LOOOOOVE it, and especially love âEverythingâ. Itâs so moving, and the music is incredible--I mean, ALL the music is AMAZING and that song to launch what follows it is brilliant. You should all be so proud. The bass is subtle and thorough and a fabulous addition. My deepest congrats to you and Luke for a gorgeous new element on this earth. THANK YOU!
--Sands Hall, author, playwright, actor, musician. Nevada City, CAÂ Â
Your music... It's beautiful!
---Donna Konsorado, musician and music promoter, Lentzville, Vancouver Island, Canada.
Maggie, Â Â
I have to tell you,........ I had received your CD in the mail, had chance to listen to it in the coming days. I brought it up to Terrali, and had put it in my CD drawer for the proper moment. Well, as it happened,...... I was sitting on the deck reading the weekend paper (it was a beautiful warm, sunny morning at that)  and had put some CD's into the player, yours being among them. Well,......when it came on, and the strains of "Everything" started, ...I stopped. I was so taken with emotion that I just started bawling (culmination of thoughts and emotions) , and WHAT a beautiful love song. I have played it about a hundred times tonight. Â
--Alice Leon, musician, Toronto, Ontario, Canada
Is this just a really good recording, or are you really this good?
---Jared Mannis, the Buffalo Gap Brewery booking agent, Portland Oregon.
I really love the new CD! It has such a warm, great sound.
---Saul Rayo, musician, Cuchina Del Mundo
Responses from promoters and audiences from the "Pacific Prairie Tour 2006":
World class music!
---Tom O'Hara, owner Stage Door Cafe and Cabaret, Mount Shasta City, California
...Featuring Luke Wilson, Maggie McKaig, and Murray Campbell, truly fine musicians of the North State, this will be a memorable evening.
---CA AccessNow.com
You guys sound great. Tell me when you'll be back.
---Sunny Jaynes, Mississippi Pizza Pub booking agent, Portland, Oregon
We definitely want you back next year--in a much better spot!
---Inger Jorgensen, booking agent, A Midsummer Dream Arts and Music Festival, Ashland, Oregon.
Wonderful music!
---Ariella St. Clair, booking agent, Ashland, Oregon.
Your music is fresh and forward! A wonderful concert
---Debra Ward, artist, Calgary Alberta, after the Perrenoud Ranch Solsitice Festival.
I heard only wonderful reports on your set. I hope you'll be back another year!
--Carole Weatherall, artistic director, North Country Fair, Alberta.
Response to Maggie and Luke's 2005 Winter Solstice concert:
"It was a great evening! For over 15 years, Maggie McKaig has remained one of my favorite musicians and songwriters. Unceasingly original and provocative, the landscape of work is unfailingly refreshing and thought provoking."
--Carolyn Crane, Radio Journalist, Nevada City, CA
That night was so magical. It was all that I hope the holidays and solstice to be, but often aren't. An incredible spirit of warmth, joy and community pervaded the room. The music was fabulous. Thank you for that!.
--Maxima Putnam Kahn, Grass Valley, CA
-----We heard the Maggie McKaig & Friends night at Cooper's Thursday was standing room only. Congrats to such terrific performers.
--Pam Jung, The Grass Valley Union Newspaper
Response to Grand Promenade:
âThe CD is gorgeous...an awesome job in writing, playing and putting thoughts and passions out to share with us!â
---Lou Johnson, Dos Almas Music
And from CD Baby:
"If you like folk/celtic music, give this CD a listen. Listening to this CD is a real pleasure. The music and lyrics are clearly the work of a seasoned musician, steeped in the folk/celtic tradition. The back-up musicians are also of high caliber and help to make good music that much better. In particular, I really like "Brigit's Song" and "Cave of the Swimmers." If you are already into this genre of music, give this cd a listen. You won't be disappointed. "
-- David Fitts, Lexington KY
âSmall Wonderâ reviews from CD Baby:
****Who knew I would like this so much???
Reviewer: P. Adams
I love the collection of music. The vocals are angelic and the instrumentals are excellent. When I am at home working on the computer this CD has a very calming effect on me. There hasn't been a week gone by that I haven't listened to it.
