Sonsombre
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Sonsombre

Middletown, Maryland, United States | Established. Jan 01, 2016 | INDIE

Middletown, Maryland, United States | INDIE
Established on Jan, 2016
Band Alternative Gothic

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"Sonsombre Are as Goth as it Gets in “Lights Out”"

Sonsombre Are as Goth as it Gets in “Lights Out”, an unapologetically dark track harkening to the second wave Gothic Rock of the mid to late 80s and early 90s, with jagged guitars and bellowing vocals, evoking the grand aural aesthetics of the undead.

In fact, this Brandon Pybus fronted band are so goth that Andrew Eldritch would kick them off a bill for their cobweb laced shenanigans—and they are a perfect fit for being a new signing to Cleopatra Records.

Watch the video for “Lights Out” below, but you may need to find yourself a pack of cloves first.

Sonsombre’s forthcoming new album is entitled One Thousand Graves. It will be out on Cleopatra Records January 21st - Post-Punk.com


"Review of Sonsombre: The Veils Of Ending"

It seems like the original goth music concept is becoming a bit of a forgotten relic from times of yore. It’s easy to forget sometimes as goth music is experiencing a resurgence that brought a shattering and synthesis of various styles to create new sub genres that the original fans of Sisters of Mercy (totally not goth just ask Andrew Eldrich), Fields of the Nephilim, Rosetta Stone , in the 80s are all elders at home on a Friday night. Even the generation after (which i am a part of ) are in our 40’s now. That is why when I heard this record from North Virginia doom rockers Sonsombre my heart soared with the idea that the new generation of “goth” is ready to come back to square one. To the place it all begin with some true dark unapologetic goth rock. Risen from the crypt and given shadowy wings to soar once again into our hearts. I am 100% ready for this and I think the world is as well.


Sonsombre means dark and somber and this record surely is. It is cold and menacing. Guitar lines twisting like serpents of smoke flowing with the sound of a fender jazz tube amp with poison fangs aimed for your head. Brandon Pybus voice echos and canters through poetic verses about a sinister world closing in. Up tempo rock beats with crisp sword dance snare beats snap you like a frothing horse running towards a cliff. This album feels more and more like an unearthed and forgotten magic which was always there sleeping but we had forgotten. I want to remember. I want this new generation to hear what goth meant to me, and Brandon has captured that sound in a bottle and spread it back into the world. How can a concept so old feel so fresh? - Sounds and Shadows


"SONSOMBRE - THE VEILS OF ENDING | REVIEW"

Sonsombre is the new gothic masters. Proof is in "The Veils of Ending".

I think I've written it again. Gothic rock has definitely some things to give in the future. There will be a relative article real soon. There is one person and one band that has taken gothic rock's hand and moves forward. It is true that he won't carry all the weight on his shoulders, alone, since there are several other bands that are moving gothic rock to the future.. However, Sonsombre is and will be in the frontline with them.

"The Veils of Ending" is the second chapter for Sonsombre, still remaining focused to the classical gothic rock. Brandon Pybus is an artist deeply influenced by gothic rock's "second wave" bands, mainly from the 90's era. Those influences are amazingly adopted on paper and in the music of Sonsombre.

"The Veils of Ending" starts with the powerful "Coming For You". A starter for an album that has many more excitement to give. Heavy riffs and a strong drumline. "Night Child" starts quite more melodic than the "Coming For You", while when the first minute is passing an alteration in guitars hits you like electricity. Vocals are coming to make the ambience even darker with the deep tone and emotional lyrics closing this amazing song with a desperate call for the Night Child.

"Between" is next. Quite lower but strong tempo and atmospheric, reminds a combination of The Wake and Screams for Tina. In "Fear" someone could say that one of the biggest influences for Brandon is present her and that is the legendary Christian Death. Clean guitars matched with some synths in the background. "The Future Is Black" is an obvious gothic club hit with an up-tempo drum and bassline and a catchy guitar riff. Addictive chorus that will stuck in your head.

"Matte Black" could be my personal favorite, although it is really hard for me to pick. All these elements that made you love gothic rock is here. Catchy rhythm, sharp guitars, an even more addictive refrain. Danceable and dark, vocals taken out from your best gothic nights. "Mirror Mirror" starts with a haunted atmosphere with the melody and the deep vocals of Brandon. Tension and deepness are growing as the tempo explodes after a while, keeping the same haunting characteristics and with the addition of a piano melody.

"A Ghost Story" is touching the lines of a gothic ballad. A strong gothic ballad with heavy but sharp guitar and a beautiful bassline. A story about all of us, ghosts, in the lyrics, narrated with the beautiful voice of Brandon. "It's Alright" is the point where Brandon puts more melody in his riffs, showing some other influences that could have affect his music, keeping all these gothic feeling and atmosphere. "Unfit for Endings" is another true gothic ballad. Influences from the Fields Of The Nephilim all over this song. Sad guitars with the accompaniment of depressed drums and bass and the dark rendition of Brandon. Same titled last track, "The Veils of Ending" is an outro for this album.

If The Wake could join Nosferatu the result could be Sonsombre's "The Veil of Ending". I know that I am talking about two of the most legendary and influential bands of pure gothic rock. But it is something that I strongly believe so, and I think some of you would agree right after listening to "The Veils of Ending". Sonsombre's new album has all the characteristics of those huge bands. Sharp guitars, in some moments heavier, deep, clear, gothic vocals and a veil of darkness creating the appropriate atmosphere. Sonsombre have made a perfect mix of those elements along with the really unique voice of Brandon and the addition of his own music characteristics. A "must have" for gothic rock lovers and not only. If you love good music, you know what to do... - ElektroSpank


Discography

"A Funeral For The Sun" - Independent (Sep. 9th, 2018)
"A Funeral For The Sun" - Post Gothic Records (Jan 1st, 2019)
"The Veils of Ending" - Post Gothic Records (June 1st, 2019)
"One Thousand Graves" - Cleopatra Records (Jan. 21st 2020)

Photos

Bio

With a modern sensibility, Sonsombre stand on the shoulders of beloved bands like The Wake, Suspiria, and Nosferatu, while playing a dark and energetic guitar driven Gothic Rock style.  Founding member, multi-instrumentalist and vocalist Brandon Pybus conceptualized Sonsombre in 2016.  As the project took shape, “A Funeral For The Sun” emerged.  The decision was made to release the record independently.  The response from the underground was immediate and positive, with many DJs, podcasters, and Goth Rock fans from around the globe expressing their appreciation for the spirit and execution of the album.  Oskar Terramortis’ Post Gothic records (Finland) re-released “A Funeral For The Sun” on CD in January of 2019.  

The sophomore record, entitled “The Veils of Ending”, was released by Post Gothic Records on 1 June 2019 to even larger fanfare, including the release of an official music videos for “The Future Is Black”, “Fear”, and "Matte Black".

With a rapidly growing social media following and cult “buzz”, Sonsombre have performed at some of the U.S.’ biggest underground Goth/Post Punk/Death Rock festivals including A Murder of Crows and the San La Muerte Festival.  Having signed to the legendary Cleopatra Records, Sonsombre’s third full-length album entitle “One Thousand Graves” will be released on January 21st, 2020, and they will be supporting that release with several US and European dates throughout 2020.

Band Members