The Kenn Morr Band

Among its many vagaries life offers some certainties – they include the flow of memorable melodies and deeply-thought themes that permeate Kenn Morr’s mix of folk rock Americana. The latest album from The Kenn Morr Band, ‘Along The Way’ serves up a selection of laid-back warmth, involving softly embracing songs and pin-sharp observational lyrics. The instrumentation is as strong as ever, and like a few lucky artists (and good whiskey) Kenn Morr’s voice just gets better with age and the songs on ‘Along The Way’ are ample evidence of that – this is an album for those all too soon approaching winter nights, sit back relax and let the music wind you down….
It’s hard to pick ‘highlights’ because this is such a ‘complete’ album, not a single ‘filler’ in sight, every song in its right place and complementing each other start to finish. However, if pushed I’d mark out my favourites as: ‘Out Of The Fast Lane’, Along The Way’, ‘Blow Wind’, ‘Anywhere Will Be Your Home’, ‘Mr Wolfe’ and ‘Run Away’. Yes, there really are that many stand-out tracks.
The Kenn Morr Band on ‘Along The Way’ are of course the usual suspects, Kenn Morr (electric guitar, piano, harmonica, vocals) Tom Hagymasi (violin, mandolin, bouzouki, accordion, dulcimer, harmony vocals) Pat Ryan (bass guitar, harmony vocals) and Bob Gaspar (djembe, percussion). - Folk Words

The Kenn Morr Band - Afterimage

I vividly remember the correspondence that I had in 2008 with the American singer-songwriter Kenn Morr from Colebrook, Connecticut following a very favorable review I wrote for 'Roots Time' about his former album "Move On". He thanked me and immediately sent five CDs of the same title to distribute among our readers. Moreover, the English translation of that review is still prominently on his website, despite the subsequent appearance of several new records by him or of 'The Kenn Morr Band.


Under the band name came two CDs. "Higher Ground" in 2010 and in 2012 "Worth Imagining". Now Morr has released a double album "Afterimage" containing 28 songs that Kenn Morr solo or his band have released in the past. A kind of 'Best Of'.

Besides singer, guitarist, pianist and songwriter Kenn Morr, the band consists of Tom Hagymasi (violin, mandolin, bouzouki and accordion), Bob Gaspar (djembe, congas and percussion) and Pat Ryan (bass guitar). The older songs are all new here. Fresh interpretations recorded live in the studio with acoustic instruments.


What strikes us after listening to the two CDs is the huge arsenal of great songs that Kenn Morr has strung together in his music career. It makes him one of the best singer-songwriters in the contemporary music scene. The inspiration for his songs is taken from events of everyday life around him and the great love of his wife Jackie and his two sons James and Nolan. Therefore there is very much soul and belief in the poetic lyrics in all these songs that he has written.

An anthology of what we believe are the best songs on this double album reads as follows: "Cold Winds", "A Little Time" (see video), "Anna Lee", "Wooden Room", "Higher Ground ", the upbeat songs "Spinning Wheel" and "Baby It's Me", the guitar ballad " ave It That Way, "River Song", "Move On", "High Wire", "Coming Home" and "What Is It Like?" They are all laid back songs that may resonate at any time of the day on my home stereo.


Finally, we must once again point out that we can not escape the impression that the voice, the songs and the singing style of Kenn Morr very closely resemble those of Elliott Murphy. But let this is a positive determination since we are a longtime fan of both top musicians.
(valsam)
- See more at: http://kennmorr.com/press#sthash.s2jdhi19.dpuf - Rootstime, Belgium

Since the day I heard ‘New Moon Rising’, I’ve been a fan of Kenn Morr’s melody-rich music. This man Kenn Morr Bandwrites songs with deep content, songs of force, songs to stick with you. His richly toned voice hovers across a laid back relaxed delivery to make you listen to lyrics that reflect life’s experiences in a way we can all share. His latest album ‘Afterimage’, is a double-CD that looks back across a career, eight previous albums and includes some of his most-loved and well-remembered songs. It’s kind of a ‘best of’ but without the unnecessary hype. And if Kenn Morr’s work touches you then this is just what you need.

The genesis of ‘Afterimage’ grew out of a ‘disaster’ that wiped, never-to-be-recovered, an entire album's worth of new material stored on an Apple phone. Despite the catastrophe, Morr decided to use the set back to execute a handbrake turn, change direction and record an album of favourite songs. Morr and bandmates Pat Ryan, Bob Gaspar and Tom Hagymasi went over his eight previous albums, meandering back to the mid-'90s and chose a selection to record live – the principle was simple, sit down, switch mics on and go for it.

This reflective ‘best of the best’ gives all you would expect from ‘Lazy Afternoon’, ‘Anna Lee’ and Trade Winds’ through ‘Bad Days’ and ‘Lost Tales’ to ‘Move On, ‘High Wire’ and 'Let’s Take Tonight’. That's a personal view, of course, your ‘best of list’ will doubtless be different to mine. Whatever it takes, this is an album that Morr fans will soak up.

The Kenn Morr Band are Bob Gaspar (drums, percussion) Tom Hagymasi (mandolin, violin, bouzouki, accordion) Pat Ryan (bass guitar, backing vocals). - Folk Words, United Kingdom

Kenn Morr had to turn to Plan B after the computer containing essential material for his new album crashed (which is always nasty ...) He had already been thinking about recording an album of favorite songs. So he believed this would be a good opportunity to capture the magic of his current band playing together in the studio. As seen in the picture accompanying the two discs, they sit in a circle: Kenn Morr, multi-instrumentalist Tom Hagymasi, bassist Pat Ryan and Bob Gaspar who is leaning casually on his djembe. Twenty-eight(!)songs. A generous selection from Morr’s eight previous albums recorded live and acoustic and above all, professionally.

Kenn is from Long Island, where he first pursued a career in baseball. He eventually found his home in Connecticut and in folk rock music! We hear the nfluences of the big names who inspired him: Gordon Lightfoot, Bob Dylan, Van Morrison , Paul Simon, as well as the New Riders of the Purple Sage and The Marshall Tucker Band.

As far as I can see, the two discs held a random order. I do get the feeling, that above all the more upbeat mid-tempo songs were chosen. Kenn sounds warm and relaxed (he reminds me occasionally of Terry Lee Hale, Chip Taylor and especially Elliott Murphy.) Tom and Pat are close to stunning Crosby, Stills, Nash & Young -like vocals and/or a second voice. All instruments are beautifully played with great skill - I especially love the accordion, harmonica and Bob's catchy drumming.