****Wonderful bl - Various
Utah Phillips introducing Maggie and Luke on May 9, 2004, at the Mother's Day Concert, Unitarian Universalist Church, Grass Valley CA. "Two of the finest folk musicians, singers, and songwriters performing today."
Response to their new CD "Storm Sessions":
Really quite a delight to listen to!
---Jimmy James, DJ, KBCS Radio, Bellevue, Washington
This is a great CD, with a really warm and live sound!
---Che Greenwood, DJ. KVMR Radio, Nevada City, CAI
LOVE EVERYTHING!
We listened to Storm Sessions (GREAT TITLE) all the way through. Itâs wonderful, Maggie! I LOOOOOVE it, and especially love âEverythingâ. Itâs so moving, and the music is incredible--I mean, ALL the music is AMAZING and that song to launch what follows it is brilliant. You should all be so proud. The bass is subtle and thorough and a fabulous addition. My deepest congrats to you and Luke for a gorgeous new element on this earth. THANK YOU!
--Sands Hall, author, playwright, actor, musician. Nevada City, CAÂ Â
Your music... It's beautiful!
---Donna Konsorado, musician and music promoter, Lentzville, Vancouver Island, Canada.
Maggie, Â Â
I have to tell you,........ I had received your CD in the mail, had chance to listen to it in the coming days. I brought it up to Terrali, and had put it in my CD drawer for the proper moment. Well, as it happened,...... I was sitting on the deck reading the weekend paper (it was a beautiful warm, sunny morning at that)  and had put some CD's into the player, yours being among them. Well,......when it came on, and the strains of "Everything" started, ...I stopped. I was so taken with emotion that I just started bawling (culmination of thoughts and emotions) , and WHAT a beautiful love song. I have played it about a hundred times tonight. Â
--Alice Leon, musician, Toronto, Ontario, Canada
Is this just a really good recording, or are you really this good?
---Jared Mannis, the Buffalo Gap Brewery booking agent, Portland Oregon.
I really love the new CD! It has such a warm, great sound.
---Saul Rayo, musician, Cuchina Del Mundo
Responses from promoters and audiences from the "Pacific Prairie Tour 2006":
World class music!
---Tom O'Hara, owner Stage Door Cafe and Cabaret, Mount Shasta City, California
...Featuring Luke Wilson, Maggie McKaig, and Murray Campbell, truly fine musicians of the North State, this will be a memorable evening.
---CA AccessNow.com
You guys sound great. Tell me when you'll be back.
---Sunny Jaynes, Mississippi Pizza Pub booking agent, Portland, Oregon
We definitely want you back next year--in a much better spot!
---Inger Jorgensen, booking agent, A Midsummer Dream Arts and Music Festival, Ashland, Oregon.
Wonderful music!
---Ariella St. Clair, booking agent, Ashland, Oregon.
Your music is fresh and forward! A wonderful concert
---Debra Ward, artist, Calgary Alberta, after the Perrenoud Ranch Solsitice Festival.
I heard only wonderful reports on your set. I hope you'll be back another year!
--Carole Weatherall, artistic director, North Country Fair, Alberta.
Response to Maggie and Luke's 2005 Winter Solstice concert:
"It was a great evening! For over 15 years, Maggie McKaig has remained one of my favorite musicians and songwriters. Unceasingly original and provocative, the landscape of work is unfailingly refreshing and thought provoking."
--Carolyn Crane, Radio Journalist, Nevada City, CA
That night was so magical. It was all that I hope the holidays and solstice to be, but often aren't. An incredible spirit of warmth, joy and community pervaded the room. The music was fabulous. Thank you for that!.
--Maxima Putnam Kahn, Grass Valley, CA
-----We heard the Maggie McKaig & Friends night at Cooper's Thursday was standing room only. Congrats to such terrific performers.
--Pam Jung, The Grass Valley Union Newspaper
Response to Grand Promenade:
âThe CD is gorgeous...an awesome job in writing, playing and putting thoughts and passions out to share with us!â
---Lou Johnson, Dos Almas Music
And from CD Baby:
"If you like folk/celtic music, give this CD a listen. Listening to this CD is a real pleasure. The music and lyrics are clearly the work of a seasoned musician, steeped in the folk/celtic tradition. The back-up musicians are also of high caliber and help to make good music that much better. In particular, I really like "Brigit's Song" and "Cave of the Swimmers." If you are already into this genre of music, give this cd a listen. You won't be disappointed. "
-- David Fitts, Lexington KY
âSmall Wonderâ reviews from CD Baby:
****Who knew I would like this so much???
Reviewer: P. Adams
I love the collection of music. The vocals are angelic and the instrumentals are excellent. When I am at home working on the computer this CD has a very calming effect on me. There hasn't been a week gone by that I haven't listened to it.
****Wonderful bl - Various
Storm Session takes an eclectic mix of folk, jazz, classical, newgrass and traditional Scottish to make their own unique blend of tunes. With experts such as Murray Campell, a Scottish violinist, Michael Zisman, a jazz bassist, to intensify their sound, itâs Maggie McKaig and Luke Wilson, a couple who have been married for thirty years, that really push forward the effort, looking to their personal life and ancestry for inspiration. - Monterey Weekly
Storm Session takes an eclectic mix of folk, jazz, classical, newgrass and traditional Scottish to make their own unique blend of tunes. With experts such as Murray Campell, a Scottish violinist, Michael Zisman, a jazz bassist, to intensify their sound, itâs Maggie McKaig and Luke Wilson, a couple who have been married for thirty years, that really push forward the effort, looking to their personal life and ancestry for inspiration. - Monterey Weekly
Is this just a really good recording, or are you really this good?
---Jared Mannis, the Buffalo Gap Brewery booking agent, Portland Oregon. - Jaren Mannis, booking agent, Buffalo Gap
By Sands Hall
Thursday, March 13, 2008
Thirty years ago, Maggie McKaig took hold of the horn of her saddle and the handle of her guitar case and headed to Alberta, Canada, where she worked as a ranch hand during the day and on her musical guitar chops and songwriting at night. One day she wandered into the shop of Luke Wilson, luthier (one who makes or repairs stringed instruments) and musician. Somewhere in the process of his fixing some aspect of her guitar and playing the banjo for her, they fell in together. Now 30 years, two sons and five albums later, they are still going strong.
Friday, they'll celebrate those 30 years and that fifth album, "Edge of the World," at a concert at the Nevada City Odd Fellows Hall. Once known as folk, the music their band Storm Session plays is now classified as world music.
Says McKaig, "You'll hear a collection of songs and stories that cover gods and goddesses, heroes, mere mortals, mythical beasts ... and mayflies, to name a few. You may find yourselves dancing to jigs, tangos, polkas and reels."
The artist is expressing her Russian ancestry with some new tunes, such as the lovely "Mazurka," and commemorating a trip the couple took to Italy with "Neptune's Garden," "Travelers" and "Tutto Va Bene." At least 10 instruments - accordion, guitar, tenor guitar, banjo, dobro, violin, oboe, English horn, electric bass and mandolin - will be used for their special sounds.
A year ago, during a thunderstorm, the story goes that Luke leaned in to kiss Maggie just as lightning zigzagged across the sky outside their home - a sign, perhaps, of the spark in their marriage and an extraordinary partnership? Sounds right. See it for yourself, starting at 8 p.m., 212 Spring St.
Tickets may be purchased in advance for $15 at BriarPatch, After the Gold Rush Records, the Record Connection and Cherry Records (in Auburn); $20 at the door. Contact info@nevadacitymusicevents.com or (530) 470-9615 for more about the concert; online at www.myspace.com/stormsession for more about the band.
- The Union
Is this just a really good recording, or are you really this good?
---Jared Mannis, the Buffalo Gap Brewery booking agent, Portland Oregon. - Jaren Mannis, booking agent, Buffalo Gap
Edge of the World--Storm Session
This is one of those albums that gets better the more you play it. At first the song writing stands out. The songs are ââŹĹWorld MusicââŹ?-you can hear Americana, Celtic, Gypsy, Middle Eastern, eastern European influences weave their way through the CD. Maggie McKaig has written, or co-written 10 of 11 songs and instrumentals that cover topics ranging from gods, heroes, mere mortals, mythical beasts, and mayflies.