The lyrics are more or less music set to poems. "All you see these days are gray skies/ All you're hearing are the blue lies" (from "Move On".)

Well, I miss (The Very Hungry Caterpillar) some personal favorites: "Girl With The Auburn Hair", "Gone" and "Lighthouse". Kenn hopes that we will have so much fun listening as he and his band had playing - that works! (PWR Records)
- See more at: http://kennmorr.com/press#sthash.s2jdhi19.dpuf - Reel Roots Cafe' - Amsterdam

I must confess that until recently I was not very familiar with the work of the American Kenn Morr and his band. To my great surprise, I listened to the man's new album "Afterimage". This album was a serious undertaking of acoustic interpretations of selected songs from Morr’s eight previous releases.

Morr (vocals, harmonica, acoustic guitar and piano) and his mates Tom Hagymasi (violin, mandolin, bouzouki, button accordion and harmony vocals), Bob Gaspar (djembe , congas and percussion) and Pat Ryan (bass guitar and harmony vocals ) created special, friendly moments in the studio that come across on these discs. The album was recorded "the old fashioned way" with everyone together in one room. Good live music making! Morr and company take you through 28 songs on a lovely, relaxed glide. Many of the songs contain quite profound lyrics. Comfortable listening made catchy by Morr’s sonorous singing which sounds like a cross between Elliott Murphy, Leonard Cohen and Bob Geldof.

Call it folk rock, pop and Americana roots. Call it what you like! The fact is that we are dealing with a particularly pleasant pot of acoustic roots music. Recommended not only to lovers of Murphy, Cohen and Geldof, but also to those who enjoy Jackson Browne, Tom Petty and Mark Knopfler.
- See more at: http://kennmorr.com/press#sthash.s2jdhi19.dpuf - Ctl Alt Country - Holland

Folk World, Germany –

The Kenn Morr Band - Afterimage

There are 28 songs on this two CD collection featuring Kenn Morr’s music and a tight little band he has assembled. The rhythm section is augmented with violin, mandolin and Morr’s guitar and keyboards. The musicians are pictured in a circle, which is just how they made this music—playing live in the studio. I don’t always have a preference on how this is done, but in this case, I think the listener is served well by their approach. This has a small folk club feel to it with straightforward vocals and thoughtful instrumentation where the band is locked in and having a good time. The songs have a gentle warmth to them as they run through a range of emotions, telling a number of stories. I particularly enjoyed ‘Twister’ with the slightest hint of rock music within. But this is folk and light folk-rock for the most part and is a welcome listen in this household a it will be to all folk fans.
- See more at: http://kennmorr.com/press#sthash.s2jdhi19.dpuf - Folk World - by David Hintz, Germany

Kenn Morr
by Gary Allen, The Music City Beat & Tennessee Concerts.com (March 2010)
Americana roots rocker and singer songwriter Kenn Morr may not stand out in a crowd yet, but he is writing songs that could
become part of American musical culture. As the drummer with JJ Cale, these songs sounded pleasantly familiar poetically and the
delivery sincere and as irresistible as the reluctant legend from Tulsa himself. I sense the same humility and musical integrity in him as Cale, who retains a quiet on stage demeanor that allows the music to speak for itself. We also have crossed paths with Kenn on his musical journey with legendary producer Bob Johnston, who recorded my former boss, Charlie Daniels on Dylan's Nashville recordings. He has also been compared to Leonard Cohen who took Daniels on his first European tour years before we made a name for ourselves.
Kenn plays guitar, piano, mandolin, lap steel, harmonica and has even produced himself in his own home studio. He pulled off an impressive first runnerup status in my Sonicbids "Best Song In The World Competition", and this round was stiff as Richard Nixon.
Humble and well grounded, he may back peddle the notion, but his songs rate up there with tunes from Music City's finest writers. The Connecticut troubadour has the rare ability to chart what appears to be familiar territory but taking a fresh new path. His latest CD Move On, is unique, the lyrics universal and his vocal delivery comparable to Gordon Lightfoot and Tom Petty at the top of their game.
Kenn's vocal patterns are guarded, genuine, original and intriguing. He seems to have an unending well of melodies that echo purpose and evoke deep thought and a well balanced laid back approach to life and song. I appreciate an unconventional style with conviction; Kenn along with his band are a pleasant and interesting combination. The songs from his fourth CD Move On, are honest and personal and seem to be from a kindler gentler place than where we live today. It takes masterful lyrics and thought provoking topics to take the audience on that trip.
Kenn has an eclectic style that successfully blends jazz, rock folk and countless textures and colors . I first saw Kenn on YouTube, and I flashed back to seeing a young Donovan opening for English rockers, Yes. Donovan also trekked back and forth to Nashville in the early days and cut several singles on small labels before radio gave him the proverbial nod. Kenn is radio ready, now he has to let radio jump on his bandwagon. JJ Cale says do what you do best and let your audience come around to you.
I advise Kenn to enjoy the family time and the mountain foothill scenery before record companies and promoters start pounding on his door with corporate sponsored deals and a year long itinerary. The power to realize your dreams are in your hands and in your songs. If you follow the music, all the rest will follow. Congratulations and much success! Artists of your caliber is what makes it all worthwhile for me to be involved. Merry Christmas & rock the new year with a joyful noise my friend!
- Gary Allen (JJ Cale, The Charlie Daniels Band)
- The Music City Beat

Wednesday, May 19, 2010
Kenn Morr Reaches For Higher Ground - (Are You On Something.Com May 2010)

Kenn Morr is a singer songwriter with an international fan base and five CD’s worth of his own material in release including “Today,” “New Moon Rising,” Coming Home.” Move On,” and his latest, and most mature work to date, “Higher Ground.” A few years ago on this site the late Dr. Philip Lombard wrote, “On Kenn Morr's first two collections he teamed with talented producers, but on "Coming Home," this multi-talented artist decided to produce the album himself. The result has a lucid honesty that is refreshing and long overdue……..How do you put Kenn Morr's distinct vocal sound into words? Well, think of an American Donovan blended with the soft whispering sound of Don Williams.” Morr recently took a few moments out of his busy touring schedule and talked about his new CD and shared some valuable insights on what it takes to be an independent artist in the 2000’s.