Later, you start to notice the little extra touches that the band adds to the songs that make the songs magical at times. Between the four members of the Storm Session band; Maggie McKaig and Luke Wilson, with Murray Campbell and Michael Zisman, they play a wide variety of instruments including guitars, accordions, banjo, tenor guitar, dobro, lap steel, violin, oboe, English horn, fretted and fretless bass, mandolin. This is a wonderful locally produced album by seasoned veterans that deserve a larger audience.
- KVMR Listener's Guide. By Andy Dooley-Miller
Edge of the World--Storm Session
This is one of those albums that gets better the more you play it. At first the song writing stands out. The songs are ââŹĹWorld MusicââŹ?-you can hear Americana, Celtic, Gypsy, Middle Eastern, eastern European influences weave their way through the CD. Maggie McKaig has written, or co-written 10 of 11 songs and instrumentals that cover topics ranging from gods, heroes, mere mortals, mythical beasts, and mayflies.
Later, you start to notice the little extra touches that the band adds to the songs that make the songs magical at times. Between the four members of the Storm Session band; Maggie McKaig and Luke Wilson, with Murray Campbell and Michael Zisman, they play a wide variety of instruments including guitars, accordions, banjo, tenor guitar, dobro, lap steel, violin, oboe, English horn, fretted and fretless bass, mandolin. This is a wonderful locally produced album by seasoned veterans that deserve a larger audience.
- KVMR Listener's Guide. By Andy Dooley-Miller
Edge of the World
Maggie, Luke, and the band have set out a fabulous feast. Every song on the CD is uniquely wonderful and the range and variety a delight. Lyrics, vocals, and instrumentals are individually great and blend together just right. Simply Transporting. Just donât ask me which is my favorite songâitâs so hard to choose when they are all so good.
--author: Randall Buechner
WOW! I just couldn't get enough of this album! It's a rare integration of music and lyrics supported by exquisite musicianship. It's nothing short of sparkling brilliance and originality! Keep recording, you guys! We need more music like this!
--author: Matilda Katz
This CDâs broad texture results from Storm Sessionâs consistent originality, passion, and imaginative instrumentation. Itâs a treat for ears, mind and heart.
--author: Jeff Kane
Wonderful music, heart touching and inspiring. I will never forget the first time I heard Maggie sing at Coopers three years ago. I was so moved by her words, voice and passion that it took me to another place. This CD does something magical like that too. You have got to add it to your collection.
--author: Mollie Wilmot - CD BABY Reviews
--We are so happy that we ventured out and to your show last night.
Thank you. It was beautiful. Lovely, lovely.... Poignant, funny, touching, wacky, eccentric, grounding... A great night.--Eleanore MacDonald
--Warm, evocative, moving, loving, shining was the evening, and so are the two of you. Congratulations on your marriage and your life and your music and your friends and friendship -- and a new and fabulous CD.
--I really enjoyed being part of your music Friday night. It was such an enjoyable evening with a beautiful gathering of folks.
--It was so wonderful to see the two of you just shining up there, glowing with all your new beautiful music and your adventures, and your friends there to celebrate you. I am very glad to be one of those friends. You played beautifully and with heart. Thank you for sharing your music with us all.
--Doris Rainville
--I loved every minute of you and your man's concert! Your song at Pioneer Park was amazing too, you are on a roll.--Karen Leigh Sharp
--We love the CD!!!
--What a lovely collection of songs, what heartfelt musicianship and ease with a large crowd! I am in awe of you two, and when you sang your love song, I kind of lost it. Thank you for putting on an inspired musical evening. Bravo!
--Jane Reidel
--It was such a fabulous show!!! âŚit was a great crowd, a true testament to your quality. You have much to be proud of!!
--You guys were awesome! We were so happy to be able to be there! We've been listening to the album over and over and it just gets better and better!
- Self
Published: August 30, 2009 10:12 pm print this story
Concert weaved with local historical tales
McKaig family descendent playing at Arts Council Thursday
Tess Hill
Cumberland Times-News
CUMBERLAND â The Allegany Arts Council will host musicians Maggie McKaig and Luke Wilson, two California natives. But this performance, though the pair are from across the country, will be closer to the heart of Cumberland natives and area history lovers.
McKaig is not just a talented singer, songwriter and instrumentalist, but also has ancestrial ties to Cumberland and the McKaig Foundation.