How’d you get into this whole music thing anyway? What was the first music you heard as a kid that got to you?

I grew up listening to Singer/Songwriters….Simon and Garfunkel…Cat Stevens and James Taylor. I’m the youngest of seven children. So most of my siblings were playing music of the time and a lot of it was the melodic, mostly-mellow music with deep lyrics. Songs that said something. Then when I got into junior high and high school I discovered Jackson Browne, Dan Fogelberg and CSN. When I got to college I was turned onto Gordon Lightfoot, but everything truly changed when my brother Walter made me a tape. One side all Dylan, with a lot of abstract cuts, and the other was Neil Young. And the rest is history. There was nothing else I wanted to do with my life.



How did you go from a guy who played music as a hobby to becoming a professional troubadour?

The first time I picked up a guitar I knew I never felt about anything the way I felt about playing music. Then I wrote my first in long line of horrible songs. But the process of writing became a source of relief for my mind. I was able to express a part of myself through music. And once that connection was made I decided I was going to pursue music.

One day on the way home from a gig my wife turned to me in the car and told me she thought I should quit my day job, sell the house, down-size and cut our expenses so I could be a full-time songwriter/musician. I’ll never forget where we were when she said it. I can point to the spot on the Hutchinson Parkway. It was that much of a powerful moment. I felt like there was somebody else who believed in me enough to completely change her lifestyle. I’ll never forget the feeling. It was a cross between relief and fear. Mostly relief. We placed the house on the market the next day and I quit the job within four months of that day.

Tell us about your new album.

It’s called “Higher Ground.”

Where did you record it?

In my home studio in Colebrook, CT. This is the first album in my career that was recorded with only the musicians in my touring band. It was a conscious decision to capture our vibe without bringing in guests. Fiddler Tom Hagymasi insisted I send the new songs to the band without any arrangements. He wanted to hear the songs in their most naked form. Just me and a guitar or piano. No harmonies, no embellishments. This was foreign to me. Even a bit scary. Because I had always felt it better to present songs the way I heard them in my head. With the harmony, with hooks etc. But looking back it was a great idea on Tom’s part and the record clearly reflects the imprint from Tom and, bassist, Dan Hocott, and percussionist Bob Gaspar.



What’s your favorite tune?

At the risk of choosing one “child” over another I’d have to say “Higher Ground”. That song wrote itself.

The CD came out real fine.

Thanks, the thing I really like about this record is it was written in a very short time and the recording process with these guys was effortless. And I think the music reflects that. Or at least I hope it does.


You are the definition of an independent artist. Of course you write your own material and every artist has their own way of creating the songs, but what happens next?

Once I write a song, I let it sit a while. If when I come back to the song…after having forgotten it… the song goes to the next step. The “demo” step where I work on arrangements, harmonies, instrumentation. This is so I can hear the song “fully-realized” without going through the whole formal process of recording it for a record. If after this process the song still holds up then it goes in the pile to be considered for a CD.


How do you select where or who to record with?

Fortunately these days that’s an easy question. I have a wonderful recording studio in my home. I’ve recorded in studios in Nashville, New York City, Long Island, Queens, Connecticut, Massachusetts upstate NY. Been there, done that. And none of those experienc - Are You On Something.com

"The Kenn Morr band is a favorite in Litchfield at our Summer Concerts Series on the Green. Their rich, melodic tones blend smoothly with Kenn's unique voice for a relaxing experience for young and old. They are all great musicians, with excellent "pickin'" skills and some nice "harp" playing. Americana at it's best!" - Brent Hawkins, Litchfield Parks and Recreation, Director

“The Kenn Morr Band delivers original sound with soul searching, tangible lyrics accompanied by the resonant voice of its namesake with alluring harmonies provided by band members- a must for your music library!” - Steve Theaker, DJ 91.3 FM WWUH, W. Hartford, CT

“The Kenn Morr Band has been performing at Brodie Park in New Hartford for the past 10 years. Our residents look forward to hearing their original melodic, harmony driven acoustic rock that personifies the Kenn Morr Band!” - Dennis Minor-Parks & Recreation Director-New Hartford CT

"The Kenn Morr Band has an impressive catalogue of original music that is very inspiring! Morr’s songs are instantly hummable and the melodies stick with the new listener. I have no doubt that folks familiar with the band are singing along! “Simple” says it best. Whether plugged or unplugged, Kenn Morr's smooth and resonate voice is predominant in his music, and the (multi-instrumentalist) musicians are second to none! Go see 'em, you'll be glad you did!" - Nick Novia, Sunday Night Firebox Music Series, Hartford, CT

“Kenn Morr and his band were again a smash hit at the Carl Schurz Park annual Summer Sounds Concert Series. Everyone loved their cool folk/rock sound and the CD's sold like hot cakes. We look forward to their return during our 2014 series…” - Ann Meschery, Director of In-Park Events for Carl Schurz Park Conservancy, New York City

“A number of years ago The Town of Ellington, Connecticut brought back the annual Summer Concert Series @ Arbor Park in Ellington. Helping to ‘rekindle’ the rebirth of Summer-time music for all ages was the KENN MORR BAND, offering a refreshing blend of wholesome, family related songs that has been a fan-favorite here for 5 years, with a planned appearance for 2014 as well!! Band leader Kenn Morr’s keen ability to accentuate the abilities of the members of his band has not gone unnoticed, and EllingtonParks and Recreation looks forward to another enjoyable performance in 2014!!” - Robert Tedford, Recreation Director

“The Kenn Morr Band has played at our lake concert series several times because of their unique style and strong vocals. Each appearance reveals a new musical quality that reaches and resonates with the audience…” - Stuart Grodin, Woodridge Lake

“At the summer concert in Farmington, CT, the audience enjoyed the diversity and easy listening music of the Kenn Morr Band. The evening was relaxing and entertaining…” - Priscilla Peale, Farmington Recreation

“The Kenn Morr Band did a great job at our summer concert series in Redding. I had many compliments about how great they sounded. Their original songs are excellent and we hope to have him back in the future.” - Rob Blick Director of Parks & RecreationTown of Redding, CT

"The Kenn Morr Band shines in a live setting! When energized by an audience, they bring out their best and it's evident..." - Stephan Allison, 88.1 FM, WESU and Middletown,CT Summer Concerts
- KMB.com

KENN MORR
MOVE ON
Website Contact
CD-Baby



Op een bijgevoegde flyer wordt de volgende vraag gesteld: wat heeft Kenn Morr gemeen met Bob Dylan, Simon & Garfunkel, Leonard Cohen, The Byrds, Johnny Cash, Louis Armstrong, Jimmy Cliff, Carl Perkins & Willie Nelson? Hebt u misschien enig idee? Wel, hier is het antwoord: hun platen werden allemaal ooit geproduceerd door de legendarische knoppenspecialist Bob Johnston. Ontgoocheld door dit antwoord? Dat hoeft niet echt want Bob Johnston heeft het allerbeste uit Kenn Morr gehaald en samengebundeld op diens album “New Moon Rising” uit 2004. De originaliteit van zijn songschrijverstalent, de melodieuze vlot in het gehoor liggende muziek en zijn muzikale, maniakale drang naar perfectie zitten vervat in dit werkje. Dat album betekende de grote doorbraak voor de uit Connecticut stammende Kenn Morr die in 2006 nog een album onder de titel “Coming Home” uitbracht en ons nu zijn nieuwste cd “Move On” heeft toegestuurd. Deze keer heeft hij de plaat zelf geproduceerd en voller doen klinken door toevoeging van een groter instrumentarium, inclusief piano, mandoline, viool, lap steel, mondharmonica en subtiel aanwezige percussie. Voor drie van de nummers zocht en kreeg hij sterke vocale ondersteuning: Rex Fowler zingt mee op het nummer “Don’t Turn Around” en de unieke stem van Annie Golden prijkt trots op “Still Need You Near” (een absoluut hoogtepunt op deze plaat) en op “Girl With The Auburn Hair”. Die kleine dame zal voor eeuwig in onze herinneringen blijven dankzij het liedje “Tell Me Your Plans” dat ze de hitlijsten inzong met The Shirts in 1978, alweer 30 jaar geleden. Dat leverde haar toen een glansrol op in de musical en in de film “Hair”. Maar we zouden het hier voornamelijk over Kenn Morr hebben en diens nieuwe cd “Move On”. Wel, dit werkje bevat 12 zelfgeschreven goede liedjes die stuk voor stuk een gedreven zanger laten horen met een pakkend stemgeluid. De meeste van deze nummers kan je na een paar beluisteringen probleemloos meeneuriën. De liedjes hebben een intiem karakter en bestaan uit eerlijke en op het persoonlijke leven geïnspireerde teksten. De titeltrack “Move On” is een muzikale brief aan een vriend met de raad om het trieste verleden te vergeten en optimistisch naar de toekomst te kijken. Ditzelfde onderwerp komt aan bod in de song “Don’t Turn Around”. Het liedje “Blue Morn” is een autobiografisch verhaal over hoe Kenn Morr de gebeurtenissen van 9/11 persoonlijk ervaren heeft. Hij bevond zich op die bewuste dag heel dicht bij Ground Zero en beschrijft in dit liedje hoe zijn vlucht uit New York verliep en wat zijn gevoelens bij dit weerzinwekkende gebeuren waren. Muzikaal verloopt de reis doorheen deze cd ook over diverse paden. Zo komen vleugjes reggae (“Get Back”), rock (“Let’s Take Tonight”), country (“River Song”) en Keltische invloeden aan bod en toont Kenn Morr ons dat hij een artiest met vele talenten is en in al die verschillende stijlen moeiteloos weet stand te houden. “Move On” is een heel mooie en aangename plaat van een man wiens stem mij steeds doet denken aan Elliott Murphy in zijn ballads. En dat is toch al een hele grote mijnheer, niet? “Everything Will Be Fine” zingt Kenn Morr in het laatste liedje op deze cd. Daar zijn wij inmiddels voor hem toch van overtuigd.
(valsam)
www.rootstime.be
- Rootstime

Kenn Morr - "Move On" by "Lady" Jane Rushmore, Are U on Something.com

Kenn Morr, the insightful troubadour from Connecticut, is back with the forth collection of home-spun melodies called "Move On."

This time out he has created an easy rollin', yet provocative tapestry that offers a lot of advice in the form of life lessons learned along the road. Morr's whispering, grainy vocals shout sincerity, nevertheless the lyrics will get you to thinking. Take the title cut "Move On" where he sings, "Gotta get yourself back," but then advises to "move on." This paradoxical tune, as with all the rest, begs to be listened to several times.

As always with Morr's projects there is some fine playing too – pleasant piano-violin jam in the middle of "Make You Mine," tasty and subdued jazz piano opening with a fine harmonica blend on "Blue Morn," etc. The music covers you like a cozy blanket in a tent near the campfire.

A standout track is "Once More." In the opening line the singer lies, saying he's "Got no words to say right now," then proceeds to lay down 19 lines and a chorus worth of words including some of the finest on the CD: "When you're running low on love you know its hard to pay the price."

If you are already a Kenn Morr fan you won't be disappointed with his current offering, and if you are new to his music, the latest work is a fine place to start. To purchase a copy go to www.kennmorr.com

- AreUonsomething.com

Kenn Morr- "Move On" by Peter D. George, Northeast Sounds

¡§Move On,¡¨ Kenn Morr¡¦s fourth CD release, finds the Long Island-bred, rural Connecticut-transplanted singer-songwriter and his tight trio fashioning an especially intimate song cycle. Seldom do you hear music so reflective and detailed„oso honest, and once you¡¦ve heard the album a time or two, you¡¦ll have a tough time getting the memorable tunes out of your head.

Morr composed all the songs, most of which speak of very personal experience, from the opening title track, ¡§Move On¡¨¡Xa musical letter counseling a friend to forget the broken past and embrace the future¡Xto ¡§Blue Morn,¡¨ an autobiographical account of the events of 9/11/01. Morr was near Ground Zero at the time and describes¡Xin a moving, yet surprisingly tuneful way¡Xthe rush to leave the city where the people ¡§were upside down¡¨ and ¡§order wasn¡¦t anywhere to be found.¡¨

The CD takes the listener on a journey from grown-up rock through reggae, country, and Celtic flavors. Morr¡¦s distinctively deep voice is the focus, and the singer also handles guitar, mandolin, lap steel, and harmonica. Dan Hocott supplies harmony vocals and deep bass grooves (stand-up, acoustic, and electric), while Bob Gaspar adds just the right colors on drums and an interesting assortment of percussion. Karen Nolan decorates a few of the songs with seductive violin.