âThe McKaigs were a prominent family but, in 1870 my great-great grandfather, William Wallace McKaig II, was shot and killed on Baltimore Street by the brother of Myra Black, the woman William had supposedly gotten pregnant,â McKaig said. âThis became a very high profile trial in which the murderer was acquitted on the grounds that he was defending his familyâs honor.â
McKaig said the whole scandal plunged the rest of the family into a tailspin in some way, including William McKaigâs son, Reginald, who moved to Salt Lake City and was never heard from again. She said the historical society in Cumberland thought the last McKaig had been William Wallace McKaig III, whose estate established to McKaig Foundation.
âBut the historical stories arenât the only thing I find interesting, but also the parallels between my ancestrial history in Cumberland and what has happened with my branch of the family,â she said. âI also became fascinated with Myra Black and wondered whatever happened to her and her son.â
McKaig said these stories, along with the historical data she and her sister have dug up, have also inspired her in her musical career.
âThe songs Iâve written about my ancestrial ties here arenât just the stories, but also inspired songs from other things Iâve drawn from my history here,â she said. âThe first ballad I worked on was basically a story of Myra and Willy. When I first started writing it, it was with the idea that my great-great grandfather was a scoundrel, but then I had to go back and re-write it based on the facts that I actually had. So who knows, maybe he was a scoundrel but maybe he wasnât, we donât know the truth.â
McKaig said soon after finishing this ballad, Myra Blackâs voice came to her and McKaig wrote a ballad based on the womanâs story.
âThis was more of presenting the facts but also intuitively trying to fill in the gaps; I had a vision of Myra leaving Cumberland with this baby in her arms and I put that vision into song,â she said. âThe next song, âThe Road to Baltimore,â is through Reggieâs voice. His voice came to me and why he went to Salt Lake City, why he was a troubled man, why he had to leave and having to make a new life.â
These songs, along with âChristmas Bells,â based on a poem by Henry Wadsworth Longfellow and other popular 19th century songs, will be preformed Thursday night, which she calls âCumberland Suite: A Family History â Music of Love and War.â During the performance, her sister and her husband will be reading excerpts from Priscilla Beall McKaigâs journal and trial transcripts of William Wallace McKaig II.
âFirst of all, Iâm hoping people will take away the concept that, in so many ways, people are the same whether it be in their hopes, aspirations or both,â McKaig said. âI also want people to think about their family histories and how they are passed down. Sometimes, especially when we donât know the, people keep reliving the same situations. Itâs almost like what we inherit from out ancestors is sometimes much deeper than we realize. The connections that occur and the information Iâve gotten has made me realize how connected we all are, even though we may seem very different in many ways.â
McKaig said she also wants people to realize how profound the implications are today.
âThough these are 19th century stories, there are still so relevant today,â she said. âAnd I like to get people thinking about their own histories. Iâm a true believer in the saying âitâs hard to know where youâre going if you donât know where youâve come from.â If we donât know a lot about our history you seem to commit the same kind of errors and mistakes over and over again.â
Maggie McKaig and Luke Wilsonâs music encompasses Celtic, American, gypsy, central, Eastern European, bluegrass, country, jazz and folk music. One of McKaigâs original instrumentals has been nominated for best Celtic instrumental by Just Plain Folks, the worldâs largest organization of independent musicians. Both attended the awards banquet in Nashville on Friday before traveling to Lexington, Ky., and then on to Cumberland.
The concert is set for Thursday at 7 p.m. in the community room at the Allegany Arts Council, 9 N. Centre St.
For more information about McKaig, or to hear samples of her music, visit her Web site at www.maggiemckaig.com.
Contact Tess Hill at thill@times-news.co - Cumberland Times
June, 2009
"We were delighted with your show on Saturday... it was really a pleasure to host all of you.....i loved hearing your stories.....and your music has such wonderful variety! I played your CD loudly last night.....and enjoyed it thoroughly! It is so exciting for us to play the music and have a better understanding of what it might mean..... Anyways....you guys are really splendid together and we hope to see you again. Maybe you can come visit your gourmet chefs again and join us for another show as well!" Berkeley, CA house concert hosts Audrey and Milton
- House Concert Presenter
Discography
Still working on that hot first release.