Rex Fowler, voice of veteran folk ¡¥n¡¦ roll heroes Aztec Two-Step, contributes a memorable vocal to ¡§Don¡¦t Turn Around¡¨„oanother song about embracing the present and future and not dwelling in the past. Romance is a significant part of this song cycle, especially in the two guest appearances by stage, screen, and recording star Annie Golden, who shares the vocal on ¡§Still Need You Near¡¨ (a highlight) and adds a haunting, operatic refrain to ¡§Girl With the Auburn Hair.¡¨

¡§Get Back¡¨ is a sharp reggae number about returning to one¡¦s core values. ¡§Late Summer Skies¡¨ is one of the most evocative accounts of that catch-in-the-throat time of year that you¡¦re likely to hear, riding lush waves of insects, ocean, and wind.

Put on this beautifully textured collection of songs after a long day¡Xaccompanied, perhaps, by ¡§a smoke and a glass of red wine¡¨¡X¡§get lost in the music like leaves in the wind¡¨ and ¡§know everything will be fine,¡¨ as the beautiful concluding song suggests.

¡§Move On¡¨ is a richly rewarding CD to which you¡¦ll look forward to returning.
- Northeast Sounds

Americana roots rocker and singer songwriter Kenn Morr may not stand out in a crowd yet, but he is writing songs that could
become part of American musical culture. As the drummer with JJ Cale, these songs sounded pleasantly familiar poetically and the
delivery sincere and as irresistible as the reluctant legend from Tulsa himself. I sense the same humility and musical integrity in him as Cale, who retains a quiet on stage demeanor that allows the music to speak for itself. We also have crossed paths with Kenn on his musical journey with legendary producer Bob Johnston, who recorded my former boss, Charlie Daniels on Dylan's Nashville recordings. He has also been compared to Leonard Cohen who took Daniels on his first European tour years before we made a name for ourselves.
Kenn plays guitar, piano, mandolin, lap steel, harmonica and has even produced himself in his own home studio. He pulled off an impressive first runnerup status in my Sonicbids "Best Song In The World Competition", and this round was stiff as Richard Nixon.
Humble and well grounded, he may back peddle the notion, but his songs rate up there with tunes from Music City's finest writers. The Connecticut troubadour has the rare ability to chart what appears to be familiar territory but taking a fresh new path. His latest CD Move On, is unique, the lyrics universal and his vocal delivery comparable to Gordon Lightfoot and Tom Petty at the top of their game.
Kenn's vocal patterns are guarded, genuine, original and intriguing. He seems to have an unending well of melodies that echo purpose and evoke deep thought and a well balanced laid back approach to life and song. I appreciate an unconventional style with conviction; Kenn along with his band are a pleasant and interesting combination. The songs from his fourth CD Move On, are honest and personal and seem to be from a kindler gentler place than where we live today. It takes masterful lyrics and thought provoking topics to take the audience on that trip.
Kenn has an eclectic style that successfully blends jazz, rock folk and countless textures and colors . I first saw Kenn on YouTube, and I flashed back to seeing a young Donovan opening for English rockers, Yes. Donovan also trekked back and forth to Nashville in the early days and cut several singles on small labels before radio gave him the proverbial nod. Kenn is radio ready, now he has to let radio jump on his bandwagon. JJ Cale says do what you do best and let your audience come around to you.
I advise Kenn to enjoy the family time and the mountain foothill scenery before record companies and promoters start pounding on his door with corporate sponsored deals and a year long itinerary. The power to realize your dreams are in your hands and in your songs. If you follow the music, all the rest will follow. Congratulations and much success! Artists of your caliber is what makes it all worthwhile for me to be involved. Merry Christmas & rock the new year with a joyful noise my friend!
- Gary Allen (JJ Cale, The Charlie Daniels Band)
- The Music City Beat & Tennesee Concerts.Com

Coming Home – Kenn Morr


CD Review by Dr. Philip Lombard


On Kenn Morr's first two collections he teamed with talented producers, but on "Coming Home," this multi-talented artist decided to produce the album himself. The result has a lucid honesty that is refreshing and long overdue.

Morr has created an atmospheric CD about a man's search for himself. It's a collection of personal songs; not just about the singer/songwriter, but also about us all. This album asks many questions which lead to the ultimate question: What is our purpose? It is a musical journey well worth taking. In the end, the artist discovers he's "got no time for worry/too much time is dead" and "the morning sky reminds him that God is out there somewhere." How do you put Kenn Morr's distinct vocal sound into words? Well, think of an American Donovan blended with the soft whispering sound of Don Williams.

The album kicks off with the title track "Coming Home," which opens with a haunting guitar and lovely flowing female harmonies. It's reminiscent of a mid-70's laid-back Eric Clapton tune with a lyric that includes "When we say goodbye I die inside." It doesn't get any more honest than that. "Mesa Moon" sneaks up on you and is complex in it's simplicity. This tune features a very subtle Johnny Cash-type rhythm, which drives the guitar and violin. It's the most country flavored tune on the CD and is the gem of the album. It finds the troubadour out on the endless highway once again and features perfect harmonies that drift over Karen Nolan's violin. Listen to the ladies nail the word…My - i - ind …at the end before the picking guitar fade. If this is any indication of Mr. Morr's ability to write a great country song, then let's hope that someday he'll record a complete album of country music.

Another prize is "In The Name of Rock And Roll." A great title for a wonderful tune that sounds like Dire Straits Unplugged. It features the weaved sound of organ, drums and violin over and under Morr's whispering, talking blues vocal. It's a tune for anyone who's ever plugged in an electric guitar in an attempt to keep rock and roll alive. I'd love to hear Bob Dylan cut this great example of Morr's unique writing.

On "Baby It's Me," the musical mood is elevated. It's the next morning, our hero wakes up and begins to pick up the pieces but realizes that it all begins and ends with him. The melody is gentle on the mind and weaves it's way into your consciousness. The line "Down and out ain't where I want to be" says it all.

On "Cold Winds," Morr's production technique shines through with the crisp sound of violin and guitar that ease you into a flowing feel of the old west – the story of a man who "Got the word and it wasn't good." It's a tune about traveling on with a broken spirit and features a tasty harmonica break plus harmony vocals shared with Rex Fowler.

There are six additional tracks that make up a sensitive reflective CD that is a gift to the ears and senses in these troubling times.
- AreUonsomething.com

THE KENN MORR BAND HELP STOLI REACH FOR HIGHER GROUND
May 3, 2010 | by Skope Staff

This is an exciting week to be in and a fan of The Kenn Morr Band. I say that becuase I just finished listening to their unreleased new album, ‘Higher Ground’ and it is a wonderful listen. Kenn & the band will be heading to NYC’s Bitter End on this Friday night, May 7th, to officially release the album to the public. We got a chance to talk with Kenn and he was more than gracious on all fronts. He even offers Skope readers a free MP3 of the title track so enjoy!
Stoli: Where are we talking from today and what are you doing today?
KM: I’m at home getting ready to build a portable basketball hoop for my sons and hoping to get it finished before they get home from school.
Stoli: How has the response to your new album, ‘Higher Ground’ been so far?
KM: “Higher Ground” will not be officially released to the public until early May. We’re playing a show at The Bitter End on Friday May 7th to celebrate the release. However those close to me who have heard the album seem to feel it’s my best work to date.
Stoli: Did you know that the album would catch on so well in over eight countries in Europe and any plans to tour there once the volcanic ash subsides?
KM: I would LOVE to tour Europe. “Move On” was the first album I ever promoted there. I was real pleased by response. We’re hoping “Higher Ground” will help open some doors to make a tour feasible.
Stoli: What has moving to the Berkshires done to help elevate your musical creativity?
KM: This is an easy one. I live in Heaven. When each season comes I find myself saying “this is the prettiest season of them all…” regardless of whether it’s the chill of Autumn or the first snow of Winter or Spring’s thaw. Each season is amplified in this part of the world. I grew up on Long Island where the lines between the seasons were a little blurry. In the Berkshiresthere is little doubt when winter ends and spring sets in. Life here is a bit slower than down in NY. Less people. Less traffic. A lot of open roads (and believe it or not I write a lot while driving…) I’ve often said living here is almost “cheating” from a songwriter’s standpoint. I mean from the rivers to the mountains, hills, wildlife etc.. It just makes it easier. Plus we are located in an area that makes getting to New York City and Boston pretty easy. So I never feel cut-off from the rest of the world.
Kenn Morr “Higher Ground” MP3:
SKOPE IT HERE!
Stoli: You are a musician and father of two boys. How do you balance your music passion and being a mentor to your boys?
KM: Funny you should use the word “passion” because that’s exactly what my music is to me. But parenting is a WHOLE other level of passion. Nolan is 9 and James is 6. Being a good dad to them is far more important than whether or not my album sells. I never thought I’d say those words (much-less believe them) but it’s true. And ironically every member of my band has been a stay-at-home dad at one point in their life. Which is probably another reason we all get along so well. There’s a certain kinship that goes with being an “involved” father. I honestly cannot believe how much I love being a dad. It’s the only job I’ve ever had that matters. And it matters in a BIG way. The balance between music and parenting isn’t easy. But knowing my priorities is REAL easy.
Stoli: Can we expect the Morr boys to be getting into music in the future and do you encourage that?
KM: We have this wonderful recording studio at the house where(most of) my last three titles have been recorded. My son James has his little black drum kit in the studio. Both boys have shown interest in music. And there are instruments all over the house. So we make it “available” to them without pressuring them or being structured. I’ve made it clear to them I will do anything to help them learn to play and write etc. so long as it comes from THEM and not me. It’s really the only way. I don’t want to ever take something as wonderful as music and “force” it. So I try to “encourage” in a subtle way because I’d hate to chase them away. I didn’t start playing and writing until I was 19 years old and it only happened because I wanted it so badly. And once I started I couldn’t stop. “The Morr Brothers” have already cut songs in our studio. They love it. They switch off between instruments. James has taken some lessons and Nolan played some violin in school. But it’s all real laid-back. I guess this is a “wait and see”.
Stoli: You have put out 5 albums which is awesome. Do you think that with technology your fans will buy your music digitally right off your website one day?
KM: My CDs are currently available on my website at www.KennMorr.com. There’s a direct link to I-Tunes for downloads and to CD Baby if fans want the CD. So (thankfully) technology has already made it possible to purchase off the site. Which is wonderful.
Stoli: Where can readers pick up the new album both physically & digitally - Skope Magazine

THE KENN MORR BAND HELP STOLI REACH FOR HIGHER GROUND
May 3, 2010 | by Skope Staff