Photos
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Bio
Descriptions of Beaucoup Chapeaux's music vary, but the term "magic" is frequently invoked. Whether raising the roof on a rural community dance hall or bustling bistro, or hairs on listener's arms in pristine concert settings, this lithesome quartet knows how to create joy, beauty...and magic. Their extraordinary repertoire of originals and music re-imagined from dozens of European and Balkan cultures, ancient and contemporary, is fresh, personal, and universal.
"We love your new CD!"--Sean Bianco, host of Capitol Public Radio's "Night at the Opera".
For ten years, and 700+ performances, Beaucoup Chapeaux has been creating community and joie de vivre:
"...Beaucoup Chapeaux, a world and fusion quartet was at the Red Poppy (Art House)...So many fans showed up that the Poppyâs small wine bar ran out of glasses, but the crowd felt like family, with cousins crowded around the table, and you almost felt like volunteering to do the washing up."--Leah Garchik, San Francisco Chronicle, Jan 19, 2016
Beaucoup Chapeaux's founder and leader is guitarist, accordionist, singer and composer Maggie McKaig. With a voice described as "the real thing," Maggie sings in dozens of languages. She's recorded seven albums and composed the folk opera "Cumberland Suite." Collaborations include work with bassist/mandolinist Michael Zisman, bassist Bill Douglass, saxophonist George Brooks, singer/songwriters Paul Kamm, Eleanore MacDonald, and Utah Phillips, who described Maggie as one of the best musicians he knew. As a side person, Maggie toured as lead guitarist/harmony singer for 2-time Grammy award winner Mary Youngblood, and with singer/songwriter Sands Hall. Her past bands include: Canadian folk rock band Lost in the Colonies; Celtic Wonder Band; Storm Session.
Notable compositions include "Flora's Waltz," a top 5 winner for Best Celtic Instrumental at the "2009 Just Plain Folks Awards"in Nashville, TN, and "War Is A Business," featured on Amy Goodman's "Democracy Now."
Luke P. Wilson, on plectrum banjo, tenor guitar, 5-string banjo, steel guitar, dobro, and vocals--also described by Utah Phillips as one of the best musicians he knew--has performed and recorded in Europe and North America, was a Capitol Records recording artist (with Ron Paul Morin), and worked with many Canadian musicians including Valdy, Ian Tyson, Diamond Joe White, Ron Paul Morin, Ken Hamm, members of Prairie Oyster, Ron Casat, Miles Jackson, Peter Marley, and the Backline Orchestra. In California, jazz bassists Michael Zisman and Bill Douglass, violinist Alasdair Fraser, singer/songwriters Saul Rayo, Kimberly Bass, Sands Hall, and Utah Phillips. Luke is also a luthier, running Wolfnote Studio with his son Bryn Wilson near Nevada City, CA.
Murray Campbell, on violin, oboe, cor anglais, and vocals, also plays reeds for numerous symphony orchestras, including North State, Auburn, and InConcert Sierra. One of those rare beings who is equally at home on the orchestral stage as he is improvising on reeds and strings, Murray has worked with the Belfry Brothers, ChickenBonz, Paul Kamm and Eleanor MacDonald, Alasdair Fraser, Kipchoge Spencer, Bristle, and Lisa Mezzacappo's String Band, among many others.
Randy McKean, on clarinet, bass clarinet, and tenor sax, and vocals, draws upon methods of distillation and synthesis pioneered by composers such as Anthony Braxton and Iannis Xenakis. Other projects include leading the avant-garde quartet "Bristle" (with Campbell, bassist Lisa Mezzacappa, and reed player Cory Wright).
Beaucoup Chapeaux has warmed up for Aaron Neville, Allen Toussaint, and Dr. John and the Nite Trippers. Past performances include Ridgestock Music and Sustainability Festival; Salem World Beat Festival; Red Poppy Art House; The Big Easy; Augergine; Music in the Mountains; InConcert Sierra; North Columbia Schoolhouse; Wild and Scenic Film Festival; Stars at North Star House; Sir and Star; the Emerald Tablet; the Nevada Theatre; Valhalla Art and Music Festival; the White Rabbit; Blackbird Cafe; Point Reyes Station House CafĂŠ; Smiley's Schooner Saloon; Plough and Stars.
Band Members
Links