This is an exciting week to be in and a fan of The Kenn Morr Band. I say that becuase I just finished listening to their unreleased new album, ‘Higher Ground’ and it is a wonderful listen. Kenn & the band will be heading to NYC’s Bitter End on this Friday night, May 7th, to officially release the album to the public. We got a chance to talk with Kenn and he was more than gracious on all fronts. He even offers Skope readers a free MP3 of the title track so enjoy!
Stoli: Where are we talking from today and what are you doing today?
KM: I’m at home getting ready to build a portable basketball hoop for my sons and hoping to get it finished before they get home from school.
Stoli: How has the response to your new album, ‘Higher Ground’ been so far?
KM: “Higher Ground” will not be officially released to the public until early May. We’re playing a show at The Bitter End on Friday May 7th to celebrate the release. However those close to me who have heard the album seem to feel it’s my best work to date.
Stoli: Did you know that the album would catch on so well in over eight countries in Europe and any plans to tour there once the volcanic ash subsides?
KM: I would LOVE to tour Europe. “Move On” was the first album I ever promoted there. I was real pleased by response. We’re hoping “Higher Ground” will help open some doors to make a tour feasible.
Stoli: What has moving to the Berkshires done to help elevate your musical creativity?
KM: This is an easy one. I live in Heaven. When each season comes I find myself saying “this is the prettiest season of them all…” regardless of whether it’s the chill of Autumn or the first snow of Winter or Spring’s thaw. Each season is amplified in this part of the world. I grew up on Long Island where the lines between the seasons were a little blurry. In the Berkshiresthere is little doubt when winter ends and spring sets in. Life here is a bit slower than down in NY. Less people. Less traffic. A lot of open roads (and believe it or not I write a lot while driving…) I’ve often said living here is almost “cheating” from a songwriter’s standpoint. I mean from the rivers to the mountains, hills, wildlife etc.. It just makes it easier. Plus we are located in an area that makes getting to New York City and Boston pretty easy. So I never feel cut-off from the rest of the world.
Kenn Morr “Higher Ground” MP3:
SKOPE IT HERE!
Stoli: You are a musician and father of two boys. How do you balance your music passion and being a mentor to your boys?
KM: Funny you should use the word “passion” because that’s exactly what my music is to me. But parenting is a WHOLE other level of passion. Nolan is 9 and James is 6. Being a good dad to them is far more important than whether or not my album sells. I never thought I’d say those words (much-less believe them) but it’s true. And ironically every member of my band has been a stay-at-home dad at one point in their life. Which is probably another reason we all get along so well. There’s a certain kinship that goes with being an “involved” father. I honestly cannot believe how much I love being a dad. It’s the only job I’ve ever had that matters. And it matters in a BIG way. The balance between music and parenting isn’t easy. But knowing my priorities is REAL easy.
Stoli: Can we expect the Morr boys to be getting into music in the future and do you encourage that?
KM: We have this wonderful recording studio at the house where(most of) my last three titles have been recorded. My son James has his little black drum kit in the studio. Both boys have shown interest in music. And there are instruments all over the house. So we make it “available” to them without pressuring them or being structured. I’ve made it clear to them I will do anything to help them learn to play and write etc. so long as it comes from THEM and not me. It’s really the only way. I don’t want to ever take something as wonderful as music and “force” it. So I try to “encourage” in a subtle way because I’d hate to chase them away. I didn’t start playing and writing until I was 19 years old and it only happened because I wanted it so badly. And once I started I couldn’t stop. “The Morr Brothers” have already cut songs in our studio. They love it. They switch off between instruments. James has taken some lessons and Nolan played some violin in school. But it’s all real laid-back. I guess this is a “wait and see”.
Stoli: You have put out 5 albums which is awesome. Do you think that with technology your fans will buy your music digitally right off your website one day?
KM: My CDs are currently available on my website at www.KennMorr.com. There’s a direct link to I-Tunes for downloads and to CD Baby if fans want the CD. So (thankfully) technology has already made it possible to purchase off the site. Which is wonderful.
Stoli: Where can readers pick up the new album both physically & digitally - Skope Magazine

The latest Kenn Morr Band album has a fine, gentle approach to folk music. The rhythm section lays down a light and steady foundation with just a quiet rock beat for the instrumentation to work off of. Kenn Morr handles the guitar and lead vocals with a bit of piano as well. And with just one additional member, Tom Hagymasi, we get violin, mandolin, bouzouki, accordion, and dulcimer. So there is no shortage of sound variations, even if the pace and overall sound is so relaxed. It is a successful approach as the songs are most inviting and are a pleasure to take in.
© David Hintz (Washington DC) - Folk World

“Along the Way” Album Review – Rock Times, Germany
Kenn Morr has been a frequent featured artist in our magazine. His new album “Along the Way” is his fifth album in the last nine years and follows previous releases “Worth Imagining” and “Afterimage” that were also reviewed by Rock Times Magazine. The American artist who lives in Connecticut produces and releases independently and features a band of Bob Gaspar (djembe, percussion) and Tom Hagymasi (violin, mandolin, dulcimer) who have been members of the band for quite some time. Only the position of bassist has changed in recent years however Pat Ryan, the newest member of the band, has established himself for many years.

Morr’s music is in the style of folk and Americana and it presents in a laid-back form and style. “Along the Way” begins beautifully with the relaxed “Out of the Fast Lane” featuring gentle accompaniment of bass, percussion and various stringed instruments. Where some of the older disks were not directly accessible these ten new songs immediately spread a cheerful, warm and earthy atmosphere. The voice and singing of the bandleader’s range is somewhat limited but radiates through depth and is very much at peace with the tone of the record. In other words one will happily listen to the man from the northeast.

Even the melodies this time are more skillful and bound to capture the ears of the interested music fan. Songs such as “Footprints to the Sea” provide a cool, natural foot-tapping swing which is immediately followed by the more thoughtful title song featuring strong background vocals from the start and roots-driven instrumentation and is my favorite song of the collection.

The thoughtful ballad “Anywhere Will Be Your Home” presents with fine mandolin accompaniment, djembe and Morr’s gentle harmonica. The album’s songs are characterized by their melancholy characteristics but are always positively optimistic. “Run Away” is upbeat while “Mr. Wolfe” bring a strong rootsy quality featuring the bouzouki. After starting quietly “Let it Go” shifts into high gear while “High Rollers” is quite pleasing to the ears. “Blow Wind” is a favorite for its loose, casual approach featuring cool instrumentation, sturdy refrain and arrangement. The bouncing “Try Me Tomorrow” forms a great melodic conclusion to a strong album.

Thanks to the quality of the songs, The Kenn Morr Band has delivered great work with “Along the Way”. The inclined music fan who can identify with Morr’s voice and has a penchant for cool, relaxing roots music will be very happy with this album. Great job guys! - – Rock Times, Germany

Today’s Cool Album of the Day (#964 in the Series) is The Kenn Morr Band “Along the Way.”

The Cool Album of the Day site went dormant for way too long. At times life interferes with life. One thing I’ve missed is finding cool little surprises in my mailbox. Yet once in a while I would still find a nice bubble wrapped package separating bills, coupon packets and info from the latest candidate that promises to make my life better.

However, every so often I’d still get one of those care packages. Every so often the content in said package is also a darn good listen. Can you believe that not every gift isn’t always good. Tru dat. The best ‘get’ that I ‘got’ in a long time was by The Kenn Morr Band.

One thing I always always do before I put finger to plastic when writing a new music review piece is to make sure that I’ve given it numerous listenings. I feel that you can’t be truly fair to an artist’s work on one visit. Put it this way from my Italian heritage perspective. An album is like a batch of home made pasta. It tastes better the next day after all the ‘gredients have blended. That doesn’t mean that you can’t draw something from the first listen though. Did anything jump out at you? Were you moved at all? Does it need salt or maybe more Parmesan?

One thing did jump out at me when I first listened to Along the Way. That was “If Roger Waters was to record an Americana album, this is what it would sound like.” I consider that a compliment. This album deserves passion buckets of compliments. It’s that good.

I find Kenn’s voice similar to Waters voice when Roger gives us the softer tunes. I find it very soothing and fits the music perfectly. Great vocalists sing what’s appropriate to the song. The music, which is driven by mainly acoustic instruments has a nice breezy feel to it. “Out of the Fast Lane and Let it Go” indeed. It’s weird to think that this came from a Connecticut based band. I wonder if they recorded it while being snowed in during another much too frequent ‘Nor’easter?’

This is music that will make you want to be at the beach. No, let me change that. I’m thinking more the evening, around a fire pit, sharing it with good friends. Maybe even while making smores with Roger Waters. - Cool Album of the Day

Morr balance, better music

COLEBROOK

Kenn Morr has crafted his life as carefully as he crafts his music.

The singer/songwriter, who has just released his 10th CD, “Along the Way,” has deftly balanced a career in music while holding tight to that most precious of commodities — his family life.

Morr reveals that in college, when he began his career as a musician, his goal was to become “bigger and bigger.” But marriage and fatherhood changed his perspective.

“Being dad comes first,” he said while sitting at his dining room table and awaiting the return of his younger son, James, at the end of the school day. “That’s why we tour largely in the Northeast — most nights we come home. If I (traveled further), I would miss these years.”

Morr’s studio is in his Colebrook home, a residence he and his wife decided upon in anticipation of the arrival of their first son, Nolan, now 16.

“It’s worked well to be able to work within a stone’s throw of my sons,” he said.

The fact he has limited the current scope of his career — despite his love for making music — says volumes about his dedication to his family.

“My musical career started after I stopped playing baseball after high school,” he said. “I found myself asking, what do I do now? I was in college, doing the responsible thing, but a voice kept saying that I always wanted to be a songwriter. Then I got a guitar for Christmas and it was life-altering.”

Like many artists, he had “a day job to fund my habit,” but he had found his true calling.

Now, at that vulnerable point when his children are teens, Morr’s latest album deals with “the feeling of time passing.”

“One reviewer said the album has a ‘bittersweet’ feel,” Morr said. “It’s about love, loss, life’s theme — my deepest and darkest thoughts put to happy music.”

Though the CD, released in the U.S. on Sept. 15, already has gained strong reviews in Belgium, the United Kingdom and Germany, he said bad reviews would not have discouraged him.

“I feel there is little anyone can say that would hurt me,” he said. “I just get more and more comfortable with our band’s style, and this last CD was so comfortable to make. All the songs came to me within a year’s span and so effortlessly. If people don’t like it, they just don’t get it.”

His band is composed of Tom Hagmasi, Patrick Ryan and Bob Gaspar, who play a variety of instruments and provide vocal harmony, while Morr, with his slightly smoky baritone, is lead vocalist.

The songs, which include titles such as “Out of the Fast Lane,” “Footprints to the Sea” and “Along the Way,” all were recorded with the musicians playing together in one room, rather than contributing tracks from different studios, which is often the norm these days.

“There is no replacing that energy in a room,” Morr said. “The whole time I listened to the CD, I was smiling.”

To learn more or to order the CD, visit kennmorr.com. - Republican American

By Tom Franks - Folk Word – United Kingdom

Among its many vagaries life offers some certainties – they include the flow of memorable melodies and deeply-thought themes that permeate Kenn Morr’s mix of folk rock Americana. The latest album from The Kenn Morr Band, ‘Along The Way’ serves up a selection of laid-back warmth, involving softly embracing songs and pin-sharp observational lyrics. The instrumentation is as strong as ever, and like a few lucky artists (and good whiskey) Kenn Morr’s voice just gets better with age and the songs on ‘Along The Way’ are ample evidence of that – this is an album for those all too soon approaching winter nights, sit back relax and let the music wind you down….

It’s hard to pick ‘highlights’ because this is such a ‘complete’ album, not a single ‘filler’ in sight, every song in its right place and complementing each other start to finish. However, if pushed I’d mark out my favourites as: ‘Out Of The Fast Lane’, Along The Way’, ‘Blow Wind’, ‘Anywhere Will Be Your Home’, ‘Mr Wolfe’ and ‘Run Away’. Yes, there really are that many stand-out tracks.

The Kenn Morr Band on ‘Along The Way’ are of course the usual suspects, Kenn Morr (electric guitar, piano, harmonica, vocals) Tom Hagymasi (violin, mandolin, bouzouki, accordion, dulcimer, harmony vocals) Pat Ryan (bass guitar, harmony vocals) and Bob Gaspar (djembe, percussion). - Folk Words - UK

Kenn Morr has been a frequent featured artist in our magazine. His new album “Along the Way” is his fifth album in the last nine years and follows previous releases “Worth Imagining” and “Afterimage” that were also reviewed by Rock Times Magazine. The American artist who lives in Connecticut produces and releases independently and features a band of Bob Gaspar (djembe, percussion) and Tom Hagymasi (violin, mandolin, dulcimer) who have been members of the band for quite some time. Only the position of bassist has changed in recent years however Pat Ryan, the newest member of the band, has established himself for many years.

Morr’s music is in the style of folk and Americana and it presents in a laid-back form and style. “Along the Way” begins beautifully with the relaxed “Out of the Fast Lane” featuring gentle accompaniment of bass, percussion and various stringed instruments. Where some of the older disks were not directly accessible these ten new songs immediately spread a cheerful, warm and earthy atmosphere. The voice and singing of the bandleader’s range is somewhat limited but radiates through depth and is very much at peace with the tone of the record. In other words one will happily listen to the man from the northeast.

Even the melodies this time are more skillful and bound to capture the ears of the interested music fan. Songs such as “Footprints to the Sea” provide a cool, natural foot-tapping swing which is immediately followed by the more thoughtful title song featuring strong background vocals from the start and roots-driven instrumentation and is my favorite song of the collection.

The thoughtful ballad “Anywhere Will Be Your Home” presents with fine mandolin accompaniment, djembe and Morr’s gentle harmonica. The album’s songs are characterized by their melancholy characteristics but are always positively optimistic. “Run Away” is upbeat while “Mr. Wolfe” bring a strong rootsy quality featuring the bouzouki. After starting quietly “Let it Go” shifts into high gear while “High Rollers” is quite pleasing to the ears. “Blow Wind” is a favorite for its loose, casual approach featuring cool instrumentation, sturdy refrain and arrangement. The bouncing “Try Me Tomorrow” forms a great melodic conclusion to a strong album.

Thanks to the quality of the songs, The Kenn Morr Band has delivered great work with “Along the Way”. The inclined music fan who can identify with Morr’s voice and has a penchant for cool, relaxing roots music will be very happy with this album. Great job guys! -